NOTE IMDb
7,6/10
43 k
MA NOTE
Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 2 nominations au total
Kokuten Kôdô
- The Old Fisherman
- (as Kuninori Kôdô)
Avis à la une
The original, Japanese version of "Gojira" is the best giant monster film I've ever seen. Some fans get carried away and call it one of the best movies ever made; I wouldn't go quite that far, but it's damn good.
This film is quite different from the 20+ sequels that followed. Here, Godzilla is not so much a creature as he is a walking incarnation of the atomic bomb. His death ray, which became a rather amusing cartoon laser blast in later films, is here depicted as a sort of radioactive mist that sets its victims on fire. These "radioactive horror" images still resonate today - and imagine the impact they must've had on Japanese audiences fifty years ago.
From a production standpoint, the film holds up well. Godzilla's costume is much more convincing than the silly monkey suits that featured in the 60s and 70s Toho films, and due to the grayscale photography, the model cityscapes look convincing in most shots - or at least respectable. Ifkube's music score is stirring (you know it has to be good, as they kept recycling it in later movies), and director Honda makes great use of camera angles and imaginative special effects to give Godzilla a genuine aura of menace.
For once, the human characters don't let the side down. There's a compelling love triangle, and a dramatic sacrifice made at the end of the film that adds enormously to its emotional impact. The American version ("Godzilla: King of the Monsters") cut out much of the character development, and is thus clearly inferior; but never fear, Rialto is apparently releasing "Gojira," in all its original glory, sometime this year (2004).
In the later Godzilla films, the destruction he causes is almost incidental. Here, it's the whole point - he's a force of nature. Impressive.
This film is quite different from the 20+ sequels that followed. Here, Godzilla is not so much a creature as he is a walking incarnation of the atomic bomb. His death ray, which became a rather amusing cartoon laser blast in later films, is here depicted as a sort of radioactive mist that sets its victims on fire. These "radioactive horror" images still resonate today - and imagine the impact they must've had on Japanese audiences fifty years ago.
From a production standpoint, the film holds up well. Godzilla's costume is much more convincing than the silly monkey suits that featured in the 60s and 70s Toho films, and due to the grayscale photography, the model cityscapes look convincing in most shots - or at least respectable. Ifkube's music score is stirring (you know it has to be good, as they kept recycling it in later movies), and director Honda makes great use of camera angles and imaginative special effects to give Godzilla a genuine aura of menace.
For once, the human characters don't let the side down. There's a compelling love triangle, and a dramatic sacrifice made at the end of the film that adds enormously to its emotional impact. The American version ("Godzilla: King of the Monsters") cut out much of the character development, and is thus clearly inferior; but never fear, Rialto is apparently releasing "Gojira," in all its original glory, sometime this year (2004).
In the later Godzilla films, the destruction he causes is almost incidental. Here, it's the whole point - he's a force of nature. Impressive.
The original Japanese version of Godzilla is a breathtaking classic. A giant monster is awaken by the over abundance of nuclear radiation and goes on a rampage across Japan. What follows is an unforgettable experience that stands as the greatest giant monster film of all time, if one does not count King Kong that is.
Japan was best fit to make a film about the effects of nuclear radiation since they had experience the atomic bomb first hand nearly a decade earlier. It was a powerful statement for the time. I really wish more people would give this movie a chance and realize how smart it is.
Besides the powerful message, the film is best known for its pioneering special effects. Yes, by today's standards, the suits and miniatures are pretty archaic. But they still look great over sixty years later. The destruction that Godzilla causes is both exciting and horrifying. Few monster movies have the emotion and smarts that this one has. Of course, their is the monster himself. What a sight. The design has changed greatly over the years but this one is the most iconic of course. The menacing eyes, roar and towering size make him a sight to behold. I highly recommend checking out the behind the scenes features that talk about the making of the famous suit, it's really interesting.
Then there's the most underrated part of the movie, the cast. Most Godzilla fans will recognize Akira Takarada as the lead. He's very good here and would continue to Star in the series for many years. The biggest name here is Takashi Shimura. He's of course best known for appearing in several Akira Kurosawa classics such as Seven Samurai and Ikiru.
Godzilla gets a bad rep because of some mediocre to atrocious sequels with some gems here and there. But the original stands above them like a atomic breath breathing monster. Godzilla is essential cinema that can be enjoyed for many different reasons.
Japan was best fit to make a film about the effects of nuclear radiation since they had experience the atomic bomb first hand nearly a decade earlier. It was a powerful statement for the time. I really wish more people would give this movie a chance and realize how smart it is.
Besides the powerful message, the film is best known for its pioneering special effects. Yes, by today's standards, the suits and miniatures are pretty archaic. But they still look great over sixty years later. The destruction that Godzilla causes is both exciting and horrifying. Few monster movies have the emotion and smarts that this one has. Of course, their is the monster himself. What a sight. The design has changed greatly over the years but this one is the most iconic of course. The menacing eyes, roar and towering size make him a sight to behold. I highly recommend checking out the behind the scenes features that talk about the making of the famous suit, it's really interesting.
Then there's the most underrated part of the movie, the cast. Most Godzilla fans will recognize Akira Takarada as the lead. He's very good here and would continue to Star in the series for many years. The biggest name here is Takashi Shimura. He's of course best known for appearing in several Akira Kurosawa classics such as Seven Samurai and Ikiru.
