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Ajouter une intrigue dans votre languePepe Le Peu chases a female cat in a perfume shop until she turns the tables on him.Pepe Le Peu chases a female cat in a perfume shop until she turns the tables on him.Pepe Le Peu chases a female cat in a perfume shop until she turns the tables on him.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 1 victoire au total
Mel Blanc
- Pepe Le Pew
- (voix)
- …
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Chuck Jones's 'For Scent-imental Reasons' is a brilliantly witty cartoon for which Pepe Le Pew won a well earned Academy Award on only his fourth outing. As a child I hated the Pepe Le Pew cartoons for several reasons. Of course, I thought love was yucky but also the pseudo-French gags and more verbal approach to comedy went completely over my head. Bearing in mind that these sexually charged cartoons were never meant for young eyes, it's hardly surprising that I have come round to loving Pepe and his straight-to-camera witticisms. Having said all that, even as a Pepe-hating child I still enjoyed 'For Scent-imental Reasons'. There was something about it that made it stand out over the other Le Pew shorts and clearly the Academy agreed.
Set in and around a perfume shop, 'For Scent-imental Reasons' finds Penelope the cat locked in with the amorous skunk after a bottle of white hair-dye bestows the obligatory deceptive markings down her spine. There follows a series of great gags, two of which involve aborted suicides! The best gag in the whole cartoon is when Penelope locks herself in a glass case causing Pepe to go absolutely insane with frustration until finally he pulls out a gun, puts it to his temple and walks out of sight. Hearing the shot, the guilt-ridden cat unlocks the case and leaps out straight into Pepe's arms. "I meesed" he tells her! 'For Scent-imental Reasons' is a lovely piece of work and undoubtedly one of the best Pepe Le Pew cartoons. From its familiar setup through to the table-turning ending, it's a classy and classic short.
Set in and around a perfume shop, 'For Scent-imental Reasons' finds Penelope the cat locked in with the amorous skunk after a bottle of white hair-dye bestows the obligatory deceptive markings down her spine. There follows a series of great gags, two of which involve aborted suicides! The best gag in the whole cartoon is when Penelope locks herself in a glass case causing Pepe to go absolutely insane with frustration until finally he pulls out a gun, puts it to his temple and walks out of sight. Hearing the shot, the guilt-ridden cat unlocks the case and leaps out straight into Pepe's arms. "I meesed" he tells her! 'For Scent-imental Reasons' is a lovely piece of work and undoubtedly one of the best Pepe Le Pew cartoons. From its familiar setup through to the table-turning ending, it's a classy and classic short.
Up till this point the few Pepe Le Pew movies were actualy pretty boring.In this one we are introduced to his mate Penelope Cat.Pepe has broken into a perfume shop in France and the owner has the idea to sent her in to chase him away.What an idea.Once she gets a white stripe on her buck Pepe has chosen her as mate.His efforts to persuade her to join him and her own to avoid him are ecxelent comedy material.And one his scent is removed and she finaly notices how does his body look the roles are reversed.The odd couple does belong together.Too bad most of the other Pepe movies repeated this film and made it lost his uniqueness.Because it is one of the best of the Looney Toons.
Pepe Le Peu is trying out various perfumes in a shop. A shocked shop owner retrieves a policeman who promptly runs away. A black and white female cat catches the shop owner's attention. He throws the cat into the shop and commands her to drive the skunk out. White hair dye falls off the counter and paints a white stripe down the middle of the female cat. Pepe Le Peu mistakes her for a skunk.
Pepe Le Peu is problematic in the modern era, but some allowances must be made for the times. It helps to have the table turned on him. The early part has a lot of French. I would suggest less French and just do the fake French accent. This is standard Pepe Le Peu and is probably fine even today.
Pepe Le Peu is problematic in the modern era, but some allowances must be made for the times. It helps to have the table turned on him. The early part has a lot of French. I would suggest less French and just do the fake French accent. This is standard Pepe Le Peu and is probably fine even today.
This cartoon won an Oscar for Pepe Le Pew almost ten years before Bugs Bunny won for Knighty Knight Bugs. Pepe is one of my favorite characters and this is one of the better cartoons in the series, although not my personal favorite (that's Touche and Go). Pepe discovers wht it's like to have the shoe on the other foot in this one. Great fun in this one. It should be in-print. It has been in the past, most notably on the tape A Salute to Chuck Jones from the Golden Jubilee series. Cartoon Network shows it fairly often. Recommended.
When a French perfume shop owner opens up one morning he finds Pepe Le Pew using the perfumes in his store. He runs to the police, but they are unable and unwilling to help him. Desperate, he paints his cat like a skunk in order to distract Pepe and get him out of the store.
Looking back now it is often difficult to watch these cartoons in the order they were made. For this reason it is often difficult to know which came first and which were just copies of more original cartoons. However, this short is famous as it was one of the first Pepe Le Pew cartoons and it won him an Oscar in 1950. For this reason it is one of my favourite Pepe shorts. It may not be the best but the others just kept repeating this one gag until it killed it.
The plot is the usual deal but it has some nice touches at the start and end that make it different enough to be amusing. It is unfair to really look back on this short with the knowledge that Pepe just kept doing the same stuff over and over, I don't really like him for this reason, but this short is still good and helped me get over the repeating issues.
Overall this is an enjoyable short that is better than it comes across if you try and remember that this was fresh when it was made, as opposed to his other films that generally retread this gag. Not sure it deserved to be called an Oscar winner but it was funny and the fresh quality of the film has managed to shine through despite the numerous repeats.
Looking back now it is often difficult to watch these cartoons in the order they were made. For this reason it is often difficult to know which came first and which were just copies of more original cartoons. However, this short is famous as it was one of the first Pepe Le Pew cartoons and it won him an Oscar in 1950. For this reason it is one of my favourite Pepe shorts. It may not be the best but the others just kept repeating this one gag until it killed it.
The plot is the usual deal but it has some nice touches at the start and end that make it different enough to be amusing. It is unfair to really look back on this short with the knowledge that Pepe just kept doing the same stuff over and over, I don't really like him for this reason, but this short is still good and helped me get over the repeating issues.
Overall this is an enjoyable short that is better than it comes across if you try and remember that this was fresh when it was made, as opposed to his other films that generally retread this gag. Not sure it deserved to be called an Oscar winner but it was funny and the fresh quality of the film has managed to shine through despite the numerous repeats.
Le saviez-vous
- AnecdotesPepe Le Pew breaks the fourth wall in his best Charles Boyer like imitation.
- Citations
Pepe Le Pew: [after "shooting" himself] I missed! Lucky for you.
- Versions alternativesYouTube has a version dubbed in French with some of the English heard softly in the background.
- ConnexionsEdited into Bugs Bunny's Easter Special (1977)
- Bandes originalesThe Latin Quarter
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung with substitute lyrics by Man on Bicycle
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 14 753 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 285 $US
- 16 févr. 1998
- Montant brut mondial
- 14 753 $US
- Durée7 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Relent d'amour (1949) officially released in Canada in English?
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