Trouble Makers

The latest money making scheme of Leo Gorcey involves him and the gang with a telescope charging folks a fee for stargazing. In fact Huntz Hall is checking out one thoroughly heavenly body going down the Bowery. But when Hall points the telescope upward he and Leo Gorcey spot a murder in a window of a swank hotel blocks away. They report the crime to their old pal and gang member beat cop Gabriel Dell.

Not finding any trace of any murder where John Ridgely is staying the guys keep on the case. Dell gets himself in a jackpot at his precinct for leaving his beat on a wild goose chase so it seems. But he does get to meet Helen Parrish the daughter of the deceased whose body was found in the Bronx. They might have a future.

Two colorful character actors appear here as well. Fritz Feld playing the officious hotel manager who is driven to distraction by Leo Gorcey's grammar and colorful language and the eternal dumbness of Huntz Hall. There's also Lionel Stander recently released from jail who thinks that Hall is an old criminal associate with a recent bit of plastic surgery. As if anyone would want to make themselves look like Horace DeBussy Jones.

The regulars and these guest stars make Trouble Makers worthwhile to watch.

ONCE AGAIN WE find ourselves amazed that so many of these BOWERY BOYS series entries are so much better than we remember them. This flies in the face of the usual disappointment we find when some film or other just doesn't live up to the expectations that our fallible, human memories so often conjure up.

RIGHT FROM THE get go, we can see that this will be a delight for fans of the boys. The opening situation sets the stage. The establishment of the premise of having the boys at odds with a criminal enterprise, while not so very original or refreshing, is well founded and strengthened by the presence of former BB member, Gabe Moreno (Gabriel Dell)now being a rookie NYPD foot patrolman on their beat.

THERE SEEMS TO be an even greater supply of great malaprop for 'Slips' dialogue than usual. These are a definite lifeline and a real plus for any BOWERY BOYS outing.

ONE PARTICULAR ELEMENT that was a central tenet of the various DEAD END KIDS/EAST SIDE KIDS/BOWERY BOYS series was a sort of Urban Myth about "that Old Gang of Mine." It tends to romanticize the "honor" of being a tough, street-wise and under-educated member of class on the lower rung on the socio-economic ladder. It's always a sure fire route to success for on screen comedies.

TO OUR WAY of thinking, this theory of ours is a sort of modern Urban society's version of the long held theory of "The Noble Savage." In l this highly flawed (and widely discredited) Anthropological theory, primitive peoples are inherently much more moral, loving and genteel than their much more civilized relatives (us).

THERE IS SOME definite merit in this thesis, so think about it, okay, Schultz? (It's our own original idea-as far as we know!)

OUR IMPRESSIONS OF why this was another superior outing are many. It has a larger supporting cast, which features names like: Frankie Darro, Lionel Stander, John Ridgely, Helen Parrish and Fritz Feld. The Bowery Boys were now minus Bobby Jordan; but as we said, Gabriel Dell was present to add his talents to those of "Slip" (Leo Gorcey), "Sach: (Huntz Hall) and the other regulars (Dave Gorcey, Billy Benedict, Bennie Bartlett and "Louie:-father Bernard Gorcey.

MISSING FROM THE credits is the name of their usual Director. William "One Shot Bill" Beaudine was replaced by Reginald Le Borg, a more recent arrival from the European movie scene. His was a specialty in "B" horror flicks and he did a lot of television work in the 1950's.

WHEN THE TOTAL output of the DEAD END KIDS/EAST SIDE KIDS/BOWERT BOYS movies are filmed and their total effect on our pop cultural pool is considered, we wonder why the team of Leo Gorcey & Huntz Hall is mot considered to be a legitimate Movie Comedy Team. along with Laurel & Hardy, Abbott & Costello, both the Brothers Marx and Ritz, the 3 Stooges, Wheeler & Woolsey, Clarke & McCullough, Noonan & Marshall.....................

"Trouble Makers" is one of the better Bowery Boys films and is worth seeing. It all begins with Slip and the gang out on the street trying to make money a very odd way--charging folks on the street to use their telescope. Little did they know that the telescope would come in handy, as Sach and Slip see a man being murdered across town at the El Royale Hotel! But what so often happens in old movies, the cops somehow don't believe them nor young officer Moreno.

The next day, the body of the man the pair saw murdered was discovered 15 miles away! Obviously they'd been right...and bizarrely, the police aren't concerned. So, with the help of the murdered man's daughter (who owns the hotel), they get jobs as bellboys in order to investigate.

"Trouble Makers" is a bit unusual in that the antics of Sach and Slip are a bit more muted and realistic...and made for a pretty good B-movie. On hand in this enjoyable film were Frankie Darro (once again playing a young hood) and Lionel Stander. Worth your time.

The Bowery Boys get a telescope and offer a peak into the stars for a nickel. Slip is the barker. Sach is using the telescope to look at more grounded sights and spots a struggle in a distant hotel. It's a murder. The boys tell honest rookie cop Gabe Moreno and together they search for the murder scene. They can't find the body. Some time later, the dead body is found in another location. Slip and Sach go undercover as bellboys in the hotel with help from Ann Prescott. Her father is the dead man and she inherited the hotel from him. Gangster 'Hatchet' Moran mistakes Sach as a fellow criminal.

The starting premise is interesting. I thought Gabe Moreno would have a bigger role in the second half. Quite frankly, Moreno is an unnecessary detour. I also expected Ann Prescott to join in the hijinx. Lionel Stander is a great thug. It does try to turn into a Scooby Doo slapstick comedy. There are some issues there. This has some early fun and it's fine for a Bowery Boys flick.

Trouble Makers (1948)

*** (out of 4)

Good entry in the long-running series has Slip (Leo Gorcey) and Sach (Huntz Hall) witnessing a murder inside a hotel but no one will believe them as no body was found there. Gabe (Gabriel Dell), now working as a cop, tries to investigate but ends up suspended off the force so it's up to the boys to try and figure out who did the killing and why. This was a nice surprise as it turned out to be one of the better entries in the series as we get some very good laughs, nice crime action and a fairly good mystery as well. These Bowery Boys movies often tried mixing various genres but rarely did they all work so well as they do here. What really helps the film is the wonderful supporting cast, which is full of some veteran actors. By having such great support the film didn't have to rely on Gorcey and Hall to get all the laughs. Lionel Stander, who would be blacklisted in upcoming years, is perfect as "Hatchet" Moran, a gangster who loves his friend "Abby" who just happens to be a machine gun. John Ridgely, veteran of many Warner classics, plays Silky Thomas, the main suspect. Both actors are excellent in their roles with Stander getting a great number of laughs and Ridgely being very believable in the crime boss role. Also strong here is Helen Parrish as the murder man's daughter. Both Gorcey and Hall are a lot better here than they were in a couple of the previous films. Gorcey gets some wonderful mangled dialogue that he nails perfectly and even Hall gets some terrific scenes. He plays extremely well with Stander as the two go down memory lanes of when they were knocking off various locations (Stander's character thinks Sach is a former gangster). Dell is also really coming into his own, acting wise, even though he's playing yet a different character. This film really stands out because it actually appears like they took their time with a good screenplay and got some respectable actors to help share the load. The film starts off with some great laughs and they continue all the way through the picture.