NOTE IMDb
6,8/10
5,6 k
MA NOTE
Un acrobate de cirque infirme est déchiré émotionnellement entre deux jeunes trapézistes ambitieux, un jeune Américain talentueux et une Italienne moins douée mais très belle.Un acrobate de cirque infirme est déchiré émotionnellement entre deux jeunes trapézistes ambitieux, un jeune Américain talentueux et une Italienne moins douée mais très belle.Un acrobate de cirque infirme est déchiré émotionnellement entre deux jeunes trapézistes ambitieux, un jeune Américain talentueux et une Italienne moins douée mais très belle.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 2 nominations au total
Johnny Puleo
- Max
- (as John Puleo)
Gérard Landry
- Chikki
- (as Gerard Landry)
Jean-Pierre Kérien
- Otto
- (as Jean-Pierre Kerien)
Serge Bento
- Circus Boy
- (non crédité)
- …
Paul Bonifas
- Paul - Circus Peddler
- (non crédité)
Roland Carey
- Trapeze Artist
- (non crédité)
Avis à la une
Actually I think Trapeze is a fairly decent depiction of a 1950s European flyer's act. And I understand that Mr. Lancaster was an acrobat whose career was ended due to injury prior to his becoming an actor. So this may have enabled him to have a good feel for his role.
But I'm also a bit biased. I've been to a couple of circuses in Paris, which seemed to mirror the film's atmosphere and I actually met the actors who starred in this film.
In 1955 I was living on an American military base near Paris where Trapeze was being filmed. The USO hosted a gathering on base and Tony Curtis and Gina Lollabrigida appeared to promote the film and sign autographs. My older sisters got their photos taken with Mr. Curtis.
So naturally, whenever I catch this film on late night cable, I see it from a nostalgic point of view.
But I'm also a bit biased. I've been to a couple of circuses in Paris, which seemed to mirror the film's atmosphere and I actually met the actors who starred in this film.
In 1955 I was living on an American military base near Paris where Trapeze was being filmed. The USO hosted a gathering on base and Tony Curtis and Gina Lollabrigida appeared to promote the film and sign autographs. My older sisters got their photos taken with Mr. Curtis.
So naturally, whenever I catch this film on late night cable, I see it from a nostalgic point of view.
Enjoyed this great 1956 Classic film starring Burt Lancaster, (Mike Riddle) who gave an outstanding performance as an experienced trapeze artist. In real life, Burt left Northwestern University in Evanston, Illinois in his second year and decided to join a circus and traveled all around performing on the high wires. As Burt's movie career became successful, he had the opportunity to make this picture which he had longed to do for many years. Burt teams up with Tony Curtis, (Tino Orsini) who gave a great supporting role along with the beautiful Gina Lollobrigida, (Lola) who added her great charm to this picture and had two men fighting over her for her love. Thomas Gomez,(Bouglione) was the circus manager and gave an outstanding performance to his role as a man who ran his circus with an iron fist. This is a great picture with great veteran actors, enjoy.
I remember seeing "Trapeze" as a youngster in the mid-1950's. But watching it recently, many decades later, I was surprised at how well it has held up.
Set in a circus in Paris, Mike Ribble (Burt Lancaster), a famous trapeze artist crippled in a fall, trains a promising young aerialist, Tino Orsini (Tony Curtis).
They form a strong bond and aim for Tino to complete a dangerous triple somersault. However, beautiful, ambitious Lola (Gina Lollobrigida) manipulates her way into the act, and the ensuing love triangle proves more dangerous than any somersault.
In the novel that the film was based on, "The Killing Frost" by Max Catto, Mike Ripple's feelings towards Tino Orsini are beyond mere friendship, and he resents the arrival of the woman not just because she is interrupting their training schedule. His jealously leads to murder at the end of the book. Now a gay theme was never going to get past the censor in a 1956 movie so the ending plays out differently, but there is an undercurrent.
It was shot for the most part in the Cirque d'Hiver in Paris. The director Carol Reed and Photographer Robert Krasner, who worked together on "The Third Man", caught the high-flying trapeze work just as brilliantly as they had captured Harry Lime scurrying down those Viennese sewers.
Burt Lancaster with his circus background did many of his own stunts, but Tony Curtis and Gina Lollobrigida also did some: climbing tricky rope ladders and swinging from the platform - enough for you to believe they are really up there.
Kate Buford in her book "Burt Lancaster: An American Life" relates how Burt Lancaster and Gina Lollobrigida did not get on, however it gave their performances bite. Lancaster looks amazing in this film; muscles, teeth and intensity. Curtis really was a star on the rise; he and Lancaster hit it off and starred together again in the brilliant "Sweet Smell of Success". But 'La Lollo' more than holds her own. She looks sensational with a full figure and a waist you could close your hands around.
If I have a criticism, it is with the Malcolm Arnold's score. Arnold scored many British films in the 50's and 60's, and most of them sounded the same - he didn't change gears much for this one.
Uninspired score aside, "Trapeze", with its powerhouse trio of stars and its authentic look, is a film I can happily revisit.
Set in a circus in Paris, Mike Ribble (Burt Lancaster), a famous trapeze artist crippled in a fall, trains a promising young aerialist, Tino Orsini (Tony Curtis).