Godzilla gets a bad rep because of some mediocre to atrocious sequels with some gems here and there. But the original stands above them like a atomic breath breathing monster. Godzilla is essential cinema that can be enjoyed for many different reasons.
First we had King Kong (1933), one of the most important and first large monster films, than we had giant insects... the point in which you thought that all large monster films are gonna die... but, no worries, Japanese are always there to save the day. Godzilla (1954), is bigger, badder, better, meaner, faster, and more artistic than any other monster films. It's the movie that sets some new standards.
The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.
The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.
The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.
The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.
Finally, I had the pleasure of finally seeing the original Japanese version of this classic and I have to say that it is much better than the "Raymond Burr" version. This film pretty much makes one think about what we are doing to mother Earth with all the pollution and war going on. Perhaps the thing that made this film great was that not only did it have great effects, but it also had a great story that made a great social commentary on what could have happened if the arms race continued to go unchecked. Besides the story about Gojira, you also had a pretty decent love story. Akihiko Hirata, does a good job of playing Serizawa, who is really the tragic figure in this film who must decide whether or not to use his weapon, which potentially was more dangerous than the monster itself. This film is definitely one of the all time classics and fortunately the original version will be released on DVD in September 2006.
This is it; the original Japanese version of "Gojira" (aka "Godzilla"), the film that introduced the now-legendary movie monster. But does the movie have anything to offer besides a man in a rubber suit stomping all over a miniature version of Tokyo? I think so.
It isn't too surprising that the film is actually a thinly-veiled allegory for the threat of the escalating weapons race circa 1954. After all, other sci-fi films of the era covered similar ground. However, what I find interesting about this film is how it gives equal consideration to both sides of the argument.
The script does a good job of building suspense around the creature until we get to his inevitable rampage. From that point on I find that the action flags a little but that may be due in part to the sometimes unconvincing special effects. Then again, what do you expect from a 54 year old monster movie from Japan? The miniatures often look like miniatures and Godzilla is, after all, a guy in a rubber suit. Nevertheless, while the effects aren't even as convincing as 1933's "King Kong" I think that they still hold a certain charm.
The cast isn't bad and it does include Takashi Shimura of "Seven Samurai" fame. The acting didn't grab my attention much but, then again, I couldn't exactly catch every nuance while paying attention to the subtitles at the same time. Ishirô Honda's direction is solid and the Akira Ifukube score provides pretty good support to the action. I thought that the sound was a bit sub-par at times, though.
Ultimately, "Gojira" is worth watching despite its rudimentary special effects. In my mind, it's the underlying symbolism that makes the film special. By the way, forget about the American-ized version, "Godzilla, King of the Monsters"; it's a sometimes clumsy reworking that ignores most of the original film's complexity.
It isn't too surprising that the film is actually a thinly-veiled allegory for the threat of the escalating weapons race circa 1954. After all, other sci-fi films of the era covered similar ground. However, what I find interesting about this film is how it gives equal consideration to both sides of the argument.
The script does a good job of building suspense around the creature until we get to his inevitable rampage. From that point on I find that the action flags a little but that may be due in part to the sometimes unconvincing special effects. Then again, what do you expect from a 54 year old monster movie from Japan? The miniatures often look like miniatures and Godzilla is, after all, a guy in a rubber suit. Nevertheless, while the effects aren't even as convincing as 1933's "King Kong" I think that they still hold a certain charm.
The cast isn't bad and it does include Takashi Shimura of "Seven Samurai" fame. The acting didn't grab my attention much but, then again, I couldn't exactly catch every nuance while paying attention to the subtitles at the same time. Ishirô Honda's direction is solid and the Akira Ifukube score provides pretty good support to the action. I thought that the sound was a bit sub-par at times, though.
Ultimately, "Gojira" is worth watching despite its rudimentary special effects. In my mind, it's the underlying symbolism that makes the film special. By the way, forget about the American-ized version, "Godzilla, King of the Monsters"; it's a sometimes clumsy reworking that ignores most of the original film's complexity.
Le saviez-vous
- AnecdotesAn often-repeated myth is that the productions of both this film and Les 7 Samouraïs (1954) nearly drove Toho into bankruptcy. This neglects to mention a third Toho film made that year, La Légende de Musashi (1954). All three of them were the most expensive Japanese films made up to that point and big financial risks for Toho. However, there is little evidence to suggest that Toho was ever at risk for bankruptcy. Toho released a total of 68 feature films that year, the most successful of which were "Seven Samurai", "Samurai I: Musashi Miyamoto", and "Godzilla", in that order.
- GaffesSeveral characters in the film, including Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Period was 2 million years ago. This is off by 143.5 million years.
- Citations
[last lines]
Dr. Kyohei Yamane: I can't believe that Godzilla was the last of his species. If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear.
- Versions alternativesIn the scene where Godzilla destroys the train, shots of terrified people watching were cut from the U.S. version of the film.
- ConnexionsEdited into Le Retour de Godzilla (1955)
- Bandes originalesPrayer for Peace
(uncredited)
Performed by students of the Toho High School of Music
Lyrics by Shigeru Kayama
Composed by Akira Ifukube
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Japón bajo el terror del monstruo
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 562 711 $US
- Week-end de sortie aux États-Unis et au Canada
- 38 030 $US
- 9 mai 2004
- Montant brut mondial
- 590 796 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant