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3,6/10
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Ajouter une intrigue dans votre languePaula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.
- Réalisation
- Scénario
- Casting principal
Art Millan
- Carl Parkins
- (as Arthur Millan)
Timothy Farrell
- Lt. Holmes
- (as Timothy Farell)
Chandler McClure
- Det. Artman
- (as F. Chan McClure)
Harry Keaton
- Doctor
- (non crédité)
Avis à la une
Ed Wood, purveyor of class and dignity with a veneer of exploitation, gives us a great story about the consequences of parental neglect, albeit wrapped in nice, tight sweaters.
The movie deals with a newspaperman's daughter (who looks about the same age as her parents) who has become a wild child because her father is too busy at work to notice that he keeps giving her the same birthday present every year. In addition, her mom's continuously on the charity circuit, so she's never around for those heart-to-heart talks that young women need. So, left to her own devices, she has a gang of other females in need of thrills who rob gas stations and rape young men.
While this tragedy is at times overly done, the point is still well made that parents need to be involved in their children's lives. Sterno says give The Violent Years some time from your life.
The movie deals with a newspaperman's daughter (who looks about the same age as her parents) who has become a wild child because her father is too busy at work to notice that he keeps giving her the same birthday present every year. In addition, her mom's continuously on the charity circuit, so she's never around for those heart-to-heart talks that young women need. So, left to her own devices, she has a gang of other females in need of thrills who rob gas stations and rape young men.
While this tragedy is at times overly done, the point is still well made that parents need to be involved in their children's lives. Sterno says give The Violent Years some time from your life.
A bit heavy handed and moralising but certainly has some feisty moments. I loved the girl gang with their big pointy bosoms and snarling expressions and guns. Holding up petrol stations for kicks and in the end wrecking schoolrooms and getting into a gunfight with the police. Actually they didn't do much more than push over the chairs and wipe the blackboard clean, even replacing the duster on the shelf afterwards. But they talked big, had those big bosoms and did seem keen on a bit more action than seemed to be promised elsewhere. Somewhere writer Ed Wood is trying to make some comment about all the juvenile delinquency being the fault of the parents, but there is a fine scene when a guy's girlfriend is made to take off her sweater (angora?) and skirt and then be bound in her shiny underwear whilst aforementioned guy is chased into the woods by the four bosom pals for some naughtiness. Our leading bad girl is removing her top in full frame as the picture fades and the young man protests.
Thoroughly entertaining for most of the time, this is the story of a bored, wealthy young woman who forms a gang with like-minded friends and has a whale of a time robbing gas stations, trashing schools and making men sexual offers they can't refuse. They are occasionally employed by Sheila, a splendid older gang moll in a tight sweater, whose appearance sadly only lasts a couple of minutes prior to her being gunned down. The plot runs from one absurdity to the next including two cop cars racing to a disturbance at a school and going in with all guns blazing, as if Bonnie and Clyde were in there. Unfortunately Mr Wood seemed to forget what the audience had paid to see, and devotes nearly a fifth of the running time to the patently phony moralizing required to justify everything else. This provides some fun in itself, with the veteran actor playing the judge clearly reading his interminable lines, while the distraught mother bemoans giving her errant daughter Paula 'a new dress instead of a caress'. In fact Paula, played by the glamorous Jean Moorhead, looks ravishing in the one-piece she wears at the pajama party, no doubt from 'Victor Most of California', who gets a credit. Pity the film was so short and the ending such a washout.
In what is yet another bad juvenile delinquent movie from the moralistic 1950s, four "teenage" girls rob a gas station, erase a classroom chalkboard, and do other vile things. The four females are all miscast. They're too old to be teenagers. The main "girl", Paula, is 18 years old. But the role is given to an "actress" who looks more like she's in her thirties.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.
With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.
But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.
There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
Le saviez-vous
- AnecdotesThe four girls, who act like a violent gang of men, adopt male names: Paula is Paul, Geraldine is Gerry, Phyllis is Phil, and Georgia is George.
- GaffesDuring the shootout from the classroom, it's nighttime. However, when the cops are shooting, it's daylight.
- Versions alternativesDifferent versions of the film contain different opening credits. One opening has the credits play over a static shot of a city skyline, while in other prints the credits play over a nondescript background with the title card appearing over a cast photo.
- ConnexionsEdited into Sleazemania Strikes Back (1985)
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- How long is The Violent Years?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Жестокие годы
- Lieux de tournage
- 500 N Larchmont Blvd, Hancock Park, Los Angeles, Californie, États-Unis(Rosewood Super Service Station robbery, demolished)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was The Violent Years (1956) officially released in India in English?
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