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This Side of the Law

  • 1950
  • Approved
  • 1h 14min
NOTE IMDb
6,4/10
682
MA NOTE
This Side of the Law (1950)
Film noirDrameMystère

Ajouter une intrigue dans votre langueA drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out tha... Tout lireA drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out that things are not exactly how they seem.A drifter is bailed out of jail by a lawyer, who hires him to impersonate a millionaire until the man can be declared legally dead and the estate settled. However, the man soon finds out that things are not exactly how they seem.

  • Réalisation
    • Richard L. Bare
  • Scénario
    • Russell S. Hughes
    • Richard Sale
  • Casting principal
    • Viveca Lindfors
    • Kent Smith
    • Janis Paige
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    682
    MA NOTE
    • Réalisation
      • Richard L. Bare
    • Scénario
      • Russell S. Hughes
      • Richard Sale
    • Casting principal
      • Viveca Lindfors
      • Kent Smith
      • Janis Paige
    • 22avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos19

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    + 13
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    Rôles principaux12

    Modifier
    Viveca Lindfors
    Viveca Lindfors
    • Evelyn Taylor
    Kent Smith
    Kent Smith
    • David Cummins
    Janis Paige
    Janis Paige
    • Nadine Taylor
    Robert Douglas
    Robert Douglas
    • Philip Cagle
    John Alvin
    John Alvin
    • Calder Taylor
    Monte Blue
    Monte Blue
    • The Sheriff
    Nita Talbot
    Nita Talbot
    • Miss Goff
    Frances Morris
    Frances Morris
    • Miss Roberts
    Edgar Dearing
    Edgar Dearing
    • Cop
    • (non crédité)
    Michael Mark
    Michael Mark
    • Vagrant
    • (non crédité)
    Forbes Murray
    Forbes Murray
    • Bailiff
    • (non crédité)
    Edward Van Sloan
    Edward Van Sloan
    • Judge
    • (non crédité)
    • Réalisation
      • Richard L. Bare
    • Scénario
      • Russell S. Hughes
      • Richard Sale
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,4682
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    Avis à la une

    7planktonrules

    Really, really tough to believe...but enjoyable.

    "This Side of the Law" is a noirish film with mostly unknown or second-tier actors...but it is quite enjoyable and worth your time. It's just that the plot is REALLY tough to believe...and you must suspend disbelief to get through it.

    Kent Smith plays a drifter who is up on vagrancy charges. However, a lawyer plays his fine and offers him a proposition...pretend to be someone else for a few days and earn $5000! The difficult to believe things are that the drifter could look like the long-lost Malcolm AND that he'd ever agree to such a preposterous plan. Plus, it seems pretty clear who the villain is in all this. But, it IS interesting and is well acted. Smith, in particular, was a very good actor and despite being a minor leading man, he's very good here.

    Overall, it's a neat film with noir elements (such as the narration, some of the camera work and the bleak nature of the story) and one that is very good but mostly unknown. Well worth seeing...and I found a copy of this on HBO Max.

    By the way, Warner Brothers evidently had little confidence in the film, as after they completed it, it sat on a shelf for about 18 months...a sure sign they thought they'd wasted their money on this one.
    7kalbimassey

    The seven year hitch

    Waves crashing violently over jagged rocks, against a moonlit sky, presided over by an isolated, almost spectral clifftop house, while a desperate man, trapped at the bottom of a disused cesspool rapidly loses any hope of escape. It all sets the tone for a movie as preposterous as it is atmospheric.

    Dishevelled, down at heel vagrant, Kent Smith, comes under the gaze of suave, sophisticated, savvy but scheming lawyer Robert Douglas. With his educated English accent and pencil thin moustache, he is the template for the Tom Helmore character in 'Vertigo'. Smith scrubs up sufficiently well to pass for dapper, prosperous Malcolm Taylor, seven years missing and about to be pronounced officially dead, which will spark serious financial repercussions for his estate.

    That a grubby, random, homeless man could be so remarkably transformed, have the confidence, poise audacity and chutzpah to pull off such a stunt, even for BIG money, certainly stretches credibility. To then arrive on the doorstep, after seven years without trace or explanation and greet 'wife' Viveca Lindfors with a slightly sheepish, "Hello Evelyn" is almost as laughable as The Disaster Artist's 'Oh! Hi Mark' moment. Smith also has to deal with hostility from brother, John Alvin, who loathes him and the advances of sister in law, Janis Paige, who loves him. All minor fare compared with the relentlessly barking, snarling, howling dog, Angel, who would gladly eat him...... before moving on to the main course!

    Smith may look, sound, act and even smell like Missing Malcolm, but as always the Devil is in the detail. Small revelations start to arouse suspicion concerning his veracity. As the double crosses double, every ten minutes, the absurdities of the plot ultimately give way to something altogether more intriguing and absorbing. Whilst the stark, forbidding settings evoke the aura of the best goth noir. The largely second tier cast turn in convincing performances, with Janis Paige's femme fatale especially memorable in a movie which emerges with greater integrity than initially anticipated. Undiscovered by myself, until recently, 'This Side of the Law', is an interesting addition to my ever expanding noir catalogue.
    8robfollower

    Viveca Lindfors Stunning beauty .

