NOTE IMDb
6,7/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueNewspaperman helps girl find her sister's illegitimate baby, gets mixed up in baby-adoption racket. Unwed mothers are forced to sell their babies for adoption.Newspaperman helps girl find her sister's illegitimate baby, gets mixed up in baby-adoption racket. Unwed mothers are forced to sell their babies for adoption.Newspaperman helps girl find her sister's illegitimate baby, gets mixed up in baby-adoption racket. Unwed mothers are forced to sell their babies for adoption.
- Réalisation
- Scénario
- Casting principal
William Frambes
- Scoop
- (as William Page)
Frank Cady
- Nolan
- (non crédité)
Marcella Cisney
- Nurse at Meeting
- (non crédité)
Avis à la une
A young woman comes to town searching for her sister, who has been lost for some time. They find her at the morgue. Cause of death seems to have been suicide by gassing herself to death in a car. The sister refuses to believe and accept that. Fortunately there is a reporter at hand (Dennis O'Keefe) and they start digging. It proves the deceased sister Mary had a child without a father, caused it to be adopted, then wanted the child back, and was killed for it. There the story starts.
It's a great film with brilliant cinematography and a dialogue for Hollywood to be proud of, there were many films of Hollywood produced like this with the same extremely poignant dialogue, and they are all enjoyable forever. This is one of them and a perfect example as good as Henry Hathaway's best, in the same kind of documentary style, telling a story directly out of reality, without defining the location, like a page out of the "naked city". Dennis O'Keefe was never better, and Jeff Chandler is always more than reliable. Raymond Burr as the ominous crook turning soft and paying for it adds to the brilliance, while perhaps the cinematography gets the first prize.
It's a great film with brilliant cinematography and a dialogue for Hollywood to be proud of, there were many films of Hollywood produced like this with the same extremely poignant dialogue, and they are all enjoyable forever. This is one of them and a perfect example as good as Henry Hathaway's best, in the same kind of documentary style, telling a story directly out of reality, without defining the location, like a page out of the "naked city". Dennis O'Keefe was never better, and Jeff Chandler is always more than reliable. Raymond Burr as the ominous crook turning soft and paying for it adds to the brilliance, while perhaps the cinematography gets the first prize.
I discovered this gem in Leonard Maltin's Turner Classic Movies guide. He'd only given it 2 1/2 stars, but I'm so glad I gave it the chance to prove itself. As others have already detailed, the cinematography, script and performances all make this relatively short film highly enjoyable, and suspenseful. Give it a try if you're looking for a serious topic dramatized in a slightly noir styling with a crime ring at the center of it.
(Here are a few more words to satisfy the IMDB requirement for a 600 character review. I'm keeping mine short and simple since others have already provided many fascinating facts, descriptions and details.)
(Here are a few more words to satisfy the IMDB requirement for a 600 character review. I'm keeping mine short and simple since others have already provided many fascinating facts, descriptions and details.)
I had my doubts about bubbly ingénue Gale Storm (Paula) starring in a crime drama. But she's actually well cast and manages an appropriately restrained performance. Here she's the sister of a dead girl who's left a baby under mysterious circumstances. So Paula's investigating with help from brash newsman Sitko (O'Keefe). What they uncover is a ruthless ring that sells newborns and gets rid of mothers who complain.
Like many others of its time, the movie makes good use of LA locations, along with some effective noirish touches. However, these touches are not developed into a prevailing atmosphere, despite the presence of noir icon Raymond Burr (Kerric). Actually, it's hard to recognize Burr since he's either lurking in the shadows or peeking around corners. In my book, the best scene is when Kerric tangles with that other movie heavyweight Mike Mazurki (Hoppe). It's like King Kong taking on Godzilla. Also, the unexpected plot wrinkle with Kerric is a good one.
But my money's on Marjorie Rambeau (Donner). She's scarier than anyone else in a movie loaded with baddies. Too bad she doesn't have a face-off scene with that other formidable actress, Jeanette Nolan (Major Ross). Too bad also, that O'Keefe has drifted into obscurity. He was quite a good actor, at home in either comedy (Up in Mabel's Room {1945}) or drama. Here he's typically persuasive as an aggressive newshound.
All in all, the movie's a better than average crime drama, with a good cast, a crisp narrative, and a suspenseful climax. It's second-tier Universal coming up with better results than usual.
