L'attaque de la rivière rouge

A Confederate captain (Johnson) goes undercover in the North to steal a Gatling gun with his sergeant (Milburn Stone), but a Pinkerton operative is suspicious (Jeff Morrow). As they take advantage of an unknowing Rebel-hating woman (Joanne Dru), they hook up with a mercenary (Boone) to help them get through Indian country.

The era of 1953-1954 featured great Westerns like "Shane," "Destry," "Garden of Evil," "Johnny Guitar" and "Vera Cruz," as well as formidable ones like "Arrowhead," "Escape from Fort Bravo," "Gun Fury," "Hondo," "Pony Express," "Broken Lance" and "The Raid." I bring that up because "Siege at Red River" (1954) doesn't exactly place with these Westerns as it's flawed by amusing, yet generally unfitting humor and a too-busy giddy-up score, which is seriously quaint.

This isn't helped by splicing in Indian-fighting footage at the climax from "She Wore a Yellow Ribbon" from five years earlier. Another problem is the disingenuous geography in the first half that's supposed to be areas near the Ohio River, but is obviously the Southwest (of course, this was more of a 'B' Western and it would simply cost too much to transplant the cast & crew to somewhere in the East for those particular scenes).

Nevertheless, there's a lot to enjoy in this old Western. Van Johnson's non-cowboy mannerisms actual fit the role since Capt. James S. Simmons/Jim Farraday hails from Atlanta back East. Johnson had charisma to spare and Milburn Stone is entertaining as the sidekick. Meanwhile Boone was unsurpassable as the unlikable character with "toxic masculinity." Add to this winsome Dru, the beautiful scenery and the interesting Gatling gun subplot and you have an entertaining enough early 50's Western with some lame elements.

It runs 1 hour, 25 minutes, with outside shooting done in east-central Utah at Professor Valley, Colorado River, Castle Valley and Dead Horse Point; as well as in Durango, Colorado, which is 158 miles southeast of there.

GRADE: B-/C+

I don't know why, but the Van Johnson's role seems to have been inspired by a Randolph Scott's character in a western from the forties, for Warner, where he played a Confederate soldier fighting for something lost in advance; of course as a Confederate officer.... Maybe I am wrong, I have not in mind all the Randolph Scott's characters, but this Confederate soldier trying to do his best to win or at best change the course of the war, I have seen this before. However this lead character can't be shown as the evil guy, only ambivalent. This is not my Rudolph Maté's western favorite. Worth watching for any western buff.

In the last days of the American Civil War, a Confederate gun smuggler ends up helping to defend a Union fort when his weapons are sold to the Shawnee Indians.

Routine yet amiable western with light-hearted moments as well as tense ones. Van Johnson stars as a salesman going town with his assistance singing "tapioca." Clever bit is that it's a code word. It moves leisurely, and gets more exciting as it progresses and ends with a rousing cavalry vs Indians fight featuring a Gatling gun. Joanna Dru and Richard Boone as a villain also star. Van Johnson does well in his only western. Well photographed with fantastic rugged terrain.

It's a typical 50's Technicolor Western trotting out all the usual ingredients with the usual vim – no-nonsense people and plot was the motto.

Two Rebs steal the being-developed Gatling Gun from the Feds in an ingenious segment, eventually toting it further south but ending up stuck in a small town. This town gets quickly filled to the brim with Federal soldiers still on the hunt for their gun. Van Johnson (Reb) and Joanne Dru (Fed) fall for each other of course although of course they don't realise it until the climax. What interested me was the implication that the gun could be used by civilised whites against each other in a civilised slaughter but that selling it to the savage Reds was beyond the Pale. Both Feds and Rebs are eventually united to prevent the Reds using it during the noisy 5 minute siege. And of course the implication was only the Reds were low enough to actually use the horrible weapon the Feds had had the brains to design – at the time of production America had the same idea about the Russian Reds and the atom bomb.

It has a bit of everything Western in: romance and fights, trains and horses, shootings and slapstick comedy. It's fun, I loved it.

An unpretentious Western totally unlike ' The Unforgiven ' which I reviewed just before this film. This is the kind of Western that is there as simple entertainment for those who like the genre. It gives a picture of the West as it really never was and the audiences of the time ( early to middle 1950's ) loved its nonsense because it kept to its formula. This formula consisted of colourful scenery, villains and heroes, women with improbably good clothes and makeup, a few battle scenes, horses and Indians and a lot of delightful hokum. The epitome of this is Saloon Bar music with the same ' tune ' played in film after film; 2Oth Century Fox was the past master of this ridiculous fiction. The whole concept of this image of the West was there to lull its audience into lies about how conquered America was constructed to put its indigenous people into Reservations. I accept the lie of this image of how the West was won as simple and superficial enjoyment; a guilty pleasure that entertains. This is totally unlike the Western with a message and often a fake finger wagging liberalism. This liberalism was to ease a conscience; a collective conscience of guilt and I dislike it. As they say in Film Noir ' it was too late for tears '. This simple film is all about the Gatling Gun and how it must not end up in Native American hands. It has a ridiculous song which is endearing and has Van Johnson, Joanne Dru and Richard Boone. An ' A ' cast in a basically' B ' film, and they all act to form and just as the audience expected them to do. There is a stirring climax and the Gatling Gun ( a horrible form of human extermination ) and it is made to look like a naughty toy. The mindless child I still am thoroughly enjoyed it.