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6,7/10
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Un employé d'hôtel idéaliste et tendre de Chicago est emmené en voiture vers le Mexique par le célèbre patron des sentiers, Tom Reece, mais découvre que la vie de cow-boy n'est pas ce à quoi... Tout lireUn employé d'hôtel idéaliste et tendre de Chicago est emmené en voiture vers le Mexique par le célèbre patron des sentiers, Tom Reece, mais découvre que la vie de cow-boy n'est pas ce à quoi il s'attendait.Un employé d'hôtel idéaliste et tendre de Chicago est emmené en voiture vers le Mexique par le célèbre patron des sentiers, Tom Reece, mais découvre que la vie de cow-boy n'est pas ce à quoi il s'attendait.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 nominations au total
Frank DeKova
- Alcaide
- (as Frank de Kova)
Russ Bender
- Joe
- (non crédité)
John L. Blaustein
- Peon Boy
- (non crédité)
Joan Bradshaw
- Reese's Girl
- (non crédité)
Don Carlos
- Jose
- (non crédité)
John Cason
- Trail Hand
- (non crédité)
Avis à la une
A city tenderfoot toughens up on a long cattle drive in "Cowboy," the last of three westerns that Glenn Ford made with director Delmer Daves; the others being "Jubal" and "3:10 to Yuma." Although not a classic like "3:10 to Yuma," the film is well made, and the literate screenplay by Edmund H. North and Dalton Trumbo was based on the memoirs of Frank Harris, a Welsh writer who actually spent time as a cowhand in the 1870's. Jack Lemmon plays the real-life Frank Harris, a hotel clerk with romantic problems and dreams of becoming a cattleman. Harris also has a little money in the bank, and, at a critical moment, he convinces a successful cattle driver named Tom Reese, played by Glenn Ford, to take him on as a cattle hand. Over the course of a long drive to Mexico, Harris learns the rigors and hard facts of the trail. The cattle drive provides the background for a battle of opposing views between Harris, who values human life, and Reese, who puts the value of a steer above all else.
Although Lemmon initially has to overcome his light-comic image, he eventually succeeds in the dramatic scenes, if slightly less so in the romantic; his love interest, Marlon Brando's first wife, Anna Kashfi, seems an odd, unattainable match for Lemmon. However, a veteran of many westerns, Glenn Ford is excellent; like his Ben Wade in "3:10 to Yuma," the easy-going good-guy image masks a steely toughness that makes him dangerous to cross. Both Lemmon and Ford ably develop their characters as they spar and influence each other during the drive. The two stars are supported by a bevy of veteran supporting players that includes Brian Donlevy, Richard Jaeckel, and Vaughn Taylor. The fine cinematography by Charles Lawton, who also lensed the other two Daves-Ford western collaborations, captures the beauty of New Mexico landscapes.
Glenn Ford was an underrated actor, whose career needs re-evaluation. While "Cowboy" may not be a classic like "Gilda," "The Blackboard Jungle," or "3:10 to Yuma," Ford is in fine form. His biography, Glenn Ford: A Life, penned by his son a few years back, is worthy reading and will re-introduce film lovers to an actor whose star has dimmed since his heyday in the 1940's through 1960's. "Cowboy," among other films, should help restore his reputation and his place in Hollywood history.
Although Lemmon initially has to overcome his light-comic image, he eventually succeeds in the dramatic scenes, if slightly less so in the romantic; his love interest, Marlon Brando's first wife, Anna Kashfi, seems an odd, unattainable match for Lemmon. However, a veteran of many westerns, Glenn Ford is excellent; like his Ben Wade in "3:10 to Yuma," the easy-going good-guy image masks a steely toughness that makes him dangerous to cross. Both Lemmon and Ford ably develop their characters as they spar and influence each other during the drive. The two stars are supported by a bevy of veteran supporting players that includes Brian Donlevy, Richard Jaeckel, and Vaughn Taylor. The fine cinematography by Charles Lawton, who also lensed the other two Daves-Ford western collaborations, captures the beauty of New Mexico landscapes.
Glenn Ford was an underrated actor, whose career needs re-evaluation. While "Cowboy" may not be a classic like "Gilda," "The Blackboard Jungle," or "3:10 to Yuma," Ford is in fine form. His biography, Glenn Ford: A Life, penned by his son a few years back, is worthy reading and will re-introduce film lovers to an actor whose star has dimmed since his heyday in the 1940's through 1960's. "Cowboy," among other films, should help restore his reputation and his place in Hollywood history.
