Ajouter une intrigue dans votre langueA cavalry deserter risks his life to warn and protect a wagon train from an impending Indian attack.A cavalry deserter risks his life to warn and protect a wagon train from an impending Indian attack.A cavalry deserter risks his life to warn and protect a wagon train from an impending Indian attack.
- Réalisation
- Scénario
- Casting principal
Robert Bray
- Cavalry Corporal
- (non crédité)
Iron Eyes Cody
- Chief Rasacura
- (non crédité)
Jack Ingram
- Cpl. Demington
- (non crédité)
Carl Mathews
- Barfly
- (non crédité)
John Maxwell
- George Owsley
- (non crédité)
Kansas Moehring
- Tillotson Man
- (non crédité)
Artie Ortego
- Wagon Train Member
- (non crédité)
Rocky Shahan
- Lem
- (non crédité)
Avis à la une
Sterling Hayden stars in this fast moving western about an army deserter who takes the place of his dying cousin and leads a wagon train out of danger from Indian attack. We never get the back story here, why Hayden deserted, we're told he's not a person of good character, but what we see of him he's pretty noble. Certainly he provides the leadership that does the job even if civilian scout Tom Tully knows who the real army major is and it's definitely not Hayden.
But there's more than one person on the wagon train who is not whom he seems to be. Rich merchant Tudor Owen is carrying both rifles and whiskey and the Indians want them real bad, they don't even want to wait to pay for them. Seems to me they should have just waited and paid Owen's price.
That however would have gotten in the way of the action and veteran western director Lesley Selander was known for action. The battle scenes are well staged.
It's a good B western could have been better with a little more attention to the story.
But there's more than one person on the wagon train who is not whom he seems to be. Rich merchant Tudor Owen is carrying both rifles and whiskey and the Indians want them real bad, they don't even want to wait to pay for them. Seems to me they should have just waited and paid Owen's price.
That however would have gotten in the way of the action and veteran western director Lesley Selander was known for action. The battle scenes are well staged.
It's a good B western could have been better with a little more attention to the story.
A Fine Actor, Sterling Hayden, seems to be Broken by the Blacklist, and is at His Worst in this almost Incompetent Western. The other Cast Members are not that good either.
The Indians, with Blankets not Covering Up the Fact that They didn't use Saddles, are only On Screen for the Killing, and are Never Shown in Close-Up, making Them Disposable and Less than Human. "You know what Indians do to Women and Children.", is a Line in the Awful Screenplay.
The Battles are Frantic and Bullet Ridden with a few Arrows Flying and couple Landing in the Dust to Justify the Title. Overall, a rushed and Routine, Low-Budget 50's Western (as if We needed more of those in the Decade).
This will be an Embarrassment to Sterling Hayden Fans and despite the occasional good shot of Colorful Scenery, it is easily Forgettable.
The Indians, with Blankets not Covering Up the Fact that They didn't use Saddles, are only On Screen for the Killing, and are Never Shown in Close-Up, making Them Disposable and Less than Human. "You know what Indians do to Women and Children.", is a Line in the Awful Screenplay.
The Battles are Frantic and Bullet Ridden with a few Arrows Flying and couple Landing in the Dust to Justify the Title. Overall, a rushed and Routine, Low-Budget 50's Western (as if We needed more of those in the Decade).
This will be an Embarrassment to Sterling Hayden Fans and despite the occasional good shot of Colorful Scenery, it is easily Forgettable.
With the Indians about to attack a wagon train, deserter Bart Laish is torn between warning the cavalry or remaining on the run with many lives on his conscience - but then a daring though much more dangerous course occurs to him.
An efficiently made B-western finds Sterling Hayden looking broody and acting angsty and suitably conflicted over running for the hills or warning the wagon train of impending attack. It has a redemptive type of storyline and it's done well with plenty of skirmishes, well-staged action and exciting moments in the backdrop of great location. Of course, there's stock footage, a dummy thrown over the cliff and the formula is working like clockwork, however that's minor criticisms. Personally, I have always enjoyed this good b-western, which delivers that neat 80 min of action, but I also found the story quite thoughtful, and the acting - even Sterling Hayden who I'm not too keen on - quite satisfactory.
An efficiently made B-western finds Sterling Hayden looking broody and acting angsty and suitably conflicted over running for the hills or warning the wagon train of impending attack. It has a redemptive type of storyline and it's done well with plenty of skirmishes, well-staged action and exciting moments in the backdrop of great location. Of course, there's stock footage, a dummy thrown over the cliff and the formula is working like clockwork, however that's minor criticisms. Personally, I have always enjoyed this good b-western, which delivers that neat 80 min of action, but I also found the story quite thoughtful, and the acting - even Sterling Hayden who I'm not too keen on - quite satisfactory.
