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7,0/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueIn New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.In New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.In New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Walter Bacon
- Baggage Clerk
- (non crédité)
Avis à la une
Joel McCrea and Francis Dee are exceptional people. They made this one of the best family westerns of all time. To bad there are not anymore actors or actresses like this anymore. We have hit a low in good clean acting, and good movie plots.
10Wrangler
First rate story, production, and cast. Not a shot is fired is this wonderfully low-key story.
Nicely paced Western with different kind of story line and excellent use of wide-open vistas. First half is surprisingly easy-going, even with the brief robbery scene. My guess is that McCrea had a lot to do with putting together this independent production. It certainly provides his real life wife Frances Dee with a plum part. Their growing attachment during that first half appears both real and rather charming, and also makes good use of the quietly observant Calleia and an obnoxious little boy who should be riding next to W C Fields as punishment. Then too, the apparently authentic legend of 'paso por aqui' is skillfully integrated into the movie's basic theme.
The second half is more routine as the posse tries to track down McCrea while he flees across the badlands. The afflicted ranch scene is rather overdone as is the heavenly choir at the end. All in all, we don't need to be hit over the head since the movie's intentions have been clear for some time. An interesting question concerns whether the story would have achieved more clout had we not known early on that McCrea was stealing the money for noble reasons, though I don't believe we ever find out the details. Two good unexpected touches-- the bull ride to throw off the posse, and what a sight that makes! Also, despite all the eager bounty hunters with their six-guns in evidence, I don't believe a single shot is fired throughout the 90 minutes.
Perhaps that last point is not too surprising since the personal McCrea appears to have been very much his own man, and not exactly the flashy Hollywood type. One thing for sure, he never overplayed any of his many roles. In fact, his presence here does nothing that would call attention to himself. In a part that calls for an air of quiet nobility, that's exactly what we get and to fine effect. Too bad, those quiet manly virtues from overlooked performers such as McCrea are largely absent among today's many over-sized movie egos.
The second half is more routine as the posse tries to track down McCrea while he flees across the badlands. The afflicted ranch scene is rather overdone as is the heavenly choir at the end. All in all, we don't need to be hit over the head since the movie's intentions have been clear for some time. An interesting question concerns whether the story would have achieved more clout had we not known early on that McCrea was stealing the money for noble reasons, though I don't believe we ever find out the details. Two good unexpected touches-- the bull ride to throw off the posse, and what a sight that makes! Also, despite all the eager bounty hunters with their six-guns in evidence, I don't believe a single shot is fired throughout the 90 minutes.
Perhaps that last point is not too surprising since the personal McCrea appears to have been very much his own man, and not exactly the flashy Hollywood type. One thing for sure, he never overplayed any of his many roles. In fact, his presence here does nothing that would call attention to himself. In a part that calls for an air of quiet nobility, that's exactly what we get and to fine effect. Too bad, those quiet manly virtues from overlooked performers such as McCrea are largely absent among today's many over-sized movie egos.
This is one of those independent films that turns into a classic. A previous reviewer had noted that not a shot was fired nor a punch thrown in this western and I ran it again to be sure. Absolutely correct.
Joel McCrea is the prototype strong silent western hero, his Virginian character now moved to the southwest. He's an amiable cuss, not a bad guy, a cowboy down on his luck who needs some quick cash. He robs the bank in a town where down the street, Pat Garrett is giving a speech about law and order. The embarrassed federal marshal, played by Charles Bickford gets together a posse and pursues McCrea across New Mexico.
Along the way, McCrea meets nurse Frances Dee and gambler Joseph Calleia who has a very ambiguous part. Because it's Joseph Calleia whose stock and trade is movie criminals you expect betrayal. Actually Calleia turns out to be McCrea's friend.
When McCrea goes back on the run the plot then turns into a mini-version of Three Godfathers. I won't say any more other than with Joel McCrea as hero, you're not going to be let down.
The film was produced by Harry "Pop" Sherman who was the original producer of the Hopalong Cassidy series. Hoppy was a noble a western hero as you can get and that's what Sherman gives us here.
This is one of the few films that Mr.and Mrs. Joel McCrea did together. And it's a work they can be proud of.
Joel McCrea is the prototype strong silent western hero, his Virginian character now moved to the southwest. He's an amiable cuss, not a bad guy, a cowboy down on his luck who needs some quick cash. He robs the bank in a town where down the street, Pat Garrett is giving a speech about law and order. The embarrassed federal marshal, played by Charles Bickford gets together a posse and pursues McCrea across New Mexico.
Along the way, McCrea meets nurse Frances Dee and gambler Joseph Calleia who has a very ambiguous part. Because it's Joseph Calleia whose stock and trade is movie criminals you expect betrayal. Actually Calleia turns out to be McCrea's friend.
When McCrea goes back on the run the plot then turns into a mini-version of Three Godfathers. I won't say any more other than with Joel McCrea as hero, you're not going to be let down.
The film was produced by Harry "Pop" Sherman who was the original producer of the Hopalong Cassidy series. Hoppy was a noble a western hero as you can get and that's what Sherman gives us here.
This is one of the few films that Mr.and Mrs. Joel McCrea did together. And it's a work they can be proud of.
"Four Faces West" is a beautiful looking movie. It's often stunning to look at. The rest of the movie is good too. It has a fast moving, thoughtful story. It's well acted. I've become quite a fan of Joel McCrea lately. "Four Faces West" is a solid western for his resume.
Le saviez-vous
- AnecdotesLe destin du fugitif (1948) was Harry Sherman's last film. He died on 25 Sep 1952. According to modern sources, Sherman, who had made his reputation as a producer of low-budget Westerns, was particularly proud of the million-dollar Four Faces West. The picture, however, was a box office flop.
- GaffesThe mail hack was supposed to be leaving at 5 am, but the shadows are from an overhead sun indicating that the scene was filmed around midday.
- ConnexionsFeatured in Frances Farmer Presents: Four Faces West (1958)
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- How long is Four Faces West?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 3000 $ mort ou vif
- Lieux de tournage
- El Morro National Monument, near, Ramah, Nouveau-Mexique, États-Unis(Inscription Rock)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée
- 1h 29min(89 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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