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Ajouter une intrigue dans votre langueAfter a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.After a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.After a small aircraft crashes in the Kalahari Desert, one of the seven passengers decides that his survival chances would increase if he eliminates the other men in the group.
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I'm really gratified to find so many other reviewers having good memories of Sands of the Kalahari and feeling as put out as I do that it is not on VHS or DVD. Nor apparently has it been seen in America at least for some time.
This is a tale of survival, but the characters sure don't come out of Swiss Family Robinson. A small plane crashes in the Kalahari desert in South Africa. One woman, Susannah York, and five men. Only one of them Stuart Whitman who is a big game hunter is really trained for the business of survival. The others are products of the ease and comfort of civilization. One of them, Stanley Baker, is badly injured and needs constant nursing by York.
There's a colony of baboons nearby and Whitman starts identifying with them in every sense of the world. He turns on the others, eliminating them one by one except York who he decides will be his savage Eve to his savage Adam.
The injured Baker gradually heals and in the end proves to be the savior for York. I'm not going to say any more, but hopefully TCM or AMC will run this film at some point for American audiences.
Susannah York is beautiful and talented and goes through a gamut of emotions regarding Whitman and their predicament. Stanley Baker is a favorite of mine among British players, he never gave a bad performance in any film I ever saw him in. But the real treat is Whitman. His devolution of character out in that desert was Oscar caliber material and why he wasn't nominated in 1965 is a mystery.
If some American movie channel gets a hold of this film, do not miss it.
This is a tale of survival, but the characters sure don't come out of Swiss Family Robinson. A small plane crashes in the Kalahari desert in South Africa. One woman, Susannah York, and five men. Only one of them Stuart Whitman who is a big game hunter is really trained for the business of survival. The others are products of the ease and comfort of civilization. One of them, Stanley Baker, is badly injured and needs constant nursing by York.
There's a colony of baboons nearby and Whitman starts identifying with them in every sense of the world. He turns on the others, eliminating them one by one except York who he decides will be his savage Eve to his savage Adam.
The injured Baker gradually heals and in the end proves to be the savior for York. I'm not going to say any more, but hopefully TCM or AMC will run this film at some point for American audiences.
Susannah York is beautiful and talented and goes through a gamut of emotions regarding Whitman and their predicament. Stanley Baker is a favorite of mine among British players, he never gave a bad performance in any film I ever saw him in. But the real treat is Whitman. His devolution of character out in that desert was Oscar caliber material and why he wasn't nominated in 1965 is a mystery.
If some American movie channel gets a hold of this film, do not miss it.
... it's been haunting my memory for years.
All I can really remember (I'm 37, I must've seen it when I was 15) is a feeling of the vastness of the desert, the apparent futility of their situation, and an ending that I couldn't ever forget.
I couldn't remember the name, so I did a search in IMDb's 'Plot' category for 'baboons'. And up it came - good old IMDb! How I'd love to see this again, but I guess it'll never end up on DVD, and I'll be lucky to spot it on TV (even here in the UK, where there are dozens of movie channels).
Review: tough, after all this time, but this film - I think - started me off on a lifelong quest for films that DO NOT COP OUT AT THE END. My God, these films are so much more memorable than the rest. If memory serves, the final images in Sands Of The Kalahari are utterly chilling. Top marks to the team behind it. Fingers crossed I get to see it again one day. For impact, I'd put the ending up there with The Vanishing (1988), The Wicker Man and Runaway Train. I think ... hope my memory's not playing tricks on me!
All I can really remember (I'm 37, I must've seen it when I was 15) is a feeling of the vastness of the desert, the apparent futility of their situation, and an ending that I couldn't ever forget.
I couldn't remember the name, so I did a search in IMDb's 'Plot' category for 'baboons'. And up it came - good old IMDb! How I'd love to see this again, but I guess it'll never end up on DVD, and I'll be lucky to spot it on TV (even here in the UK, where there are dozens of movie channels).
Review: tough, after all this time, but this film - I think - started me off on a lifelong quest for films that DO NOT COP OUT AT THE END. My God, these films are so much more memorable than the rest. If memory serves, the final images in Sands Of The Kalahari are utterly chilling. Top marks to the team behind it. Fingers crossed I get to see it again one day. For impact, I'd put the ending up there with The Vanishing (1988), The Wicker Man and Runaway Train. I think ... hope my memory's not playing tricks on me!
