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Ajouter une intrigue dans votre langueAn upper-class female reporter is (despite herself) attracted to a hulking laborer digging a tunnel under the Hudson River.An upper-class female reporter is (despite herself) attracted to a hulking laborer digging a tunnel under the Hudson River.An upper-class female reporter is (despite herself) attracted to a hulking laborer digging a tunnel under the Hudson River.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 nomination au total
Murray Alper
- Moran
- (non crédité)
Faith Brook
- Pert Brunette
- (non crédité)
Rod Cameron
- Taylor
- (non crédité)
Kenneth Chryst
- Photographer
- (non crédité)
Yvonne De Carlo
- Showgirl
- (non crédité)
Jerome de Nuccio
- Leon Brice
- (non crédité)
Sayre Dearing
- Sidewalk Passerby
- (non crédité)
Helen Dickson
- Sidewalk Passerby
- (non crédité)
George Dolenz
- Captain of Waiters
- (non crédité)
Jack Gardner
- Photographer
- (non crédité)
Bill Goodwin
- Christley
- (non crédité)
Avis à la une
Sexy sophisticated photographer Colbert falls for lunkhead tunnel worker. A variation on the old independent city girl falls for ordinary joe that worked in both Mr. Smith and Mr.Deeds Goes to Town. The scenes inside the construction tunnel are pretty well done and Colbert is always great . McMurry is a little hard to swallow as the hunky construction "Superman!?" I think I'm in better shape and I'm 59. Still both are excellent comedy actors so it makes this enjoyable enough.
Claudette Colbert is a busy, successful and rather self-satisfied photographer on a popular picture magazine. Sent to do a story on a crew tunneling under the river, she encounters brash and beefy laborer Fred MacMurray. Not surprisingly, the two complete opposites take an instant dislike to each other. It's equally not surprising when they can't stay away from each other.
Yes, the plot is pretty predictable, but Colbert and MacMurray manage to entertain nevertheless. Fred is the kind of guy who talks tough but is nobody's fool when it comes to using his brains when he needs to invent a new machine to get his work done. Claudette, on the other hand, lives the intellectual life among magazine editors and pianists-but, it turns out, isn't afraid to get her feet muddy when it comes to helping a friend.
Rhys Williams is a good sport as MacMurray's pal from the tunnel. June Havoc is just right as the dancer who hangs out with Fred but can't compete with Claudette: fun-loving, slightly obnoxious, and just sympathetic enough that we almost feel bad for her.
Highlights include a sequence in the tunnel where mud is seeping through the walls and MacMurray's team-and Colbert-are in it up to their waists. There's also a hilarious bit where Colbert convinces the men to play musical chairs instead of throwing a fight. (They try it, it turns into a fight.)
Quite enjoyable, overall, thanks mainly to the personalities of the two stars. Colbert and MacMurray really are hard to resist.
Yes, the plot is pretty predictable, but Colbert and MacMurray manage to entertain nevertheless. Fred is the kind of guy who talks tough but is nobody's fool when it comes to using his brains when he needs to invent a new machine to get his work done. Claudette, on the other hand, lives the intellectual life among magazine editors and pianists-but, it turns out, isn't afraid to get her feet muddy when it comes to helping a friend.
Rhys Williams is a good sport as MacMurray's pal from the tunnel. June Havoc is just right as the dancer who hangs out with Fred but can't compete with Claudette: fun-loving, slightly obnoxious, and just sympathetic enough that we almost feel bad for her.
Highlights include a sequence in the tunnel where mud is seeping through the walls and MacMurray's team-and Colbert-are in it up to their waists. There's also a hilarious bit where Colbert convinces the men to play musical chairs instead of throwing a fight. (They try it, it turns into a fight.)
Quite enjoyable, overall, thanks mainly to the personalities of the two stars. Colbert and MacMurray really are hard to resist.
High-minded famed modern photographer Katherine Grant (Claudette Colbert) quits Mirror Magazine once again after arguing with the editor. Publisher Henry Fulton has a crush on her and forces him to apologize. She insists that she doesn't get preferential treatment and the editor promptly sends her into the tunnel construction under the river. Her presence causes an accident leading to meathead sandhog Jim Ryan (Fred MacMurray) getting into a fight. She starts dreaming about the hunk and decides to confront it. Henry releases a picture of Ryan fighting causes him to be suspended. Katherine hires him as her assistant and rom-com chaos ensues.
I like the pairing of Colbert and MacMurray. The actors have a nice chemistry with physical comedy and biting lines. The main drawback is that MacMurray doesn't fit the meathead role. He can play clueless but once he put on a suit and bow tie, he no longer fits the blue collar superman hunk character anymore. I would love to see this remade. This is a fun silly little rom-com.
I like the pairing of Colbert and MacMurray. The actors have a nice chemistry with physical comedy and biting lines. The main drawback is that MacMurray doesn't fit the meathead role. He can play clueless but once he put on a suit and bow tie, he no longer fits the blue collar superman hunk character anymore. I would love to see this remade. This is a fun silly little rom-com.
This is a corny love story, no doubt about it. Colbert was at her prime, and MacMurray was on the way up. She was shapely, witty and ravishing as the Uptown NYC reporter, and he was sweat-laden, resolute and brawny in the mud somewhere below the Hudson. I saw it about thirty five years ago, and somehow it has stuck with me all these years. Now that I live in Massachusetts, where the taxpayer has just poured $16BN into a death hole below Boston, I just wish that old' Fred was still kicking so he could jump down in that glory hole and make it all right. Claudette could put the ink out on all the shady contractors and corrupt politicians. How come life isn't more like the movies?
Claudette Colbert is a photographer who takes pictures for Mirror Magazine. a current events and topics sheet of a kind. When she's sent on assignment to cover "sandhogs" who are tunneling for the city's sewer, etc. she discovers sweaty, shirtless men underground and Fred MacMurray is one of them. Of course, they do not hit it off well in the beginning. With his swagger, ego, and his obvious gruff way with women, the viewer can see he's used to a certain type of woman and to taking what he wants. But his he-man attitude is lost on her. Or so, she says. She winds up dreaming about this man that his co-workers call "Superman." Of course, the irony here is that Fred MacMurray would be the model that the creator of Captain Marvel took for his inspiration. But, getting back to the movie, this is quite a brisk and fun comedy, with enough sex appeal and quick dialogue to keep the viewer entertained and alert! While no classic, it's still a lot of fun with Fred and Claudette bickering and waiting until the last frame to kiss and make up. And, in the end, someone, who wants to visit them, asks "Can I come tomorrow night?" Claudette responds, "No. Not tomorrow night." Get carried away with people who think they've "no time for love."
Le saviez-vous
- AnecdotesKatherine Grant (Claudette Colbert) dreams that Jim Ryan (Fred MacMurray) is a super-hero. In reality, MacMurray's image was used as the inspiration for the original Captain Marvel (aka "Shazam") in 1939.
- GaffesWhen the strongman catches the barbell and falls down, a mat is clearly visible for him to fall on. The mat disappears in the next shot.
- Citations
Katherine Grant: Romantic marriage went out with smelling salts. Today it's a common-sense institution. And if you don't have intelligence enough to better your position, then you deserve to fall in love and starve to death.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA srl, "NON C'È TEMPO PER L'AMORE (1943) + CHE BELLA VITA! (Un colpo di fortuna, 1937)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in Romantic Comedy (2019)
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- How long is No Time for Love?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- No Time for Love
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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