Voyage au-delà des vivants

As someone working on creative and interesting plotting, I saw this intrigue movie as outstanding. I had to stay and watch just to find out who the 2-way spy was: was it Turner, was it Mature, oh my could it be Clark? I had no problem with the directing; I thought the last scene with Turner looking at Gable, searching his face for signs of hate or love was good.

I had a problem with the one word title, although it was relevant; it did seem to point to one character as the good guy, so it was misleading if that was the intent. (I don't think this is a spoiler, let me know).

I was glad the movie was in color; usually I prefer black and white on the older movies, however, the scenery et all was great in color.

Clark Gable and Lana Turner made their fourth and final film together in Betrayed which also was Gable's final film for MGM where he reigned as king for 24 years. Also along for the ride in this World War II story is Victor Mature.

Gable is a member of the Dutch army in exile which is part of the overall allied army that will shortly be invading cross channel. Turner is an agent that he has recruited of whose loyalties he has some qualms about and Mature is a reckless Dutch resistance leader.

One of these three is a traitor, a person responsible for several failed missions of the resistance. Even more important the traitor leaked information to the Germans about Field Marshal Montgomery's Operation Market Garden which got the British Army hung up in Arnhem. Who could it be?

For a more accurate picture of that operation, I would strongly urge you to watch A Bridge Too Far. In that film you will see none of the events or characters that are shown in Betrayed.

This was Gable's last film at MGM, Dore Schary was cutting loose from a lot of the stalwart contract players that kept Leo the Lion on top of the heap for 20 years. Gable looks like he's just going through the motions and the cast follows suit.

Turner is somewhat interesting as the femme fatale of ambiguous loyalties. Mature looks as bored as Gable, though he does try to invest his part with some of that heavy lidded beefcake charm he was known for.

Not the best work for any of the stars involved.

"Betrayed" stars Clark Gable in his last film for MGM, after which his contract was not renewed. I love the way these studios managed to forget the very people who made them great and kept them solvent during some hard years, but there you go. Gable deserved better for his last film - though it is beautifully photographed in color on location and has a star cast, he doesn't really have much of a role.

With Gable is another star on unsure footing at MGM - Lana Turner, who by 1954 had committed the unforgivable sin of being over 30 and therefore on her way out as far as Dore Schary was concerned. Victor Mature and Louis Calhern round out the all-star cast. Turner, as the widowed Carla van Oven, is sent into Holland as a liaison between a resistance fighter, The Scarf (Mature) and the British. When it becomes apparent that someone is betraying the resistance, Deventer (Gable), who trained Carla and fell in love with her, begins to suspect she's spying for the Nazis.

The story gets a little confusing but all in all, it's fairly routine stuff, and all these actors have appeared in stronger vehicles. It is lovely to look at, however. And Turner, as a brunette, looks beautiful and, though it's wartime, has some glamor moments as well. Gable at 53 was probably a little past it for his role, but he has a commanding presence. Mature does a good job as the wild resistance fighter.

Clark Gable and Turner both gave MGM their best years. "Betrayed" turned out to be an apt title for both of them.

Despite good performances from Lana Turner, Clark Gable and Victor Mature (in a colorful role as "The Scarf"), and some pretty location photography of Holland (filmed in Eastmancolor), there are script problems that render BETRAYED a contrived spy tale about the Dutch underground resistance to Nazis.

As one reviewer noted, "at times it is hard to tell who Clark Gable, Lana Turner and Victor Mature are spying for" -- and the revelation that there is a traitor among them comes as no great surprise.

Still, the story moves at a fair pace, Lana looks gorgeous even with a brunette hairdo, and the aging Clark Gable gives a quietly underplayed performance in his final role at Metro. Victor Mature comes off best in a colorful pivotal role. Wilfred Hyde-White, Louis Calhern and Roland Culver are wasted in supporting roles.

All in all, an average spy melodrama bolstered by some fine location photography.

For more about the film and Lana Turner, see my article on LANA TURNER: DANGEROUS CURVES in the Spring Issue 2002 of FILMS OF THE GOLDEN AGE magazine.

"This dog just does not hunt." Not just that it is contrived and unbelievable in places.....the characters are not believable, none of them. Clark Gable is aging and looks and sounds totally American. Not at all like a Dutch intelligence officer who's still on his game. Lana Turner sounds American though she too is supposed to be Dutch. In her case, we are supposed to believe that being stuck in hiding for days in a windmill with no amenities or frills, or trekking through rough countryside, she still has perfectly coiffed hair and red lipstick that never wears off even a little, the entire time.

And then we have the third lead, Victor Mature, also sounding very American. At least Wilfred Hyde White and Louis Calhern and the wonderful, not well known Ian Carmichael sound British and are supposed to be, in the film. I just think having all three leads being so apple pie American pretending to be Dutch who have never set foot in America, is too much to impose on the viewer's "suspension of disbelief." Victor Mature's character development (want to avoid spoilers) that affects the plot heavily also seems "a bridge too far."

Many, many better spy films out there!