    This Side of the Law is a thrilling ride of twists and turns in gorgeous Gothic settings. Kent Smith plays David Cummins, a bum arrested for vagrancy whose fine is paid by a stranger named Philip Cagle (Robert Douglas), an attorney who offers him a job to impersonate a missing millionaire named Malcolm Taylor whom Cummins resembles perfectly and for whose estate Cagle is executor. Despite not knowing Cagle's intentions, Cummins needs the money so takes the job, returning "home" to the man's clifftop estate to the shock of Taylor's wife, brother, and sister-in-law, who assumed him dead. We soon learn just how much hatred and deceit a household of merely four inhabitants can contain. The acting is mostly excellent, William Lava's score is eerily ahead of its time, especially during moments of heightened suspense, and Carl Guthrie's cinematography beautifully captures the atmosphere of the dramatic settings (cliff, beach, gazebo), especially since most scenes take place at night. Underseen and under-rated. 8/10

    Viveca Lindfors Stunning beauty ......was a Swedish-born actress whose stage and screen career in the U. S. and Sweden spanned more than half a century. She was brought to Hollywood in 1946 by Warner Brothers in the hope that she would be a new Greta Garbo or Ingrid Bergman.
    7ksf-2

    pretty good black & white thriller

    At the beginning, a narrator speaks as we are shown a residence and the dog named "Angel" that guards it. The viewer is shown the top of a cistern, with "David" the narrator (played by Kent Smith) at the bottom of the cistern. Here's the flashback to tell his story...

    When David is picked up for vagrancy, someone pays his fine, and has a proposition for him: He is to pretend to be a millionaire, who had disappeared several years prior. Even the millionaire's wife can't tell he is an impostor, but things start to go wrong. The man he is impersonating wasn't very well liked, and David must find out why. Viveca Lindfors gets top billing as "the wife", but it's Janis Paige as the sister- in-law who (rightfully) steals the show. Watch for Monte Blue as the Sheriff. The acting isn't anything special, but the story is mildly compelling, and since we know right from the start that David ends up in the well, we get hooked on finding out how he ends up there.

    Written by Richard Sale, who had several novels and screenplays made into films. This one IS available on DVD, although you can catch it on Turner Classic Channel about once a year. Directed by Richard Bare, who wrote a book on the proper technique on film directing.
    7AAdaSC

    Well, well, well....

    Get out of that of you can. Kent Taylor (David) is at the bottom of a covered well at the film's beginning. We go to flashback to tell the story of how this has come to pass. The story develops gradually so that you are not given all the information as to what is really going on. We learn what is happening as our lead man Taylor discovers things. Lawyer Robert Douglas (Cagle) holds the strings as to what is really happening and reveals things when necessary. It is his plan to have Taylor turn up at an Estate and pretend to be the long-lost owner so that the Estate's money does not get passed on to any undesirable characters who currently live on the premises.

    It's an entertaining film with a good cast and scenery that gives you a spooky vibe. It's well filmed and keeps you guessing at the mysterious relationships and who is colluding with who. It's a small cast with a special mention to Janis Paige (Nadine) as my favourite character who plays the not-so-dumb relative of Taylor.

    One reviewer has focused on the cliff aspects of the film and makes a good contribution. A good cliffy location for this film to play out. An enjoyable film with a good technique for getting out of a well should you ever fall into one.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Produced in October and November of 1948, but not released until June of 1950.
    • Gaffes
      Patience is a virtue - unless you killed a guy for his $3 million dollar fortune (worth $40 million in 2025) and are just waiting out the 7 years till the "missing man" can be declared legally dead. And then what...? Kill some more folks? As crooked lawyer Philip Cagle was going to have to, as no way *he* was the beneficiary of Malcolm's will, nor was anyone just going to endorse the inheritance check over to him with a "Thanks for thinking about Malcolm all these years! You're a pal. You can have it all!" Exactly what was his plan? In one more week the widow Evelyn would have gotten the money (as the seven years waiting period would have been up). She was not about to just hand the whole wad over. The spineless shrew of a brother (Calder) and his malicious wife (Nadine) were only going to get whatever crumbs either Malcolm or shystering Cagle would have left for them in Malcolm's will. What did Cagle need Nadine (who was having an affair with Malcolm, and never knew Cagle had murdered him) for? Why would he be splitting the take with her? And Cagle was going to have to kill off hired impostor Cummins (as if he was really a bad apple afterall he'd immediately blackmail Cagle to death, and if he was a good one he'd turn him in to the cops). So Cagle would have had to have killed Malcolm to get the ball rolling (and clock ticking), killed Evelyn to make sure she didn't get the money, killed Calder (so he didn't inherit it once both Malcolm and Evelyn were dead), then killed Calder's wife Nadine (since she'd've been next in line). That only would have left the dog standing. Maybe the whole thing seemed like a good idea when Cagle first dreamt it up, but realistically, it's just not very practical.
    • Citations

      Philip Cagle: [encountering Cummins as he has just been released from jail for vagrancy] Better out here, isn't it?

      David Cummins: You paid my fine.

      Philip Cagle: You're abrupt, Mr. Cummins, but true.

      David Cummins: Is there any reason I should thank you?

      Philip Cagle: I talk better over a cup of coffee, how 'bout you?

      David Cummins: That depends on what I have to talk about.

      Philip Cagle: I paid fifty dollars to get you out here, the least you can do is let me tell you why I did it.

      Philip Cagle: Fifty dollars for me? Inflation's here to stay.

      [gets into the car]

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    Détails

    Modifier
    • Date de sortie
      • 17 juin 1950 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Streaming on "Great Early Films & TV" YouTube Channel
      • Streaming on "Take2MovieClassics" YouTube Channel
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El que no volvió
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 14min(74 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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