Toutes voiles sur Java

Out in the Dutch East Indies and Captain Boll is out looking for treasure, diamonds to be exact. But he is not alone, and not only does he have to contend with on board grumblings, he has angry tribesmen and a rumbling volcano thrown into the bargain as well.

Fair Wind To Java is a just above average adventure yarn, gleaming colour and a tidy production ensure it's a watchable piece. The standard plot formula {complete with pretty female love interest} is boosted by the film's last quarter, here the viewers patience is rewarded with fights aplenty and the presence of Krakatau volcano literally doing its stuff. In fact the last quarter is a joy for those with home cinema, rough seas and volcanic rumblings boom out of the speakers, and certainly up the ante of the viewing experience. Outside of that the film doesn't have much else to highlight, the acting in the main is fine, Fred MacMurray as Boll and Victor McLaglen as O'Brien both turn in solid professional performances, but Vera Ralston as Kim Kim is desperately poor in the main female role.

Not one to recommend to adventure fans with any great confidence, but certainly worth a look on a rainy day. 6/10

In reading a book about Fred MacMurray that came out last year I learned that he considered this the worst of his films. While I don't think it's as bad as all that the main weakness of Fair Wind To Java is the casting of Fred MacMurray in a part that was originally intended for John Wayne.

The same author who wrote the novel this film is based on wrote Wake Of The Red Witch which I consider one of John Wayne's best films and certainly his most romantic. After The Quiet Man came out Wayne decided to terminate his relationship with Republic Pictures and Herbert J. Yates. Republic and Yates made most of their money peddling John Wayne to the major studios with him occasionally doing a film for Republic over the years.

Try as he might MacMurray does not cut it as a swashbuckling captain of the China trade. Worse for him was the fact that his leading lady Vera Hruba Ralston was not what he was used to working with. He who made some of the best comedies around with people Irene Dunne, Claudette Colbert, Carole Lombard, Katharine Hepburn etc. found Ralston's lack of talent and professionalism too much.

The villain of the story is Robert Douglas an Australian merchant who also goes around as a Malay pirate with a Lone Ranger mask. This was a true comic book villain I just couldn't take seriously.

The climax is the eruption of Krakatoa where a cache of fabled diamonds are hidden in a temple. That's what MacMurray and Douglas and their respective crews are after. Now considering this is Republic Pictures and not one of the major studios the special effects aren't bad. And the color cinematography is nice.

But if you're beyond the age of 12 it's hard to take Fair Wind To Java all that seriously.

While watching this adventure film produced by Republic Pictures, I expected Edward Ludwig for directing, he who already gave us the awesome WAKE OF THE RED WITCH several years earlier, one of John Wayne's favorite, and a tremendous stuff too. Edward Ludwig was the adventure films specialist, but mostly for Paramount. So, I guess that in 1953, he was also under contract with Paramount and I presume that's the reason why Joseph Kane, the Republic prolific western maker, finally made this film. And for an excellent result. One of best Jo Kane's films. Please don't miss this one. It is really a great and underrated adventure movie providing amazing action and volcano in eruption scenes.

Fred MacMurray is the captain of a schooner sailing in Dutch East Indies waters. He's gotten wind of some fabulous diamonds, and possession of dancing girl Vera Ralston who knows where they are. Meanwhile, he has to deal with John Russell, who's the owners' representative aboard the ship, pirate Robert Douglas, and the fact that the diamonds are on a little island in the Sunda Strait called Krakatoa. And, of course, it's 1883.

It's certainly not a great movie by any means, but under the direction of reliable Joseph Kane and, for Republic Pictures, an 'A' budget, it's a swell movie for kids and men who have never quite grown up. Jack Marta handles the Technicolor cameras well, and if it seems all bright cloths and sets from Republic's disappearing serial department, it does what is expected of cheap historical fiction. Certainly the Lydecker Brothers must have had fun setting up the special effects for when Krakatoa blows up. With Victor McLaglen, Claude Jarman Jr., and Grant Withers.

Republic Pictures knew how to do two things really well—action and special effects. Both are on showcase display in this south seas epic. Okay, no one expects deep think or character development from the studio of the matinée western, and this 90-minutes doesn't disappoint. For Republic, story was just an excuse to stage barroom brawls and shootouts, anyway. The plot here appears a cut-and-paste job from one of their many Saturday afternoon serials (e.g. a masked mastermind), while the characters seldom rise above stereotype.

Still, studio honcho Yates spent what for them was a bundle. He even went out and hired A- list Fred MacMurray to pair up with his hapless sweetie Vera Hruba Ralston. MacMurray, always the professional, gives his sea captain his all, while native girl Ralston has little more to do than get dragged around. I'm still puzzled, however, by handsome John Russell's presence in what seems a tacked-on role. Maybe it was something of a screen test for bigger and better things.

Anyway, the Trucolor is gorgeous, the action fast and furious if often mindless, while Krakatoa blows up real good. So, if you want your eyes entertained at the same time your brain takes a rest, be sure to tune in.