Le Tueur de Londres

Good, atmospheric story of Jack the Ripper, in the person of a Mr. Slade, renting a sitting room and an attic room in a London home. Jack Palance, with his unusual looks and soft voice, is perfectly cast as the man who falls under suspicion of being the Ripper. He finds himself to attracted to the flirtatious, beautiful, and kind-hearted niece of the owner of the home, Lily, played by Constance Smith. Smith was an Irish actress who was under contract to Fox for a time, after which she made films in Italy, retiring apparently in 1959. As a risqué entertainer and beauty, Lily has also attracted the attentions of a Scotland Yard inspector. It proves an odd triangle. Frances Bavier of Andy Griffith Show fame plays Lily's aunt. Very interesting, small film that manages to have a British feel despite the variety of accents and non-accents of the major actors.

Pretty well done. Atmospheric. Jack Palance has always been a presence and he makes a good idiosyncratic villain. His deep eyes and high cheekbones express threat. His acting is quite good and the movie has a nice visual thing going for it. The problem for me is that it is so predictable. It has no surprises. It was compared to Hitchcock's "The Lodger." That film had hidden secrets and red herrings. This fails to deliver those. Jack the Ripper is loose and the British police are doing everything they can to find him. They are very good at blowing whistles when they find the next young woman murdered. Even when they are on to something, they don't do a very good job of making sure of the capture. I enjoyed this because it is so much better than most of these films, and delivers a nice story. it's just not very special.

This is a frustrating movie although worth a watch if you have the time to spare and the subject interests you. For me it isn't a patch on Hitchcock's early The Lodger which also starred the divine Ivor Novello and is thrilling let alone Novello is a feast to the eyes and so is the charming heroine and the whole movie is compulsive viewing. I very much want to see the slightly different talkie version that Novello made a few years later but it seems unobtainable.

Palance does a good take on the Lodger in Man in the Attic and is far nearer to the original book than Hitchcock's movie, but Palance has a hard time with the general lack of excitement in the movie. It lacks tension and drama although it tries hard. Difficult to say where the problem lies but making the heroine a successful and famous vaudeville star admired by the Prince of Wales really is a disaster, it doesn't work at all, let alone the original heroine Daisy has become just a parlourmaid and there's a new heroine, niece Lilly. The heroine's musical numbers really jar - they are completely irrelevant, and worse, they are rather vulgar, being can-can style dance - great fun in the right kind of movie but quite unsuitable for this one and I fastfowarded through those scenes. The policeman who fancies Lilly isn't as good as he should be somehow.

Given that this movie seems to have been made in Hollywood - the confusion of accents - it does indeed have a good East London feel about it. So worth watching but better if you haven't already seen Hitchcock's excellent and famous movie.

By the way, the book by Marie Belloc-Lowndes is very good reading.

This is a remake of the 1944 "The Lodger", which was a remake of the early Hitchock silent "The Lodger". This one isn't bad but uses most of the dialogue from the 1944 version. Jack Palance gives an excellent portrayal of the lodger who may or may not be Jack the Ripper. Palance has a certain menace here but yet you feel some sympathy for him. That voice should be trademarked!! Constance Smith plays the part of his object of affection/hatred and there is a good performance from Rhys Williams, a long time character actor, as her uncle. It's a little tough getting by Frances Bavier as Smith's aunt since to most TV viewers she will forever be Aunt Bea from Mayberry. Frankly, she can't hold a candle to Sara Allgood in the 1944 version but she passes muster. I found the 1944 version superior to this film due to the presence of Laird Cregar and George Saunders but this remake is worth watching, especially if you are a Jack Palance fan.

This is a very well-made stylized thriller starring Jack Palance as Slade, the soft-spoken, quiet man (a research pathologist) staying up in the Harleys attic who is suspected by Mrs. Harley of being Jack the Ripper..Mr. Harley meanwhile thinks this is all nonsense caused by all the media attention caused by the recent Ripper murders. Palance is really quite good in this role as one never feels really certain of his character's intentions. There are times he seems quite normal and ordinary..simply a quiet lonely man but he does have some odd quirks such as a dislike of actresses and strong feelings of resentment towards his mother, a former actress, for leaving his father. Constance Smith is very charming in the role of Lily Bonner, the leading stage star of the local Parisian theater...a woman whom Mr. Slade soon finds himself unexpectedly involved with as she finds him to be quite interesting and attractive. While this is not quite as good as 1944's THE LODGER, it is nonetheless engaging entertainment.