Hard Boiled Mahoney

FOLLOWING THE TRADITION and almost obligatory foraying into the realm of the Detective Story, THE BOWERY BOYS made their contribution to the comic parody of the genre. To be sure, this sort of a send-up had been done before. Its history dates back to the days of the Silents with the likes of Buster Keaton, Harold Lloyd and Laurel & Hardy. It continued with the advent of the "Talkies" with people like both the Brothers Ritz & Marx, the Stooges, Red Skelton and even Bob Hope.

IN TAKING THIS foray into these heretofore uncharted waters for the Bowery Boys series, all stops were pulled out. The story had the office of the gumshoe that would have doubled for that of either Sam Spade or Phillip Marlowe. A weeping and partially veiled, weepy female victim brings a sad story which is obviously not wholly the truth.

THE NOTION OF having Leo Gorcey's "Slip" Mahoney becoming the tough was not such a stretch. Anyone who's seen Leo's dramatic abilities as "Spit" in the film version of DEAD END certainly would not have been surprised. He possessed an intensity that was both totally believable and natural.

HOWEVER, WE DIGRESS, as we are supposed to be putting the comic aspects of the movie under a sort of microscope, OF COURSE, WE have rounding out the action sleuth spoofing from the boys (Bobby Jordan, Gabriel Dell, David Gorcey). Proper and atmospheric characters provided by the likes of Pierre Watkin, Dan Seymour, Byron Folger and Noble Johnson provide the necessary mysterious and menacing characters befitting a Dashell Hammitt or Raymond Chandler story.

OH, DEAR ME! How could we forget the 'subtle' performance of Huntz Hall, comic relief supreme. In this outing he sports a calabash pipe and a deerstalker hat. Now, Schultz, who do you suppose that he was lampooning here? No Schultz, Basil Rathbone is incorrect!

Slip Mahoney (Leo Gorcey) is unhappily unemployed. His friend Sach (Huntz Hall) shows up after working as a private eye. Sach hasn't been paid after getting fired. Slip takes him back to the office but nobody's there. A woman comes in looking for help and assumes Slip to be the private eye. She's looking for her missing sister Eleanor Williams and sends the boys to spiritualist Dr. Carter.

The Bowery Boys are doing stupid Bowery Boys stuff. It has all the moronic Bowery Boys comedy especially Sach. Fans will like it. Most other people will probably tolerate it. Some in the high brow crowd will look down on it. It's a Bowery Boys movie.

Relatively early in the Bowery Boys series of films. Leo Gorcey, Huntz Hall, and Leo's dad and brother of course, all meet up with trouble, with the usual mis-haps and word play. when a lady thinks her kid sister has been kidnapped, Slip and the guys decide to go into the detecting business. and naturally, they get caught up in a moidah. Fun Bonus: Dan Seymour as the evil Doctor Armand. you'll recognize his sultry, french accent from To Have and Have Not and Key Largo! scene stealer. and billy benedict was always the skinny sidekick in the 1930s and 1940s. he worked with Gorcey 34 times. this one is pretty good. the usual fare of bowery boys. getting in and out of trouble. Directed by Bill Beaudine, who had directed a TON of the bowery boys films.

Even though the story of this film is serious, we are witnessing the evolution of the Bowery Boys. Gorcey and Hall are becoming comic actors. After their debut in "Dead End", the kids appeared at Warners in serious crime melodramas. By the end of their Warners' tenure, they became respectable. The early Monogram East Side Kids films and the Universal Dead End Kids films had them in teary melodramas, where they were supposed to provide comic relief.

By the time they became the Bowery Boys, the comedy was beginning to overshadow the melodrama. "Hard Boiled Mahoney" is still an over-plotted crime melodrama, but the comedy of Gorcey and Hall was beginning to take center stage. Hall now refers to Gorcey as "Chief" more often than not, and Gorcey hits Hall with his hat constantly. The story still centers as Gorcey, as most of the previous efforts had, but Hall is almost his equal. Unfortunately, the other boys suffer because of this. Jordan was terrific as the leading man in the early East Side films, but he has been relegated to background boy. What a shame! Billy Benedict had some good moments in the past and will have some good moments in future films, but he is definitely subordinate to Leo and Huntz. David Gorcey was always a background boy. Surprisingly, Gabe Dell is just one of the gang in this picture. He had had that role in the Warners and Universal series, but even in the early Monogram films he had varied roles. After this point, Dell would play the mature member of the gang, sometimes on the right side of the law and sometimes on the wrong side of the law. The character he plays here is reminiscent of the one he played in the East Side film "Come Out Fighting". He is a bi-speckled stooge.

This is not a bad Bowery Boys film, but Ed Bernds was really needed to later turn Gorcey and Hall into comedy stars.

Hard Boiled Mahoney (1947)

* 1/2 (out of 4)

Weak sixth entry in the Bowery Boys series has Slip (Leo Gorcey) pretending to be a detective and getting hired to locate a missing girl. Soon him and the gang are in over their heads as they must go up against a psychic who holds a lot more secrets than the boys realize. This here is (so far) the weakest of the series as we get very few laughs and enough bad plot for three different movies. There's no question that this here is a take off on the film noir genre that was big at the time but the screenplay is so lazy that we don't get any good jokes aimed at the genre and even the main cast members seem to be overlooked. The biggest problem here is the screenplay because there aren't very many good jokes written. The type of humor they go for here is incredibly lazy and the perfect example of this is a scene where Sach is told to "hold onto your hat" until the boys can meet up with him. The joke? Sach holds onto his hat until they arrive. The film is all over the place and there's way too much attempted plot. There are a few twist and turns but everything is so muddy that you really won't care about the actual mystery going on. The film actually runs out of steam around the thirty-minute mark and it's pretty bad when it's hard to get through 63-minutes. It seems even the actors are bored here as Gorcey doesn't have any energy and even his line-delivery seems to be slow as if he was wishing to be somewhere else. Huntz Hall is also pretty quiet here and the rest of the boys are so far in the background that they might not have even been in the picture (especially the wasted Bobby Jordan). In the end, the lack of laughs really kill this one and the sluggish running time doesn't help matters.