La Maison sur la plage

A stunningly gorgeous movie. I knew, that a movie with such a bold, unusual, campy title had to be gorgeous. I must say that Crawford is my favorite dramatic actress. I also respect Crawford for her choice of scripts.

Apart from Crawford, the movie was quite good and unusual. It is the love affair between two middle-aged people who are less than admirable. She married money, and he would like to. They are both rotten, useless, and they deserve each other; and yet, they are human and touching and you want them to find happiness. Too many movie heroes are morally pristine. A wonderful movie. Is there such a thing as a bad Crawford movie? I can't think of one. Watching any Crawford movie is like entering a world of high intelligence, relevance and fine humor.

I am more eager than ever to see every single Crawford movie. I always liked Crawford, but I am now beginning to suspect she was a genius. She is the only actress who has yet to disappoint me. I wish she had kept her real name Lucille Lasueur. It suits her French looks much better. Crawford never loses her dignity, not even in a sordid drama. She makes tawdriness classy. This is also one of Chandler's most memorable roles.

This film is a lot like an extended Perry Mason episode, which isn't surprising since it's from exactly the same era. I would add, also, that it's beautifully photographed in a noir style.

I have a friend who pointed out that the first half of the movie consists of Joan Crawford repeatedly throwing people out of her house, which is kind of fun to note; perhaps it's an indication of a bit of clumsiness in the script. One could also perhaps say that Crawford leans a bit too much on toughness in her characterization and not enough on the bewilderment the character would have felt as she unwittingly walks into the situation she finds herself in.

The film does keep the suspense going, though, in that it continues to fan the ambiguity of who the house's previous occupant (recently dead as the movie starts) really was and what her relationship was to the various supporting characters. The film is full of manipulative characters with mixed motives, so you find yourself drawing conclusions about the dead character, but then resisting those conclusions because it seems like you're being led to them by pretty slippery characters.

Overall, the film is definitely worth a look; sums up the type of movie Joan Crawford was best known for. To get a look at her lighter side, try "Love on the Run," one of a handful of comedies she did, in which she co-stars with Clark Gable.

I have to say, Joan Crawford is THE queen of camp without a doubt. This trashy little gem showcases Joan at her campy best in this her midlife career.

She plays Lynne Markham, a rich widow who moves to the beach house she has never seen that was owned by her late husband. She moves into a mess, the previous tenant, a lonely rich woman who couldn't handle her booze or the sleazy beach bum, Drummond played by iron jawed, steel haired Jeff Chandler, died under mysterious circumstances. Did she commit suicide or did she have a little help?

Joan emotes shamelessly in this tawdry soap. She swoons, flares her nostrils, almost passes out as Drummond savagely paws her, this borders on rape and Joan's character absolutely LOVES IT!!!! She spits out such classic lines as "You're about as friendly as a suction pump" with a completely straight face. What a hoot!!!! The storyline is a camp classic, the rich, lonely widows who succumb to the wiles of Drummond and the con artist neighbors, played by Natalie Schaefer and Cecil Kellaway and the beautiful Realtor played by Jan Sterling all mix together for a movie to die for. It is a must see for all Crawford fans. At this stage of her career she had become a phenomenon, a steel rose, the makeup and hair becoming more surreal and harsh the older she got, amazing, transfixing. You have to see it to believe it.

Freudian references aside,this well-mounted melodrama about a rich widow mixed up with a shady beach bum is definitely Crawford at her best. No simpering weak-kneed sister,this film noir-type story is a direct slap in the face to the Hollywood in the 50's who insisted on casting aging leading men with absurdly young leading ladies.The notion that older women need love and affection was considered almost absurd. Tennessee Williams territory!This film brought it smack dab in the face.Natalie Schaefer and Cecil Kellaway are fun as card sharks after Crawford's money.Jeff chandler is stolid as the beach bum.Judith Evelyn is touching as Eloise Crandall in the flashbacks. Jan Sterling is good as somewhat snaky realtor.Charles Drake is good as beach cop,t

Although this drama is a sleeper, you will find the clothing spectacular. I see the only reason to make this picture was to showcase those famous shoulders. Every evening dress is a masterpiece and the plot secondary only to anything Joan wears in this film. As you may expect, Ms. Crawford plays the "rich bitch" role to the hilt too. I had to love the role played by Natalie Schaefer, she's just too delicious in this role. No Joan Crawford drag party would be complete without this gem playing in the background. And if you can't arrive in a stunning frock similar to ones worn by her in this flick, you're not invited !!