Like many others of its time, the movie makes good use of LA locations, along with some effective noirish touches. However, these touches are not developed into a prevailing atmosphere, despite the presence of noir icon Raymond Burr (Kerric). Actually, it's hard to recognize Burr since he's either lurking in the shadows or peeking around corners. In my book, the best scene is when Kerric tangles with that other movie heavyweight Mike Mazurki (Hoppe). It's like King Kong taking on Godzilla. Also, the unexpected plot wrinkle with Kerric is a good one.
But my money's on Marjorie Rambeau (Donner). She's scarier than anyone else in a movie loaded with baddies. Too bad she doesn't have a face-off scene with that other formidable actress, Jeanette Nolan (Major Ross). Too bad also, that O'Keefe has drifted into obscurity. He was quite a good actor, at home in either comedy (Up in Mabel's Room {1945}) or drama. Here he's typically persuasive as an aggressive newshound.
All in all, the movie's a better than average crime drama, with a good cast, a crisp narrative, and a suspenseful climax. It's second-tier Universal coming up with better results than usual.
By sheer luck reporter Dennis O'Keefe runs into Gale Storm in town looking for
her sister and a baby she gave birth to. Sadly they find her in the morgue, but no
trace of the infant. What O'Keefe does notice is a sleazy private eye played by
Raymond Burr shadowing Storm.
That's the start of Abandoned a good noir film about a baby adoption racket where the queenpin is society matron Marjorie Rambeau. In a cast of some excellent character players she tops the list. Had this been an A and not a B film Rambeau might have been in Oscar contention, she's that good and that scary.
As for Burr he's really rather stupid and out of his league with Rambeau and her gang. It costs him big time.
Up and coming Jeff Chandler is 3rd billed playing the police chief and friend of O'Keefe. As he did in a few films for Universal Chandler also narrates. Will Kulava and Mike Mazurki play a pair of Rambeau's goons , Meg Randall plays a pregnant border at Rambeau's house and Jeanette Nolan is a socially conscious Salvation Army major.
A good B film from Universal which should be better known.
That's the start of Abandoned a good noir film about a baby adoption racket where the queenpin is society matron Marjorie Rambeau. In a cast of some excellent character players she tops the list. Had this been an A and not a B film Rambeau might have been in Oscar contention, she's that good and that scary.
As for Burr he's really rather stupid and out of his league with Rambeau and her gang. It costs him big time.
Up and coming Jeff Chandler is 3rd billed playing the police chief and friend of O'Keefe. As he did in a few films for Universal Chandler also narrates. Will Kulava and Mike Mazurki play a pair of Rambeau's goons , Meg Randall plays a pregnant border at Rambeau's house and Jeanette Nolan is a socially conscious Salvation Army major.
A good B film from Universal which should be better known.
In Abandoned's opening shot, that iconic edifice, the Los Angeles City Hall, looms menacingly into the night sky. From then on, it's a fast, rough ride through a brutal baby-adoption racket. Gale Storm is best remembered (if at all) as TV's My Little Margie, but she co-starred in a few noirs like Underworld Story and Between Midnight and Dawn; Abandoned is the best of them. She's come to town hunting for her vanished sister, knowing only that there's an out-of-wedlock baby girl involved. Storm links up with Dennis O'Keefe, a newspaper man, and Raymond Burr, a private detective supposedly hired by the missing girl's father back east (an enigmatic specter hanging over the story: Storm confides that her sister left home because "he wouldn't leave us alone"). Turns out that Sis was murdered for developing maternal instincts after having giving the baby up. The web of baby-nappers includes grandmotherly but lethal Marjorie Rambeau, some even less savory characters behind her, and, of course, Burr. Abandoned, despite its Hollywood-"happy" finish, stands as one of the grittier offerings in the noir cycle (Burr's being tortured with matches is one especially painful speck of grit).
Le saviez-vous
- AnecdotesThe Pyramid Clubs mentioned had sprung to prominence the year this film was released, first in California and then across the nation. Club members joined for $1.00 with the promise of making $2000.00 in a relatively short time. The notion was the basis for what became Multi Level Marketing. The fad had a resurgence several times in the 20th century and has come to be referred to as a pyramid scheme.
- GaffesNighttime scenes are filmed using a filter to make the scene appear to be night. But night skies often alternate between being light and dark, while distant objects are often obvious or are obscured by the darkness. But the night sky is always black and distant objects fade to nothing in the dark.
- ConnexionsReferenced in Love Is a Roller Coaster: Woman on the Run Revisited (2016)
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- How long is Abandoned?Alimenté par Alexa
Détails
- Durée
- 1h 19min(79 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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