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Godzilla

Titre original : Gojira
  • 1954
  • Tous publics
  • 1h 36min
NOTE IMDb
7,6/10
43 k
MA NOTE
Ishirô Honda and Takashi Shimura in Godzilla (1954)
Three Reasons Criterion Trailer for Godzilla
Lire trailer1:38
4 Videos
99+ photos
Action EpicAdventure EpicDinosaur AdventureDisasterEpicKaijuMonster HorrorPolitical DramaPsychological DramaPsychological Horror

Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.

  • Réalisation
    • Ishirô Honda
  • Scénario
    • Takeo Murata
    • Ishirô Honda
    • Shigeru Kayama
  • Casting principal
    • Takashi Shimura
    • Akihiko Hirata
    • Akira Takarada
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    43 k
    MA NOTE
    • Réalisation
      • Ishirô Honda
    • Scénario
      • Takeo Murata
      • Ishirô Honda
      • Shigeru Kayama
    • Casting principal
      • Takashi Shimura
      • Akihiko Hirata
      • Akira Takarada
    • 337avis d'utilisateurs
    • 131avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 2 nominations au total

    Vidéos4

    Godzilla: The Criterion Collection [Blu-Ray]
    Trailer 1:38
    Godzilla: The Criterion Collection [Blu-Ray]
    Godzilla: Deluxe Collectors Edition
    Trailer 1:01
    Godzilla: Deluxe Collectors Edition
    Godzilla: Deluxe Collectors Edition
    Trailer 1:01
    Godzilla: Deluxe Collectors Edition
    After Devastation of "Chernobyl," What to Watch Next
    Clip 3:54
    After Devastation of "Chernobyl," What to Watch Next
    Godzilla Vs. the MonsterVerse
    Clip 3:22
    Godzilla Vs. the MonsterVerse

    Photos288

    Voir l'affiche
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    Voir l'affiche
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    + 281
    Voir l'affiche

    Rôles principaux42

    Modifier
    Takashi Shimura
    Takashi Shimura
    • Dr. Kyohei Yamane
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Daisuke Serizawa
    Akira Takarada
    Akira Takarada
    • Hideto Ogata
    Momoko Kôchi
    Momoko Kôchi
    • Emiko Yamane
    Fuyuki Murakami
    • Professor Tanabe
    Sachio Sakai
    • Newspaper Reporter Hagiwara
    Toranosuke Ogawa
    Toranosuke Ogawa
    • Nankai Ferry President
    Ren Yamamoto
    • Masaji Yamada
    Hiroshi Hayashi
    • Chairman of Diet Committee
    Seijirô Onda
    Seijirô Onda
    • Parliamentarian Oyama
    Tsuruko Mano
    • Kuni Yamada
    Takeo Oikawa
    • Chief of Emergency Headquarters
    Toyoaki Suzuki
    Toyoaki Suzuki
    • Shinkichi Yamada
    Kokuten Kôdô
    Kokuten Kôdô
    • The Old Fisherman
    • (as Kuninori Kôdô)
    Tadashi Okabe
    • Prof. Tanabe's Assistant
    Kin Sugai
    Kin Sugai
    • Parliamentarian Ozawa
    Ren Imaizumi
    • Radio Operator
    Junpei Natsuki
    • Power Substation Engineer
    • Réalisation
      • Ishirô Honda
    • Scénario
      • Takeo Murata
      • Ishirô Honda
      • Shigeru Kayama
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs337

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    Avis à la une

    9dr_foreman

    Crushes its sequels like Godzilla crushes Tokyo!

    The original, Japanese version of "Gojira" is the best giant monster film I've ever seen. Some fans get carried away and call it one of the best movies ever made; I wouldn't go quite that far, but it's damn good.

    This film is quite different from the 20+ sequels that followed. Here, Godzilla is not so much a creature as he is a walking incarnation of the atomic bomb. His death ray, which became a rather amusing cartoon laser blast in later films, is here depicted as a sort of radioactive mist that sets its victims on fire. These "radioactive horror" images still resonate today - and imagine the impact they must've had on Japanese audiences fifty years ago.

    From a production standpoint, the film holds up well. Godzilla's costume is much more convincing than the silly monkey suits that featured in the 60s and 70s Toho films, and due to the grayscale photography, the model cityscapes look convincing in most shots - or at least respectable. Ifkube's music score is stirring (you know it has to be good, as they kept recycling it in later movies), and director Honda makes great use of camera angles and imaginative special effects to give Godzilla a genuine aura of menace.

    For once, the human characters don't let the side down. There's a compelling love triangle, and a dramatic sacrifice made at the end of the film that adds enormously to its emotional impact. The American version ("Godzilla: King of the Monsters") cut out much of the character development, and is thus clearly inferior; but never fear, Rialto is apparently releasing "Gojira," in all its original glory, sometime this year (2004).

    In the later Godzilla films, the destruction he causes is almost incidental. Here, it's the whole point - he's a force of nature. Impressive.
    9caseyt-48511

    The Greatest Movie Monster Of All

    The original Japanese version of Godzilla is a breathtaking classic. A giant monster is awaken by the over abundance of nuclear radiation and goes on a rampage across Japan. What follows is an unforgettable experience that stands as the greatest giant monster film of all time, if one does not count King Kong that is.

    Japan was best fit to make a film about the effects of nuclear radiation since they had experience the atomic bomb first hand nearly a decade earlier. It was a powerful statement for the time. I really wish more people would give this movie a chance and realize how smart it is.

