L'extravagante Mlle Dee

Well, this wasn't "It Happened One Night" but, the plot line was similar. Rich girl (Joan Fontaine) secretly hops aboard a transport plane to escape a loveless marriage. Jimmy Stewart, the pilot, finds her and is annoyed to have a pretty girl hiding on board. In Hollywood guys always get mad finding a pretty stowaway, yeah, right. Anyhow, after a plane crash and lots of hanging around, nature takes over ... and you know... Actually, I enjoyed it. A little escapist comedy, that managed to entertain. Eddie Albert is good too, as Stewart's side-kick. I'd rank it a respectable 6 1/2. Also, Fontaine is as always, very feminine.

At first I thought You Gotta Stay Happy was just going to be a version of Runaway Bride (decades before that movie came out) and I was not at all excited about that. However, that's not the story being told here. Joan Fontaine isn't playing a woman who is frightened of commitment, instead she's simply a woman who hasn't found the right person. It's a subtle difference, but I appreciated that, and it made the romance click for me. I absolutely loved the early scenes with all the mix-ups in the hotel room. It was charming, and I am always entertained by what was considered scandalous behavior back in the 40s and 50s. If there was any problem with those early scenes it is how quickly the husband is written out of the story, and he doesn't even seem to put any effort into finding his own spouse.

Of course, I wasn't interested in watching a love triangle film, so in the long run I like that James Stewart and Joan Fontaine get so much time alone together (although sometimes with a monkey or Eddie Albert.) Their romance was convincing and I thought they had a nice chemistry with one another. The silly stuff that goes on with their flight is humorous, and I liked how it all snowballed from no passengers to a whole handful of people on board. It was kind of weird that we didn't see all those people hanging around all the time, but they needed to create alone time for the 2 leads. Now, every good rom-com has to have a conflict, and that's the biggest struggle with You Gotta Stay Happy. The things that upset James Stewart's character are kind of ridiculous for anyone to take as offensive or disappointing. I took it all in stride because it was matching the tropes I expect from this genre, but with some different choices I would have loved the film more.

You Gotta Stay Happy (1948) : Brief Review -

You gotta enjoy H. C. Potter's version of It Happened One Night (1934). The world can never get over Frank Capra's 1934 classic rom-com, nor can it overlook the influence it left on others over the decades. Potter's You Gotta Stay Happy happens to be one such film, and you gotta see it and enjoy it despite its predictability. The film carries a similar plot, though framed within a different world and set of circumstances. A rich heiress fleeing from her wedding (with a slightly altered marriage subplot) and falling in love with a common man-this is the basic setup, strongly reminiscent of Capra's cult screwball. Interestingly, the female character here is more dominant than the male, which is quite the opposite of the earlier film. To put it simply, You Gotta Stay Happy is about a wealthy heiress, Diana, who is coerced into marriage and decides to run away on her wedding night. She barges into a neighboring hotel room belonging to a pilot, Marvin, who lets her stay the night. Diana instantly starts liking him, and by the next day, manages to tag along with him on his journey. During the trip, Marv too falls for her, but things take a downturn when he discovers her true identity and her recent marriage. I never imagined I'd enjoy Joan Fontaine in such a charming and comedic role, but I absolutely did. James Stewart and she make a fine couple, though-just to set the record straight-they're not quite on par with Gable and Colbert's finesse. Yet, there's a definite spark between them, and their chemistry lends a certain enchantment to the film. H. C. Potter has directed several delightful comedies, and this one stands out as another hidden gem in his oeuvre. Not a masterpiece, but certainly a delightful watch. This film brings back memories of a bygone era-when movies like these were made with such warmth. Now, all we can do is cherish the memories because they don't make it like this anymore.

RATING - 7/10*

By - #samthebestest.

Though screwball comedies like Bringing Up Baby and It Happened One Night had run their cycle by World Way II, Universal was persuaded to try it again with this frothy story about runaway heiress Fontaine escaping her stuffy groom for the charms of pilot Jimmy Stewart who is running a shoestring flying service. Stewart's finesse with this genre shows as does Eddie Albert's as yet another snappy best friend. Fontaine is more sweet than brittle with a comedic line, but thanks to a great supporting cast like Porter Hall, Roland Young, Percy Kilbride, and a cigar-smoking chimp,You Gotta works pretty well. The frantic pace relaxes more than it should when the cast gets airborne, but this is a very entertaining film of its kind with more than a few laughs.

Real-life airman James Stewart is enjoyed here in the first of his pilot roles. Eddie Albert, who would somehow not enjoy outdoing himself five years later in Roman Holiday, is well cast. Joan Fontaine lifted my already high opinion of her by delightfully playing an heiress whose charm and beauty are only matched by her extraordinary wealth.

You Gotta Stay Happy is one of Stewart's more rarely seen pictures despite my high rating. Fans of the aforementioned actors should consider it recommended.