Sitting Bull

"Sitting Bull" is a film that shocked me. For a biopic/western, it's actually much closer to fact than I would have suspected. It also is much more sympathetic towards the Sioux nation than many westerns....and is well worth your time.

The story revolves around an officer who has been demoted. Bob Parrish (Dale Robertson) is not your typical cavalry officer, as he thinks that the American government should respect and treat the natives much better than they do. As he put it, 'they just want to live and raise their families'. But folks like General Custer and the rest give him a lot of guff and they seem to follow the old axiom, 'the only good Indian is a dead Indian'. What's to become of him and his mission to work WITH the natives instead of AGAINST them?

It is ironic that not only did Iron Eyes Cody appear in the film as Crazy Horse, but he was the consultant to the production about native culture. Only later in life did folks learn that Cody (the most American Indian looking guy on the planet) was actually an Italian!! But you can't blame the film....at the time everyone thought Cody was exactly what and who he pretended to be! But he and the filmmakers STILL got so much right in this one...and the movie holds up far better than most from the genre*. Well worth seeing and an excellent picture in so many ways.

*For the worst possible depiction of this same story, try "They Died With Their Boots On". While the cast was incredibly impressive (with Errol Flynn and Olivia de Havilland), the facts are pretty much tossed out the window and Custer is depicted as a great man...not the incompetent he actually was.

The picture concerns Sitting Bull (J. Carrol Naish) , celebrated chief and mystic of the Hunkpapa Sioux and Major Robert Parrish (Dale Robertson) . Parrish clashes Colonel Custer (Douglas Kennedy) and his superiors . He's degraded and sent an Indian reservation where the starving natives are mistreated and suffering extreme famine . Meanwhile , being developed a loving triangle between his girlfriend (Mary Murphy) and a war journalist (William Hooper) . Later on , he is appointed by President Ulysses S. Grant (John Hamilton) to achieve a peace treatise with Sitting Bull to attempt to prevent the bloodshed and he then fights a dangerous duel against Crazy Horse (Iron Heyes Cody) . Parrish helps Indians and is accused as a traitor , being court-martialed for "collaborating" with the enemy . Chief Sitting Bull of the Sioux tribe is forced by the Indian-hating General Custer to react with violence , resulting in the known Last Stand at Little Bighorn .

This exciting movie contains western action , romance , shoot-outs and spectacular battles . The yarn was shot outside of Mexico City and in the Churubusco Azteca studios . Washed-out print , the film needs urgently a perfect remastering . It appears as a technical adviser and designer Indian costumes , a secondary actor named Iron Eyes Cody , usual player as Indian roles (Great Sioux Massacre , A man called Horse) , though with Sicilian origin . The motion picture was regularly directed by Sidney Salkow .

The film is a fiction , but partially based on real events . The reality happened in December 1873 when the Commissioner of Indian Affairs directed all Sioux bands to enter reservations by the end of January 1876 or be declared hostile . Many bands of Sioux did not meet this deadline and were attacked by US troops . Crazy Horse and his Oglala people moved north to join forces with Sitting Bull , by the spring of 1876 some 3000 Teton Sioux and Northern Cheyenne warriors had assembled at Sitting Bull's camp in the valley of the Little Big Horn in Montana. On 25 June 1876 Crazy Horse and other war chiefs led the allied warriors against General Custer and his seventh Cavalry , Custer and all the man under his direct command were killed . This victory , however , brought relentless retaliation from the army and Sioux were scattered . Sitting Bull and his followers fled to Canada and stayed there until July 1881 , when he returned to the US and surrendered at Fort Buford , Montana . After he was placed on a South Dakota reservation . For a year Sitting Bull went a tour with Buffalo Bill's Wild West Show . He continued to regard himself as chief of his people and he earned the enmity of an Indian agent . On 25 December 1890 , Indian policemen went to take the chief , his followers tried to prevent this and in the struggle he was shot dead .

SITTING BULL is a sluggish western about a cavalry major (DALE ROBERTSON) who is compassionate toward the Indians and must face insubordination for some of his actions against harsh superior officers.

There's a traditional romance thrown into the mix, between a General's daughter (MARY MURPHY) and Robertson, with rival suitor WILLIAM HOPPER as another man interested in Murphy. J. CARROL NAISH is Chief Sitting Bull, who wants peace and refuses to put on his war paint although some members of his tribe are anxious to fight some of the white men's injustices. DOUGLAS KENNEDY is flamboyant and seriously miscast as the yellow-haired General Custer of the 7th Cavalry.

It's handsomely produced in outdoor settings that look authentic, but the stilted dialog is handled indifferently by a lackluster cast of players. DALE ROBERTSON gives a leaden performance in the major role and he doesn't get much help from WILLIAM HOPPER or MARY MURPHY, who in real life, married Robertson after this film. Their chemistry on film fails to register and her motivations throughout are sketchy, to say the least.

A major plot development has President Grant helping Robertson when he is condemned for helping Chief Sitting Bull and there are a few other subplots before we get to the battle at Little Big Horn. Robertson's compassion for the redskins almost lands him in big trouble toward the end, until Chief Sitting Bull intercedes just before he's about to be executed for treason by a firing squad.

Good western should have been much better but is marred by dull performances and uninspired direction of Sidney Salkow. The director unwisely allowed few close-ups of his cast throughout the film, depending solely on medium shots for most of the scenes, probably because he was new at the CinemaScope process. Since most of the cast underacts considerably, this is a real drawback in the more intimate moments.

Seeing "Sitting Bull" somewhat by accident on a "retro" TV channel, I sat through the whole thing, partly in dumbfounded amazement at another Hollywood butchering of history, partly in awe of a superlative cast trying really hard with such a poor script.

During the movie, I was also struck by the lush score. Naturally, the TV network didn't have the decency to show all the credits, but to my ear it sounded like the outstanding work of Raoul Kraushaar -- and praise all the gods of technology for IMDb, I was right.

In my opinion, he is a terribly under-rated composer. Even the cheapest Allied Artists movies attain the ranks of quality when he wrote the score.

J. Carroll Naish as the title character is another under-rated actor. That is, he does not seem to be known among viewers although apparently he was never out of work. He almost always played some accented character, some Latin or European or, as in this case, "Indian" character. And he was almost always extremely believable.

The rest of the cast, from the excellent Dale Robertson to the excellent John Hamilton, were almost uniformly perfect.

The white men spend more time fighting each other than the Indians until eventually they arrive at Little Big Horn in this rather static and talky western in which J. Carrol Naish brings gravitas to the title role and Douglas Kennedy's briefly-seen Custer isn't the usual flamboyant caricature.