I had no idea this movie was from Stanley Baker and Cy Endfield, the producer/director team responsible for 1963's Zulu. It makes sense though, as both are above-average adventure movies with an emphasis on character as well as action. Slightly similar to Five Came Back perhaps, only with baboons instead of natives, but otherwise 100% original and entertaining.
The plot is simple enough. A plane crash lands in the desert, where survivors are forced not only to deal with hunger and the elements, but a pack of angry baboons who don't like trespassers. The Discovery Channel likes to remind us we're all just animals. Stuart Whitman confirms it in the performance of his life, playing a man determined to survive, at any cost, an almost psychotic Cornel Wilde from Naked Prey.
Great locations, good camera work, and some of the best primate performances ever put on screen. One look at the Kalahari baboons, and you'll remember Cujo was just a sick doggie.
The plot is simple enough. A plane crash lands in the desert, where survivors are forced not only to deal with hunger and the elements, but a pack of angry baboons who don't like trespassers. The Discovery Channel likes to remind us we're all just animals. Stuart Whitman confirms it in the performance of his life, playing a man determined to survive, at any cost, an almost psychotic Cornel Wilde from Naked Prey.
Great locations, good camera work, and some of the best primate performances ever put on screen. One look at the Kalahari baboons, and you'll remember Cujo was just a sick doggie.
Running virtually parallel with "Flight of the Phoenix", "Sands of the Kalahari" rates ahead by a propeller in my opinion thanks mainly to the superb ensemble cast ably led by Stuart Whitman and Stanley Baker. The plot is uncomplicated concerning the survivors of a plane crash deep in the isolated Kalahari who must survive the ravages of the desert, its occupants, and themselves.
Davenport is a particularly nasty thug, the ubiquitous 'Mr Negativity' of a crisis situation, York desperately trying to deflect unwanted attentions, and Bikel offers the calming influence as the man who might be capable of engineering an improbable escape. Not too sure whether it's Whitman or Baker's picture per se, nevertheless, neither seems overshadowed despite Baker's producer credit and regular helmsman Cy Raker Endfield in the director's seat.
Searing heat and parched throats translates to the viewer, it's often tense despite the two hour run-time, and Endfield builds modest suspense out of limited material. Worth a look if you're intrigued by the "stranded" stories watching various personalities disintegrate, or galvanise, under survival stress.
Davenport is a particularly nasty thug, the ubiquitous 'Mr Negativity' of a crisis situation, York desperately trying to deflect unwanted attentions, and Bikel offers the calming influence as the man who might be capable of engineering an improbable escape. Not too sure whether it's Whitman or Baker's picture per se, nevertheless, neither seems overshadowed despite Baker's producer credit and regular helmsman Cy Raker Endfield in the director's seat.
Searing heat and parched throats translates to the viewer, it's often tense despite the two hour run-time, and Endfield builds modest suspense out of limited material. Worth a look if you're intrigued by the "stranded" stories watching various personalities disintegrate, or galvanise, under survival stress.
As you can read from others here, "Sands of the Kalahari" is one of those movies that if you saw it as a kid you're likely not to have forgotten it. It's also a good movie if you like to look at lots of shots of the desert (think: the beginning of "Planet of the Apes" [1968]) and people sweating. The plot concerns a small group of people that crash their plane in a remote area of South African desert. No one comes looking for them, so how are they going to get out? One is a woman, the rest all men. You can guess that things get tense and then mean. It make matters worse there's a nasty bunch of baboons living nearby and they look hungry. Why this has never come to video I don't know. The last place I saw it was on A&E some nine years ago. It was shot in Panavision, so it should be letterboxed. It was a Paramount film, so maybe if enough request to them are made it'll eventually come out on DVD.
Le saviez-vous
- AnecdotesGeorge Peppard dropped out because he didn't get on with director Cy Endfield. He insisted that Endfield be replaced, but Stanley Baker, who was co-producing the film with Endfield (his close friend) replaced Peppard instead.
- GaffesThe diamond area warning sign said "Trespasses will be prosecuted" not "Trespassers will be prosecuted".
- Citations
Brian O'Brien: I see, the gun makes the king, and the king gets the girl, huh?
Mike Bain: You've got a one-track mind O'Brien. Thank God the whole human race doesn't think like you.
- Versions alternativesWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating.
- ConnexionsFeatured in Trailer Trauma (2016)
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- How long is Sands of the Kalahari?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Arenas de Kalahari
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 59 minutes
- Rapport de forme
- 2.35 : 1
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By what name was Les Sables du Kalahari (1965) officially released in India in English?
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