I enjoy Sterling Hayden and his gritty and realistic acting style. So, I thought I'd give this one a try even though both reviews for this on IMDb are really poor. I hoped they're wrong and it was worth my time.
Hayden plays a guy named Bart Laish. When the film begins, you learn that Bart is a deserter from the Cavalry and is hiding out west. However, as fate would have it, he comes upon a group of dying soldiers that were attacked by Indians. The dying leader just happens to be Bart's cousin and begs Bart to take his place and assume command of the rest of his outfit--which is a few miles away from this massacre! And, the deserter DOES!!! Later, after proving himself against wave after wave of faceless and stupid natives (who seem to just ride by hoping to get shot), all is forgiven with the US Cavalry and Bart is once again allowed to legally wear the uniform. Talk about impossible and ridiculous! In addition to a ridiculous plot and faceless Indians, it's also one of Hayden's relatively flat performances. I guess the other two were right after all....
By the way, in one scene it's supposed to be at night but it appears to be daylight! Huh?!
Hayden plays a guy named Bart Laish. When the film begins, you learn that Bart is a deserter from the Cavalry and is hiding out west. However, as fate would have it, he comes upon a group of dying soldiers that were attacked by Indians. The dying leader just happens to be Bart's cousin and begs Bart to take his place and assume command of the rest of his outfit--which is a few miles away from this massacre! And, the deserter DOES!!! Later, after proving himself against wave after wave of faceless and stupid natives (who seem to just ride by hoping to get shot), all is forgiven with the US Cavalry and Bart is once again allowed to legally wear the uniform. Talk about impossible and ridiculous! In addition to a ridiculous plot and faceless Indians, it's also one of Hayden's relatively flat performances. I guess the other two were right after all....
By the way, in one scene it's supposed to be at night but it appears to be daylight! Huh?!
Arrow in the Dust is directed by Lesley Selander and adapted to screenplay by Don Martin from the L. L. Foreman novel. It stars Sterling Hayden, Coleen Gray, Keith Larson, Tom Tully and Tudour Owen. Music is by Marlin Skiles and Technicolor cinematography by Ells W. Carter.
Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption...
It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up.
Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found?
There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance.
One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
Bart Laish (Hayden) is an army deserter, a gambler and a killer, but soon he is going to get a shot at redemption...
It's all very formulaic in plotting, yet there's some thought gone into the screenplay, whilst Selander wastes no chances to keep things brisk by inserting another finely constructed action sequence. Laish (a typically robust Hayden) finds himself in command of a wagon train, with soldiers and civilians, all now looking to him to stave off the wave after wave of Indian attacks, which interestingly sees the Pawnee and the Apache teaming up.
Naturally there's trouble in the camp, not only via some suspicious business men whose motives will reveal a key narrative thrust, but also by way of Gray's Christella Burke. She wanders in from some Estée Lauder advertisement (we don't care, we love 50s Westerns!), and pulses quicken for protagonist and viewers alike. Thematically the narrative is honourable, with decent amounts of angst and tortured heroics. There's some nifty war tactics, plenty of splendid gun play, and of course there's a human redemptive beat pulsing away - just begging to be found?
There's the usual "B" Western issues, such as weakly choreographed fighting between man versus man, dummies being flung over cliffs, and some average acting in support slots (not Lee Van Cleef, though, who is pottering around with menace). However, the Burro Flats location filming is beautifully photographed - in sync with Skiles' genre compliant score, while Hayden does enjoyable stern backed machismo, which plays off of Gray's sensuality perfectly, and Tully does grizzle to actually provide the film's best performance.
One for fans of this era of Western genre film making. Not a waste of time. Good show. 6.5/10
Le saviez-vous
- AnecdotesArrow in the Dust includes numerous wagon train and battle scenes from the 1952 movie La Piste des démons (1952). The shots of the wagon train going down a steep hill and several of the fighting sequences are obviously matches to the earlier movie. The most noticeable is when one of the pioneers is narrowly missed by an arrow.
- GaffesAbout 45 minutes into the movie Major Pepperis has his pants leg cut off by Stella so that she can bandage his leg. Then he goes to solve a problem with one of the wagons. When he returns his pants leg is un-torn and his leg is not bandaged.
- Citations
Maj. Andy Pepperis: Gambler, gunfighter and now deserter?
Bart Laish: Yeah
Maj. Andy Pepperis: It looks like you added coward to the list.
- ConnexionsEdited from La Piste des démons (1952)
- Bandes originalesTHE WEARY STRANGER
By Jimmy Wakely
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Détails
- Durée1 heure 19 minutes
- Rapport de forme
- 1.85 : 1
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By what name was Le défi des flèches (1954) officially released in Canada in English?
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