Jack Lemmon's second dramatic role and his only western was this bowdlerised version of Frank Harris' unreliable memoirs 'My Life Out West' which represented a further step in the move by Delmer Daves - a director incapable of making a dull film - from rugged outdoor fare to romantic melodramas when he took Lemmon out of his accustomed urban environment and teamed him with Glenn Ford; who later the same year himself made a memorable venture into comedy with 'The Sheepman'.
As might be expected much of the humour derives from Lemmon looking incongruous in a stetson, while in a supporting role Brian Donlevy is permitted rather more depth than usual.
As might be expected much of the humour derives from Lemmon looking incongruous in a stetson, while in a supporting role Brian Donlevy is permitted rather more depth than usual.
An unusual change-of-pace for Jack Lemmon, excellent as always portraying a hotel clerk in Chicago who invests $3800 in a struggling cattleman's next herd; he hits the trail with the cowboys as a partner and tenderfoot, though rough-hewn cattle-boss Glenn Ford has his doubts. Frank Harris' autobiographical book "My Reminiscences as a Cowboy" becomes a forthright dramatic film about responsibility and endurance, with Lemmon going through the rigors of boot camp--with cowboy boots. Ford works surprisingly well with Lemmon, and when these two--at odds from the start--stare each other down under the cloudy open skies, the tension in their familiarity seems arrived at honestly. Delmer Daves directed, with little sentiment, and the supporting cast of salty old pros is solid. Refreshing for the genre, and exceptionally well-made. *** from ****
I think that this is one of Glenn Ford's best performances. He plays against type cast as a tough rancher with not much heart. Jack Lemmon provides the heart for the film. The film is realistic in it's portrayal of western life in the ninteenth century and is based on the Writer Frank Harris's real story. Frank Harris was a hotel clerk who wanted to be a cowboy so bad that he gave his own money to buy a piece of the stock from Glen Ford's ranch with the condition that he could ride the trail. Glen Ford loses his money gambling and has to take Harris(Lemmon's) deal in order to buy more cattle. Along the trail Lemmon finds the work hard and the men that he associates with harder. Harris becomes tough but learns a lesson and in the end teaches something to Glen Ford along the way. The only problem with the dvd version is that it is in pan and scan format and it should be in wide screen as this is an epic western that needs the wide screen. I recommend that the viewer who really wants to see this in widescreen request it on turner classic movies as that is the only place where you can see it that way. Enjoy this movie any way you can see it however. It is like a good novel.
Circumstances force a tough trail boss (Ford) to take on a former hotel bellboy (Lemmon) as his partner in a trail drive, on condition that Lemmon can go along on the drive. Along the way he finds out that a cowboy's life isn't as glamorous or romantic as he thought it would be, and a whole lot more dangerous besides. This is a vastly entertaining film, mainly because Lemmon and Ford work so well together. Lemmon knew exactly how far to go in showing boyish enthusiasm and excitement without making it seem childish or juvenile, and he stays right on that fine line here. Ford's character is a weary cattleman who's seen and done it all, and knows what Lemmon is in for, tries to tell him and gets annoyed when he won't listen, and the two complement each other perfectly. A top-notch supporting cast helps things immensely, and Delmer Daves' directs smoothly, interspersing drama and humor in just the right amounts. A very, very enjoyable film.
Le saviez-vous
- AnecdotesThe trumpeter in the cantina was Raphaël Mendez, who in the 1950s was considered by many professional musicians to be one of the finest trumpet players in the world, if not the best.
- GaffesIn a rail car containing the shipment of cattle, Tom Reese, an 'experienced' cattle-handler, attempts to help up a fallen steer by pulling the animal's head so that it can get up on its front legs then, presumably, on to its hind legs. No bovine will normally get up like this, and it's easier for it, firstly, to raise itself up on its hind legs by lunging forward, then put its front legs under it to stand up. To help this animal get up, you must lift its rear end by grabbing either the tail root or its backside.
- Citations
Charlie, Trailhand: I wouldn't go in there for a bottle of whiskey and a redhead to pour it.
- ConnexionsFeatured in Denis la petite peste: Dennis Goes to the Movies (1959)
- Bandes originalesBury Me Not on the Lone Prairie
Music by George N. Allen
Frequently referenced in George Duning's musical score
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- How long is Cowboy?Alimenté par Alexa
Détails
- Durée1 heure 32 minutes
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