Come Next Spring

A beautiful tale of redemption, with delightful colors ,a deliciously old-fashioned atmosphere and moving performances by Ann Sheridan and Steve Cochran (all sweetness and light: not the usual tough guy).

It's not an action-packed movie, but rather a depiction of simple rural life where all people stand together when they are struck by a disaster ; sentimentality is kept to a minimum level and the rapport the prodigal father has with his children goes straight to the heart ; it's suitable for the whole family ,just like the "little house" TV series except that Charles Ingalls was always a goody-two-shoes.

I'd tone things a bit for the long rumble which is mostly filler ,but the final pictures make up for it.

This is such a great movie, I wish I could find it on video or DVD. It's been a very long time since I have seen it. It left quite an impression though. It's funny, heartwarming and very enjoyable. It is a great family show.

This exceptionally effective and emotional small film is one of Republic's very best, and one of their last that was creatively and carefully produced as the studio died. In lovely-odd storybook Tru-colour that really suits the Americana, and with an excellent cast, especially the always gorgeous Anne Sheridan and handsome unappreciated Steve Cochran COME NEXT SPRING with its Max Steiner Score, and Tony Bennett theme song has remained unloved an unappreciated for too long by mainstream knowledge. I've heard Scorsese recites it as an influence and it should well be studied by film makers to see how well a small budget but love and care can result in an excellent tough, real, romantic family drama. It actually wasn't until the very last scene did I realise I had seen it as a child and the overwhelming emotion just burst from me, so effective and elating is this finale. The real and crumbling backwoods town they all vist in one scene is probably as close to real surviving 1920s smallville-america as we would ever genuinely see. Look for this film and get settled, you are in for a major discovery and a real treat. Probably influenced by the mega success of FRIENDLY PERSUASION and with Johnny Guitar and Quiet Man rentals to spend, Republic saw a moment when they could still take a chance on small town values with an A grade tech effort. Vale Republic!

Charming piece of Americana affords Steve Cochran a nice change of pace from the brooding thugs he normally played. While he certainly had the physique and dangerous air required for those roles there was also an underlying gentleness to his screen presence that is well utilized here. He is well matched with Ann Sheridan, an actress with her own tough persona. Her careworn appearance in the film matches well with her role as a no nonsense farm woman and as always she offers a high quality performance. Their tentative dance of reconciliation after a long period of estrangement and nice touches that help add to the flavor of small community life make this most worthy picture one to check out.

This rural drama set in 1920s Arkansas is a thoroughly winning film, full of charm and sentiment balanced by straightforward honesty and a trace of grit. Talented screenwriter Montgomery Pittman creates a believable situation involving a ne'er-do-well alcoholic husband (Steve Cochran) who returns to his wife (Ann Sheridan) and family years after abandoning them, hoping to make amends. The wife, however, has learned to manage well on her own, and the way she reacts to this unexpected reappearance is breathtakingly direct and no-nonsense. The leads are terrific; Cochran produced this movie for himself and it shows off his talent extremely well. In fact, the great Italian director Michelangelo Antonioni must have been impressed, because he starred Cochran in the drama Il Grido two years later. I seem to recall that Pittman was also involved with that film. Pittman later wrote some rural-themed episodes for The Twilight Zone, one of which stars James Best, who has a small role in Come Next Spring. Earl Hamner, also a Twilight Zone writer, seems to have taken several hints from Pittman when he came to create The Waltons; the character of the Walton mother, especially as played by Patricia Neal in The Homecoming, is quite reminiscent of Sheridan's performance. An article in New York magazine several years ago revealed that Martin Scorsese is a great admirer of Come Next Spring, which is an urgent candidate for video/DVD release.