La clé

As a master (captain) of salvage tugs I can attest to the incredible reality of the shipboard scenes. I have seen no other film that rivals the scenes shot at sea for this film. I found the film riveting for both the action at sea, and the drama ashore.

The plot develops as the characters develop. Will the ship complete her mission? Will the captain return to the apartment? Will the characters overcome the obstacles before them, both emotionally and physically?

Trevor Howard is the perfect old salt, full of bravado, yet terrified.

William Holden, the optimistic American.

Sophia Loren played the role of Stella perfectly! She is the despondent, cynical, war shocked shell in whom we are drawn to share William Holden's hope.

I was mesmerized to the end.

A deceptive war drama which is really a fantastical love story in the vein of Billy Wilder's LOve in the Afternoon. William Holden plays the lead, and what character does he play but a reluctant dogged, selfish seeming individual who resists authority and wears cynicism on his face, mien and posture like a pair of brown well-trodden in sandals. No one did better and he does it excellently yet again. America is yet to enter WWII but Holden is sent to join the Britisn Navy and commandeer tug boats who make rescue missions for other vessels but carry no ammunitions to defend themselves. Thus when called up, the men know they are goners, thus they are known as suicide missions. Sophia who might just be the best foreign actress completely nails her part as the unkempt woman who has lost her will to live when the war took the lives of her family leaving her alone in the world. Therefore, she becomes a kept woman in an apartment, where the key of the title is passed by men who see themselves as goners on a suicide mission to the next fellow who takes up residence till he gets his own suicide call. The scenes are gritty and the ocean scenes realistic in the style of the French new wave. Trevor Howard is fantastic as the man who breaks Holden in and their camaraderie anchors the movie. The score is strange and the way director Reed paces and uses shadows, you think it might turn into a horror movie anytime soon but he is really planting the seeds of love in our heads. Based on a novel by Jan de hartog a Tony winning playwright, the adaptation is fantastic, true and not preachy. As Holden does everything to stay alive and Loren does everything not to, the question of why do we live that everyone asks is tested. The last fifteen minutes and breaks, copies and redounds the rules of this to and ending that is well deserved and earned. Mr. carol Reed , thank you for the effort. Thsi movie which underperformed in the US was a smash hit overseas, a tradition that would become part of Sophia's career. Sophia who at this point had not shown any real proclivity for drama walks like a shining gem and shows why she is one of the few foreign actresses to be nominated more than once for the Oscar in a foreign language performance. Well done!

This film tells the story about Tug Boats being utilized by England during 1941 in order to try and salvage damaged ships which were hit by German U Boats. David Ross, (William Holden) is an American assigned to one of these Tugs which are poorly armed, with guns that do not function when needed. David has not been on a tug in over ten years and meets up with an old chum named Capt. Chris Ford, (Trevor Howard) who shares an apartment with a very attractive gal named Stella, (Sophia Loren) who seems to like Tug Boat Captains as she has had many Captains who have died once she gives them a key to her apartment. The story makes a complete turn when Chris gives David a key to the apartment and that is when the trouble starts to happen. There is plenty of action, drama and romance. Great film with an outstanding story and Sophia Loren looked great at the age of 24 years. WOW

It's both surprising and disappointing that this 1958 film has been virtually forgotten. If for no other reason than the amount of talent involved in its making, it deserves continuing recognition. The script, for example, came from Carl Foreman, (adapted from a Jan de Hartog novel), Sir Carol Reed directed, Malcolm Arnold provided the score and Oswald Morris photographed in black-and-white CinemaScope. Heading the cast are William Holden, just fading from his #1 status, and Sophia Loren, just nearing her #1 status. Trevor Howard provides fine support.

Despite all these assets, however, the movie doesn't quite take off. It's consistently interesting but never really engrossing. Scenes alternate between wartime action in the Atlantic and domestic drama inside a small apartment but neither aspect of the movie seems to provide it with a solid core. It all somehow seems a bit tentative and slightly oblique.

Michael Caine is said to play a small part here. William Holden has a brief shirtless scene which indicates, at the time of filming, he was still in his shaved-chest mode.

An extraordinary movie in every way, from the combat scenes, which are so lifelike as virtually to constitute a documentary, to the superb acting by every single member of the cast, including each of the supporting players. But the very highest praise must go to Sophia Loren's absolutely stunning performance (not to mention her uncanny command of English at so early an age). Her quiet, dignified, and restrained interpretation of her very unusual and extremely demanding role is simply in a class by itself. I have never been able to get her graceful performance out of my mind. This is one of those movies of great merit, bewitched from the start, that simply disappear from public and critical consciousness---never to be recalled or mentioned even when, for example, the careers of Loren, Holden, or Trevor Howard are discussed. It is as if it were never made at all. A great shame.