    Besides the powerful message, the film is best known for its pioneering special effects. Yes, by today's standards, the suits and miniatures are pretty archaic. But they still look great over sixty years later. The destruction that Godzilla causes is both exciting and horrifying. Few monster movies have the emotion and smarts that this one has. Of course, their is the monster himself. What a sight. The design has changed greatly over the years but this one is the most iconic of course. The menacing eyes, roar and towering size make him a sight to behold. I highly recommend checking out the behind the scenes features that talk about the making of the famous suit, it's really interesting.

    Then there's the most underrated part of the movie, the cast. Most Godzilla fans will recognize Akira Takarada as the lead. He's very good here and would continue to Star in the series for many years. The biggest name here is Takashi Shimura. He's of course best known for appearing in several Akira Kurosawa classics such as Seven Samurai and Ikiru.

    Godzilla gets a bad rep because of some mediocre to atrocious sequels with some gems here and there. But the original stands above them like a atomic breath breathing monster. Godzilla is essential cinema that can be enjoyed for many different reasons.
    8swedzin

    The original that moved standards...

    First we had King Kong (1933), one of the most important and first large monster films, than we had giant insects... the point in which you thought that all large monster films are gonna die... but, no worries, Japanese are always there to save the day. Godzilla (1954), is bigger, badder, better, meaner, faster, and more artistic than any other monster films. It's the movie that sets some new standards.

    The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.

    The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.
    Sargebri

    Why in God's Green Earth Isn't This Version Shown More?

    Finally, I had the pleasure of finally seeing the original Japanese version of this classic and I have to say that it is much better than the "Raymond Burr" version. This film pretty much makes one think about what we are doing to mother Earth with all the pollution and war going on. Perhaps the thing that made this film great was that not only did it have great effects, but it also had a great story that made a great social commentary on what could have happened if the arms race continued to go unchecked. Besides the story about Gojira, you also had a pretty decent love story. Akihiko Hirata, does a good job of playing Serizawa, who is really the tragic figure in this film who must decide whether or not to use his weapon, which potentially was more dangerous than the monster itself. This film is definitely one of the all time classics and fortunately the original version will be released on DVD in September 2006.
    8sme_no_densetsu

    More than just a man in a rubber suit

    This is it; the original Japanese version of "Gojira" (aka "Godzilla"), the film that introduced the now-legendary movie monster. But does the movie have anything to offer besides a man in a rubber suit stomping all over a miniature version of Tokyo? I think so.

    It isn't too surprising that the film is actually a thinly-veiled allegory for the threat of the escalating weapons race circa 1954. After all, other sci-fi films of the era covered similar ground. However, what I find interesting about this film is how it gives equal consideration to both sides of the argument.

    The script does a good job of building suspense around the creature until we get to his inevitable rampage. From that point on I find that the action flags a little but that may be due in part to the sometimes unconvincing special effects. Then again, what do you expect from a 54 year old monster movie from Japan? The miniatures often look like miniatures and Godzilla is, after all, a guy in a rubber suit. Nevertheless, while the effects aren't even as convincing as 1933's "King Kong" I think that they still hold a certain charm.

    The cast isn't bad and it does include Takashi Shimura of "Seven Samurai" fame. The acting didn't grab my attention much but, then again, I couldn't exactly catch every nuance while paying attention to the subtitles at the same time. Ishirô Honda's direction is solid and the Akira Ifukube score provides pretty good support to the action. I thought that the sound was a bit sub-par at times, though.

    Ultimately, "Gojira" is worth watching despite its rudimentary special effects. In my mind, it's the underlying symbolism that makes the film special. By the way, forget about the American-ized version, "Godzilla, King of the Monsters"; it's a sometimes clumsy reworking that ignores most of the original film's complexity.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      An often-repeated myth is that the productions of both this film and Les 7 Samouraïs (1954) nearly drove Toho into bankruptcy. This neglects to mention a third Toho film made that year, La Légende de Musashi (1954). All three of them were the most expensive Japanese films made up to that point and big financial risks for Toho. However, there is little evidence to suggest that Toho was ever at risk for bankruptcy. Toho released a total of 68 feature films that year, the most successful of which were "Seven Samurai", "Samurai I: Musashi Miyamoto", and "Godzilla", in that order.
    • Gaffes
      Several characters in the film, including Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Period was 2 million years ago. This is off by 143.5 million years.
    • Citations

      [last lines]

      Dr. Kyohei Yamane: I can't believe that Godzilla was the last of his species. If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear.

    • Versions alternatives
      In the scene where Godzilla destroys the train, shots of terrified people watching were cut from the U.S. version of the film.
    • Connexions
      Edited into Le Retour de Godzilla (1955)
    • Bandes originales
      Prayer for Peace
      (uncredited)

      Performed by students of the Toho High School of Music

      Lyrics by Shigeru Kayama

      Composed by Akira Ifukube

    Meilleurs choix

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    FAQ26

    • How long is Godzilla?Alimenté par Alexa
    • How was the Godzilla suit made?
    • What color was the original Godzilla?
    • When was the original Japanese version first available outside of Japan?

    Détails

    Modifier
    • Date de sortie
      • 15 mars 1957 (France)
    • Pays d’origine
      • Japon
    • Langues
      • Japonais
      • Allemand
    • Aussi connu sous le nom de
      • Japón bajo el terror del monstruo
    • Lieux de tournage
      • Toba, Mie, Japon
    • Société de production
      • Toho Film (Eiga) Co. Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 175 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 562 711 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 38 030 $US
      • 9 mai 2004
    • Montant brut mondial
      • 590 796 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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