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Du rififi chez les hommes

  • 1955
  • 16
  • 1h 58min
NOTE IMDb
8,1/10
38 k
MA NOTE
Jean Servais in Du rififi chez les hommes (1955)
Trailer for Rififi: Restoration
Lire trailer1:53
2 Videos
99+ photos
HeistCrimeDramaThriller

Tony sort de prison. Avec d'ancien complices, il organise le braquage d'une grande bijouterie parisienne. Mais une bande rivale les surveille.Tony sort de prison. Avec d'ancien complices, il organise le braquage d'une grande bijouterie parisienne. Mais une bande rivale les surveille.Tony sort de prison. Avec d'ancien complices, il organise le braquage d'une grande bijouterie parisienne. Mais une bande rivale les surveille.

  • Réalisation
    • Jules Dassin
  • Scénario
    • Auguste Le Breton
    • Jules Dassin
    • René Wheeler
  • Casting principal
    • Jean Servais
    • Carl Möhner
    • Robert Manuel
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,1/10
    38 k
    MA NOTE
    • Réalisation
      • Jules Dassin
    • Scénario
      • Auguste Le Breton
      • Jules Dassin
      • René Wheeler
    • Casting principal
      • Jean Servais
      • Carl Möhner
      • Robert Manuel
    • 154avis d'utilisateurs
    • 120avis des critiques
    • 97Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 1 nomination au total

    Vidéos2

    Rififi: Restoration
    Trailer 1:53
    Rififi: Restoration
    Rififi
    Trailer 2:39
    Rififi
    Rififi
    Trailer 2:39
    Rififi

    Photos218

    Voir l'affiche
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    + 211
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    Rôles principaux32

    Modifier
    Jean Servais
    Jean Servais
    • Tony le Stéphanois
    Carl Möhner
    Carl Möhner
    • Jo le suédois
    Robert Manuel
    Robert Manuel
    • Mario Ferrati
    Janine Darcey
    Janine Darcey
    • Louise
    Pierre Grasset
    Pierre Grasset
    • Louis Grutter dit le Tatoué
    Robert Hossein
    Robert Hossein
    • Rémi Grutter
    Marcel Lupovici
    Marcel Lupovici
    • Pierre Grutter
    Dominique Maurin
    • Tonio - le petit garçon de Jo et Louise
    Magali Noël
    Magali Noël
    • Viviane - la chanteuse de 'L'Age D'Or'
    Marie Sabouret
    Marie Sabouret
    • Mado les Grands Bras
    Claude Sylvain
    Claude Sylvain
    • Ida Ferrati
    Jules Dassin
    Jules Dassin
    • César le milanais
    • (as Perlo Vita)
    Armandel
    • Second Gambler
    Alain Bouvette
    • Le serveur de 'L'Age D'Or'
    Alice Garan
    • Une fille
    André Dalibert
    André Dalibert
    • Webb - le bijoutier
    • (as Dalibert)
    Jacques David
    • Le commissaire
    Émile Genevois
    • Charlie
    • Réalisation
      • Jules Dassin
    • Scénario
      • Auguste Le Breton
      • Jules Dassin
      • René Wheeler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs154

    8,138.1K
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    Avis à la une

    9Xstal

    The Best Laid Plans...

    You're back outside, after a little time confined, your close friends make you an offer you decline, but after a little contemplation, your respond with affirmation, and counter with a scheme that's more refined. The team is gathered, and the plans are put in place, no stone unturned, and nothing is misplaced, the execution is sublime, pulling off the perfect crime, just keep your heads down, you haven't left a trace. Alas distractions bring your work to the attention, of other villains, putting gains under contention, best endeavours have been flawed, a cascade of cheat and fraud, on this occasion, without salvation, and no redemption.

    Great story, great performances, perfectly executed (almost).
    8atlasmb

    A Caper Film About More Than The Job

    According to the song "Rififi" that one character sings in the film, the title means "rough and tumble". That is a good description of the underworld characters that inhabit this film. The action starts when Tony, who recently was released after five years in prison, re-establishes contact with family and friends, who quickly lure him into a jewel caper. These guys are pros and, with Tony's guidance, they meticulously plan the heist.

    The execution of their plan takes place without dialogue or background music, accentuating the silence so necessary for their plan.

    In most heist films, the job itself is the final, climactic part of the story. In Rififi, the real story takes place after the job. Without revealing too much, I will say that this is a film about human nature. It reminds us that individuals almost never change their natures.

    Furthermore, almost all the characters in this film have their vices or weaknesses. The film talks about "the rules", the unwritten principles that guide the actions of gangsters and conmen alike (for example, not ratting on associates). Due to their weaknesses, many of the characters violate the rules and fall prey to others.

    One scene to look for is when Cesar visits the jewelry store to case the security. He asks to use the phone, leaving his cash splayed over the countertop--a strategy of distraction that also is a basic con (confidence game).

    This film is blessed with topflight direction, great photography, good acting and a lean, well-written script.
    sumdenguy

    WOW! WOW! WOW!

    RIFIFI

    This was a fantastic film by Jules Dassin. Great characters, heist, villains and photography. This was the complete opposite of Kubrick's The Killing. With very little expository dialogue in the script, so much of the movie was told through actions and glances and was left up to the viewer to decipher, whereas The Killing had a narrator helping the audience feel stupid. What I really liked was the main character---he was such a bad-ass that he had a `The' before his name...Le Stephanois.

    The passage of time has been very good to Rififi and I think today's audiences will be surprised at how many of today's directors have borrowed form Rififi. Paul Thomas Anderson's HARD EIGHT comes to mind, as the character Sydney is very similar to Le Stephanois. Also recently, Steven Soderbergh's THE LIMEY comes to mind as being influenced by the characters in Dassin's masterpiece. The story is classic film noir: Bad guys pull off heist, get duped at the end. I think today's audiences will like the story. The only thing that doesn't quite hold up is the scene with the woman singing Rififi in the nightclub. It's quaint to watch, but there aren't many(if any) clubs left like this today. Other than that, it holds up excellently.

    It was easy to root for Le Stephanois because he was such a decisive man of action. He knew what to do, how to do it, and you know he would get it done. The villain was cast perfectly. He and his junkie brother were wholly contemptible and you REALLY didn't want him to get the money from such an exhilarating heist.

    The scene in the film with Le Stephanois trying desperately to make it to Joe's home is brilliantly juxtapaosed with the boy gleefully riding in the covertible as if it was a carnival ride. It was truly a creepy film moment and one of the only times where there was no sound effects and just soundtrack music playing.

    Wow, this is the coolest film noir ever. The infamous hush-hush(20 min.) heist scene, and the fact that a blacklisted American makes the ULTIMATE film noir while in Paris, FRANCE...if you haven't seen it...what the HECK are you waitin' for!?!?!? HURRY!!! HIGHEST RECOMMENDATIONS!
    loydmooney

    the absolute best

    If any film approaches perfection, this is the one. Pound for pound and scene for scene it is the best. The only others even close are the Maltese Falcon and Asphalt Jungle, but this is the baby that beats even them. For sheer black and white beauty it is the equal of Asphalt, and just never lets up. Its ending is one of the best of all time, easily the equal of Citizen Kane. And making it even more amazing it that it was cobbled together in desperation: and made for practically nothing. In short, a bloody miracle.

    It builds beautifully. Everything in it works, even down to the great music of George Auric.

    Shot in early winter or late spring, it is authentic down to the white gangster breaths on the air. Paris never looked more dangerously beautiful.

    Of all the films I have ever seen, it is the only one I would give a nine and a half to. And since most of it works very well without comment, probably it is best to just say, watch it and behold.
    Infofreak

    Breathtakingly brilliant! Still one of the greatest crime movies ever made.

    'Rififi' is so damn good it takes your breath away! Director Jules Dassin, blacklisted from Hollywood, was living almost hand to mouth in Europe and taking any job he could get, when he made this movie, a project he was initially not at all excited by. Happily he turned around an awful situation and ended up making a classic thriller which is still one of the greatest crime movies ever made. One of the most influential too, having an impact on movies like 'The Killing', 'The Anderson Tapes', 'Thief', 'Reservoir Dogs', 'The Score' and many, many others. 'Rififi' is a classic heist movie but it is much more than that, it is a superbly written and acted character study. The robbery sequence itself is regarded as one of the most impressive in film history, but it is by no means the only thing worth watching this movie for. In fact I'd go so far as to call it perfect. Every time you watch it you discover something more of interest. Jean Servais, who later appeared in the entertaining horror sexploitation movie 'The Devil's Nightmare', is absolutely wonderful as Tony, a veteran criminal talked into joining his young friend Jo (Carl Mohner) in a daring robbery. His performance is first rate, but Mohner and the rest of the cast are equally good, including Drassin himself as Cesar, an Italian safe-cracker who inadvertently causes the gangs ultimate downfall. There's a brilliant scene between Servais and Drassin towards the end of the movie which is short but unforgettable. Look out for it. Truffaut raved about this movie calling it the best Noir he'd ever seen. I don't think he was exaggerating, it really IS that good, and personally I think it's a much better movie than Truffaut's more celebrated 'Breathless'. If you enjoy crime thrillers it doesn't get much better than this! Highly recommended!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The much imitated heist sequence is over 32 minutes long and contains not a single line of dialogue or music. The production crew and composer Georges Auric thought it would be a disaster to have such a long sequence sans dialogue. Auric insisted that he allow him to write a grand piece of music for the scene and he eventually did on his own. Later Dassin played the part for Auric twice, once with the score, once without. Auric turned to him and admitted, "Without the music".
    • Gaffes
      When the "modest" Mario gets out of the bathtub, one can see briefly that he has boxer shorts on.
    • Citations

      Louise: There's something I always wanted to tell you. There are kids, millions of kids who've grown up poor. Like you. How did it happen? What difference was there between them and you, that you became a hood, a tough guy, and not them? Know what I think, Jo? They're the tough guys, not you.

    • Versions alternatives
      West German theatrical version was shortened by ca. 8 minutes (the poker scenes, the telephone scene with Jo and his wife, Mario's funeral, small dialogue scenes of Tony meeting various people, Tony finding Jo's corpse, Tony shooting an already dead gangster). This version was also broadcast on TV.
    • Connexions
      Edited into The Clock (2010)
    • Bandes originales
      Le Rififi
      Music by Philippe-Gérard

      Lyrics by Jacques Larue

      Performed by Magali Noël

    Meilleurs choix

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    FAQ19

    • How long is Rififi?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 avril 1955 (France)
    • Pays d’origine
      • France
    • Langues
      • Français
      • Italien
    • Aussi connu sous le nom de
      • Rififi
    • Lieux de tournage
      • 2 Rue d'Annam, Paris 20, Paris, France(Jo's apartment)
    • Sociétés de production
      • Pathé Consortium Cinéma
      • Indusfilms
      • Société Nouvelle Pathé Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 517 975 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 17 981 $US
      • 23 juil. 2000
    • Montant brut mondial
      • 521 342 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 58 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Jean Servais in Du rififi chez les hommes (1955)
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    By what name was Du rififi chez les hommes (1955) officially released in India in English?
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