Le condamné de la cellule cinq

A husband and wife dancing team down on their luck finds some money that gets them into a lot of trouble - and the husband on death row for murder. His one pair of shoes condemns him. After an open-and-shut trial and conviction, the wife ends up taking on his case herself as the clock ticks toward his execution. Camera flashes between husband in cell contemplating his life and impending death while his wife and others (with varying levels of interest and investment) work toward a resolution and possible alternative outcome.

Truly wonderful Film Noir murder mystery with intrigue, a twisting plot and surprise ending. Keeps you on the edge of your seat the whole way. Highest quality acting, directing and script.

Sadly, there seems to be only one print of this film in the world.

A dancer chucks his tap shoes out the window at a noisy cat and ends up facing a murder charge. I could make a comparison to a certain other film noir (actually a film noir and its remake) but that would be giving away its surprising twist. Given the era, you know the innocent man will get a last minute reprieve, the trick is how we get to that point. When the realization dawned on me -- about 30 seconds before the first real clue -- it was one of those magic "How did I not see this coming?" moments. Certain plot points that at first seemed very contrived clicked into place (although to be totally honest, a lot of it is still kinda contrived... goofy coincidences and twists are something of a trademark for Cornell Woolrich). The film is clearly a shoestring budget production, but even if the performances aren't great, they are at least sincere. The "wrong man" scenario provides the usual (justified) paranoia concerning the authorities charged with protecting us, and the tight running time makes this a worthwhile picture, even if not exactly an undiscovered classic.

The tap dancer and performer Thomas J. 'Tom' Quinn (Don Castle) is unemployed, and his beloved and beautiful wife Ann Quinn (Elyse Knox) is financially supporting their lives with dancing classes. They live in a simple room in a boardinghouse and one night Ann arrives later then usual. She explains that a costumer called by Santa Claus has tipped her to talk with her. There are cats meowing during the hot night and Tom throws his new pair of shoes through the window to stop the noise. On the next morning, Ann finds the shoes at the front door and brings them to Tom. During the day, he finds a wallet with a large amount of old 20-dollar bills near a scale and he intends to take it to the police, but Ann convinces him to keep the money and see the lost and found section of the newspapers during a week to see whether the owner claims his lost money. Meanwhile, in a building close to Quinn's boardinghouse, a wealthy and stingy man that kept his money at home is murdered and his old and peculiar money is stolen. Inspector Stevens (Charles D. Brown) keeps secret from the press and Police Detective Clint Judd (Regis Toomey) finds Tom's shoe print in the mud of the victim's backyard. When the couple spends part of the money, the police arrest Tom and Ann, and she notes that Detective Judd is the Santa Claus. The public defense attorney is not capable to prove Tom's innocence and he is sentenced to death. Now Ann's only chance is that Detective Judd finds the real criminal.

"I Wouldn't Be in Your Shoes" is a gem to be discovered by fans of film-noir genre. Surprisingly, IMDb has only 376 voters and the low rating of 6,5 for this unknown masterpiece. The film has a great structure and is tense, beginning with Tom in the death row and recalling his fate in flashback. Then, when the situation seems to be hopeless to Tom, the viewer sees the desperate attempt of Ann to save her beloved husband. One important element in the story is the change of size of the 20 dollar-bill in 1948. The direction is tight and the performances are great. My vote is eight.

Title (Brazil): "O Segredo dos Sapatos"

A film noir that was all but lost but recently resurfaced, I Wouldn't Be In Your Shoes brings yet another of Cornell Woolrich's paranoiac nightmares to the screen. Don Castle, a hoofer on his uppers, shares a cramped room in a New York boarding house with his wife and sometime partner Elyse Knox. While he frets in his bathrobe, a fifth of gin on the bed-table, she entertains gentlemen at a buck-a-dance academy. One night, he hurls his good tap shoes (actually, his only pair of shoes) out the window at some randy cats. When he goes to retrieve them, they aren't there, but mysteriously reappear outside his door next morning.

Next thing, he's hauled in for the murder of a reclusive old miser in the neighborhood. The impression of one of his shoes clinches the conviction (and it doesn't help that he just happened to find a wallet stuffed with the old-style bills the victim hoarded). He's waiting for his execution as the movie opens, and most of the story gets told through flashbacks.

The third major character is a cop, Regis Toomey, who had met Knox at the tango palace and taken a shine to her. Desperate to clear her husband, she feigns reciprocation of Toomey's interest so he'll help her out. Toomey's another example of the obsessive, stalking cop, created by Laird Cregar in I Wake Up Screaming (1942) and reprised by Richard Boone in its remake Vicki (1953). He breaks a new development in the case by finding the tenant of another room within shoe-shot of Castle's, but this proves to be only a rather tasty red herring. As the clock ticks down to midnight and curtains for Castle, Knox stumbles upon the clue that cracks the case....

Many forgotten films from the noir cycle turn out to be just what one might suspect: hackneyed, humdrum crime programmers. But, like Decoy, I Wouldn't Be In Your Shoes surprises by its competence. The dancing couple exude appeal, Toomey and the other cops offer acting rather than shtik, and the plot unfurls with reasonable deftness. It even looks good. As a restoration to the noir canon, it's more than welcome.

Tom Quinn (Don Castle) gets his last meal before his execution. He recounts his story to the other prisoners. He and his wife Ann Quinn (Elyse Knox) are struggling dancers. Police detective Clint Judd (Regis Toomey) investigates a murder investigation with a shoe print as evidence. Tom found a wallet full of old money. Both the shoe print and the money point the finger at him. Ann recognizes Clint as "Santa Claus", the man who gave her a big tip for a dance.

This is a film noir B-movie adapted from a pulp novel. It's a simple crime police drama. I do question the shoe print as that impressive of a piece of evidence. I like the opening on death row. I like Clint and his motivation. This is good pulp. This is a very solid and compelling crime drama.