They form a strong bond and aim for Tino to complete a dangerous triple somersault. However, beautiful, ambitious Lola (Gina Lollobrigida) manipulates her way into the act, and the ensuing love triangle proves more dangerous than any somersault.
In the novel that the film was based on, "The Killing Frost" by Max Catto, Mike Ripple's feelings towards Tino Orsini are beyond mere friendship, and he resents the arrival of the woman not just because she is interrupting their training schedule. His jealously leads to murder at the end of the book. Now a gay theme was never going to get past the censor in a 1956 movie so the ending plays out differently, but there is an undercurrent.
It was shot for the most part in the Cirque d'Hiver in Paris. The director Carol Reed and Photographer Robert Krasner, who worked together on "The Third Man", caught the high-flying trapeze work just as brilliantly as they had captured Harry Lime scurrying down those Viennese sewers.
Burt Lancaster with his circus background did many of his own stunts, but Tony Curtis and Gina Lollobrigida also did some: climbing tricky rope ladders and swinging from the platform - enough for you to believe they are really up there.
Kate Buford in her book "Burt Lancaster: An American Life" relates how Burt Lancaster and Gina Lollobrigida did not get on, however it gave their performances bite. Lancaster looks amazing in this film; muscles, teeth and intensity. Curtis really was a star on the rise; he and Lancaster hit it off and starred together again in the brilliant "Sweet Smell of Success". But 'La Lollo' more than holds her own. She looks sensational with a full figure and a waist you could close your hands around.
If I have a criticism, it is with the Malcolm Arnold's score. Arnold scored many British films in the 50's and 60's, and most of them sounded the same - he didn't change gears much for this one.
Uninspired score aside, "Trapeze", with its powerhouse trio of stars and its authentic look, is a film I can happily revisit.
Burt Lancaster, Tony Curtis and Gina Lollabrigida star in "Trapeze," a 1956 film directed by Carol Reed and also starring Katy Jurado, Thomas Gomez and Johnny Puleo. Lancaster plays a former trapeze artist turned rigger, Mike Ribble, working in a Paris circus. A once great artist, he is grounded due to a permanent injury while doing his famous triple. He is approached by Tino Orsini (Tony Curtis), a talented aerialist who wants to learn the triple. Ribble sees the man's talent immediately, takes him on, and agrees to be his "grabber," the man who catches him mid-air. Problem arise when the beautiful, seductive user Lola (Gina Lollabrigida) who plays both men in order to be part of the act.
Director Reed gives the viewer the vivid experience of working in the circus and the resulting pressure cooker of relationships. The trapeze work is glorious, and there is plenty of it.
Lancaster has the major role, and he gives an excellent performance as a man with no illusions who, through Tino, dares to dream again. His muscular build is shown to great advantage as well. Curtis is excellent as the young, ambitious Tino who falls hard for Lola. Lollabrigida is gorgeous and sexy as the alluring Lola - she does a good job, but really, all she has to do is stand there and she IS the role. The supporting cast is solid, including Katy Jurado as an ex-girlfriend of Mike's and Thomas Gomez as the owner of the circus.
I don't have any figures, but I suspect this film was a big hit. It led to another Lancaster-Curtis collaboration, Sweet Smell of Success, so for that reason alone, it would be worth it. However, Trapeze flies on its own merits.
Director Reed gives the viewer the vivid experience of working in the circus and the resulting pressure cooker of relationships. The trapeze work is glorious, and there is plenty of it.
Lancaster has the major role, and he gives an excellent performance as a man with no illusions who, through Tino, dares to dream again. His muscular build is shown to great advantage as well. Curtis is excellent as the young, ambitious Tino who falls hard for Lola. Lollabrigida is gorgeous and sexy as the alluring Lola - she does a good job, but really, all she has to do is stand there and she IS the role. The supporting cast is solid, including Katy Jurado as an ex-girlfriend of Mike's and Thomas Gomez as the owner of the circus.
I don't have any figures, but I suspect this film was a big hit. It led to another Lancaster-Curtis collaboration, Sweet Smell of Success, so for that reason alone, it would be worth it. However, Trapeze flies on its own merits.
Curtis was young...Lancaster was in his prime.....The trapeze performances were stunning and despite the predictability of the story, Trapeze was a wonderful movie. Though a little "hokey" at times, and dated perhaps today, the warmth, sincerity, and circus-realism makes this a mild classic!
Le saviez-vous
- AnecdotesThe 41-year-old Burt Lancaster performed all but one of the trapeze stunts himself, having worked in a circus before entering films. He insisted on doing the climactic triple somersault, but technical adviser Eddie Ward initially was hesitant on Lancaster performing the stunt, and Ward doubled for him during the first weeks of shooting. Director Sir Carol Reed eventually hired Lancaster's longtime friend, stuntman Nick Cravat to perform the stunt.
- Citations
Tino Orsini: You know, I always modeled my style after yours.
Mike Ribble: You'll always be a second-rater. Make your own style!
- ConnexionsFeatured in Les cent et une nuits de Simon Cinéma (1995)
- Bandes originalesThe Blue Danube (An der schönen, blauen Donau, Op. 314)
(uncredited)
Music by Johann Strauss
Played during the trapeze routines
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- How long is Trapeze?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Trapeze
- Lieux de tournage
- Cirque d'Hiver - 110 rue Amelot, Paris 11, Paris, France(picture photographed at)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Durée1 heure 45 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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