Le ballon rouge
- 1956
- Tous publics
- 34min
NOTE IMDb
8,1/10
21 k
MA NOTE
Un ballon rouge animé de vie suit un petit garçon dans les rues de Paris.Un ballon rouge animé de vie suit un petit garçon dans les rues de Paris.Un ballon rouge animé de vie suit un petit garçon dans les rues de Paris.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 5 victoires et 1 nomination au total
Avis à la une
Wow, I thought of this film recently and remember it fondly. So, I looked it up on IMDb, hoping that this hadn't been a dream, and that it really existed. I wish I could see this film again today.
A little boy is chosen by a red balloon, which colours his otherwise dreary, grey days. I was shown this film in class in kindergarten (late '70s) and again in grade school, I believe. When I first saw it, it was with a rather existential, perhaps detached, view of it. Not much reaction, really. I didn't quite know what to make of it. Fortunately, I didn't rely on a little gang of pals to tell me what to think about it. I had never seen anything like it. It struck me that it was foreign. I liked that about it. The foreignness intrigued me, also the fact that it was old. It always impressed me how kids wore little grown-up shoes in '50s Europe. The quietness of the little boy, Pascal, also had a profound impact on me. I never understood the need for us kids in the U.S. to constantly yak about endless bull**** in order to feel secure. We never enjoy the silence. This carries on into adulthood. There's meaningless small talk, endless jibber jabber, all in an effort to hide, behind voluminous verbiage, our true sensitive selves from the big bad world. There's an existentialist problem for you. If there are any xenophobic misgivings against "the French," it's because they've long faced the human condition in a way that we as "Americans" are far too infantile as a culture to do; and, at this point, far too stunted with cultural arrested development to ever hope to do so.
I suppose the cruel little boys in the film symbolised the barbaric/insensitive "American" sensibility which I had grown used to. And the story the film conveys through such brilliant, yet simple, symbolism illumines such a range of themesfrom xenophobia, alienation, solitude and introspection to friendship, loyalty and sacrifice. Simply brilliant. This film probably taught me more than a handful of my first years of schooling combined. By the time I saw this film the second time my eyes were filled with wonder and, toward the end of the film, welled over with tears.
A little boy is chosen by a red balloon, which colours his otherwise dreary, grey days. I was shown this film in class in kindergarten (late '70s) and again in grade school, I believe. When I first saw it, it was with a rather existential, perhaps detached, view of it. Not much reaction, really. I didn't quite know what to make of it. Fortunately, I didn't rely on a little gang of pals to tell me what to think about it. I had never seen anything like it. It struck me that it was foreign. I liked that about it. The foreignness intrigued me, also the fact that it was old. It always impressed me how kids wore little grown-up shoes in '50s Europe. The quietness of the little boy, Pascal, also had a profound impact on me. I never understood the need for us kids in the U.S. to constantly yak about endless bull**** in order to feel secure. We never enjoy the silence. This carries on into adulthood. There's meaningless small talk, endless jibber jabber, all in an effort to hide, behind voluminous verbiage, our true sensitive selves from the big bad world. There's an existentialist problem for you. If there are any xenophobic misgivings against "the French," it's because they've long faced the human condition in a way that we as "Americans" are far too infantile as a culture to do; and, at this point, far too stunted with cultural arrested development to ever hope to do so.
I suppose the cruel little boys in the film symbolised the barbaric/insensitive "American" sensibility which I had grown used to. And the story the film conveys through such brilliant, yet simple, symbolism illumines such a range of themesfrom xenophobia, alienation, solitude and introspection to friendship, loyalty and sacrifice. Simply brilliant. This film probably taught me more than a handful of my first years of schooling combined. By the time I saw this film the second time my eyes were filled with wonder and, toward the end of the film, welled over with tears.
10harry-76
This film is one of my all-time favorites. I consider it a masterpiece, and an emotionally moving experience. As an allegory on the power of love and friendship, it is unsurpassed. Yet one senses deeper, more profound meanings with the balloon as a symbol of the spirit and resilience of life itself, being able to mutate and regenerate itself in an endless flow of passion.
I remember this short story when we watched it in the 2nd grade. I later happened to catch it on TV, while my parents were watching, a few years later. They thought it was great. How can I possibly remember this movie? Some movies touch you so well that they never leave you. It's the cutest story you'll ever see. There is no dialog in this charming little movie and all of the story is told through the visual very effectively. The red Balloon befriends this little boy. Where else can you have inanimate objects come to life and show personalities? Only cartoons and animations? The Red Balloon even shows interest in the opposite sex. One would only guess by the fact that it sees a girl with a pink balloon and thus follows. This movie should be seen for yourself in order to appreciate it. Everyone will love this movie. It's also a good date movie.
Le Ballon Rouge is a masterpiece in Short Film making. It tells the story of the day of a life of a parisian boy who finds a red balloon on his way to school. Or rather it finds him. Everybody, it seems is rather keen to see the boy get rid of the balloon. He arrives at school and is not allowed to bring the balloon in with him. He lets it go and it flies off, only to be waiting for him at the end of the day, hovering outside in the school yard. Further adventures ensue throughout the day culminating in a spectacular ending for the boy. It is wonderfully directed by Albert Lamorisse. This fantasy is elegant in direction and editing on the screen. The acting is understated and quite delightful. It has always been my favourite of all Short Films. I wonder if it exists as a theatrical print. I've only ever seen it on TV. I'd love to see it projected.
THE RED BALLOON rescued by a small Parisian lad will transform his life in unbelievable ways.
This is a marvelous film, full of love & hope, searing sorrow & overwhelming joy. It is also a classic example of what can be done in a very limited time frame, with a compelling story and genius behind the camera.
The special effects are still entrancing, with wonderful editing & camerawork which turns the byways & alleys of old Paris into the canvas on which this fantasy is painted.
Director Albert Lamorisse's young son, Pascal, is the very fortunate star of this urban fairy tale.
If the tribulations & persecutions of the Red Balloon appear to be a type of Epiphany, that is probably no coincidence.
This is a marvelous film, full of love & hope, searing sorrow & overwhelming joy. It is also a classic example of what can be done in a very limited time frame, with a compelling story and genius behind the camera.
The special effects are still entrancing, with wonderful editing & camerawork which turns the byways & alleys of old Paris into the canvas on which this fantasy is painted.
Director Albert Lamorisse's young son, Pascal, is the very fortunate star of this urban fairy tale.
If the tribulations & persecutions of the Red Balloon appear to be a type of Epiphany, that is probably no coincidence.
Le saviez-vous
- AnecdotesWith its Oscar win for Best Original Screenplay, the film is (as of 2024) the only short film to win an Academy Award outside of the short film categories.
- GaffesFor a brief instant, a wire can be seen attached to the red balloon as the boy waits to cross the street. The wire stands out against the blue coat of the man standing behind him looking on as the boy waits for the intersection to clear.
- Citations
Pascal - le petit garçon: Could you hold my balloon while I'm in school?
- Crédits fousAvec le concours: Des Enfants De Ménilmontant et Des Ballons De La Région Parisiénne (Translation: With the assistance of: The Children of Ménilmontant and The Balloons of the Paris region.)
- ConnexionsFeatured in Paris non stop (1981)
Meilleurs choix
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 34 570 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 004 $US
- 18 nov. 2007
- Montant brut mondial
- 48 980 $US
- Durée
- 34min
- Mixage
- Rapport de forme
- 1.37 : 1
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