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Ajouter une intrigue dans votre langueElmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voix)
- (non crédité)
Avis à la une
Chuck Jones' brilliant condensation of all of Wagner into a 7-minute cartoon. A comic tour-de-force with Elmer as Siegfried (Kill the wabbit!!) and Bugs as Brunhilde. The background illustrations were absolute incredible, invoking a true Wagnerian atmosphere. If you only see one cartoon in your life, make it this one.
With my speaw and Magic Hewmut! Magic Hewmut! Kiww the wabbit! Kiww the wabbit!
Immortal lines. Like those other famous lines: "Here's looking at you, kid." "Put your lips together and blow!" "I'm Woodrow Wilson, go to bed!" "How do you split a car in half!"
This little cartoon got me hooked on opera in general and is certainly the best Bugs Bunny around! There are no other!
And, if you never see it, look out for that horse! It takes a lot not to enjoy the sure absurdity of this story! If they ever give a DVD with just this ONE cartoon on, I will probably buy it.
Consider yourself exceptionally lucky if you lay eyes upon this cartoon! It's the crown jewel of classic animation! None of todays sci-fi recycled trash a la Pokemon-Digimon things come near the Wagnerian majesty of WHATS OPERA, DOC?
Immortal lines. Like those other famous lines: "Here's looking at you, kid." "Put your lips together and blow!" "I'm Woodrow Wilson, go to bed!" "How do you split a car in half!"
This little cartoon got me hooked on opera in general and is certainly the best Bugs Bunny around! There are no other!
And, if you never see it, look out for that horse! It takes a lot not to enjoy the sure absurdity of this story! If they ever give a DVD with just this ONE cartoon on, I will probably buy it.
Consider yourself exceptionally lucky if you lay eyes upon this cartoon! It's the crown jewel of classic animation! None of todays sci-fi recycled trash a la Pokemon-Digimon things come near the Wagnerian majesty of WHATS OPERA, DOC?
This is a classic short cartoon, all right. It's the art direction that does it - it's VERY 1950s (some would say it's pinched from UPA, but this is false: look at the previous work of Maurice Noble, and the direction in which background design was tending at Disney and to a lesser extent Warner Brothers before UPA was even formed, and you'll see that UPA was merely the most extreme expression of a zeitgeist which arose for as yet unexplained reasons) - but it fits the roasted twilight setting of Wagner like a glove. Colours, sets, linework, framing; all are marvellous.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
This is one of the greatest cartoons ever made. When many experts in the field of animation got together a few years ago to list the 50 greatest cartoons ever made, this one ended up at number 1. Watching this cartoon, it's easy to see why they ranked it at the top. It's a classic. Everyone knows this one, especially the scene with Elmer Fudd, Spear in hand, magic helmet on head, singing "kill the wabbit!"
Elmer Fudd is again hunting rabbits - only this time it is an opera. Richard Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
"What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.
There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.
Le saviez-vous
- AnecdotesWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Crédits fousThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConnexionsEdited into Bugs Bunny, Bip Bip: Le film-poursuite (1979)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 14 753 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 285 $US
- 16 févr. 1998
- Montant brut mondial
- 14 753 $US
- Durée7 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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