Le Réveil de la sorcière rouge

I have to say that for all those other reviewers who compared Wake of the Red Witch to Wuthering Heights I am grateful. I'd never really thought of it that way, but it is definitely true.

The Duke is hardly the classically trained actor that Laurence Olivier is, but as I've remarked in other reviews his was one of the great faces for movie closeups. His expressions are worth ten pages of dialog. And he is probably in his most romantic role as Captain Ralls of the Red Witch.

Of course this film is most compared to Reap the Wild Wind where also for romantic reasons, John Wayne piled a ship on the reefs and later went after the salvage. But though the other film is a big budget product from one of the premier studios, Wake of the Red Witch is a much better story.

The story is seen through the eyes of Gig Young as Wayne's first mate. Wayne sinks the Red Witch because his employer, the malevolent Luther Adler has taken the lovely Gail Russell from him, through the connivance of her father Henry Daniell.

Wayne gets not one, but three underwater scenes unlike in Reap the Wild Wind. He rescues young Fernando Alvarado from a giant claim, kills a giant octopus for native pearls and searches for gold bullion on the sunken Red Witch. All the sequences are nicely done.

The ending, some elements of Wuthering Heights are here. But I think it has more of a Maytime flavor to it.

This is kind of out-of-way stuff for the duke, closest he got to again in "Reap the wild wind". It is basically a Wuthering Heights of the Southern Seas, with a very young and slim Wayne being pulled into a story of intrigue and lost love by the most beautiful Gail Russell. Great pity that her early death prevented her from rising to true stardom, but she truly holds her own next to the Duke in this strange, patchwork story of a true love. If you can hold of it, view it and enjoy it. And it once again convinces me, that John Wayne could pull off almost everything convincingly, giving tribute to him being a real quality actor after all.

From one of the many novels written by Garland Roark comes this dramatic story which the Legendary John Wayne enhanced with his mere presence. Directed by Edward Ludwig the story is masterfully written and tells the naval tale of an adventurous sea Captain named Ralls (John Wayne) who's a courageous soldier of fortune. Created with duel personalities, Ralls is both blessed and cursed because of them. Instintivly knowledgeable of the sea and his ship with many skills having to do with caring about his cargo and his 18 sail masted schooner, he's a skilled navigator who instills confidence in all of his crew. This bears well with his boss Mayrant Ruysdaal Sideye (Luther Adler) who is always trying to out think his chosen Captain. To insure that Sideye gets his way, he designates a second in command trustworthy enough to get the task done. What the ship's owner plans is to insure his precious cargo is scuttled to the bottom of the sea, so's as to collect on the insurance. What those involved don't know is that Ralls has his own way of doing things and puts in danger the owners plans. It's a story of deception versus skill, which may put all those involved in jail or get them killed. To complicate matter there are several beautiful women who believe their men and the Island native who trust in their gods as well. All in all, it a good movie for Wayne and any audience member will be hard pressed to select whether Wayne is playing a Good Guy or not. It's hard. The great cast is there to insure the quality of the film which is superior. They include Gail Russell, Gig Young, Luther Adler, Henry Daniell, Paul Fix and Jeff Corey. If this is your first Wayne movie you'll realize why he became a great star. The movie is listed as a Classic and I agree. ****

As other viewers have commented, I personally viewed this film when I only paid 35 cents for admission and it was well worth it. John Wayne was my idol and just the thought of going down under the water was extremely unimaginable and fighting all the horrible creatures we just read or heard about was never viewed on a big screen. (Radio was our only big entertainment and we had to use our IMAGINATION!) In 1948 the country had just gotten over WW II and Hollywood did not have all the special effects it has in 2000! I have viewed this film over and over again and still remember how it kept me on the edge of my seat. All future generations will do the very same thing and admire how much the film industry has advanced in their technology. This is a great John Wayne Classic and to find fault with it is uncalled for.

I enjoy most John Wayne films, notably his Westerns, and a long time ago read several books about him, but Wake of the Red Watch was all but unknown to me. (British TV frequently screens his better-known films butI can't recall "Wake" being shown before.)

It wasn't at all bad, if one overlooks some of the clichés and limited production values, and Wayne portrays a character more complex and less sympathetic than in any other of his films, even Red River and The Searchers.

Some of the plot twists were a bit hard to follow, and I'm still not sure about the relationship between Ralls and Sidneye - it seemed to mellow towards the end.

Before watching the film I hadn't bothered to note its date and, going on Wayne's youthful appearance and the unsophisticated aspects of filming and plotting, I guessed it was early 1940s. I was a little surprised to see that it was 1948, just as Wayne was about to film some of his greatest Westerns.