NOTE IMDb
6,6/10
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MA NOTE
Un dinosaure féroce réveillé par un test nucléaire dans l'Arctique terrorise l'Atlantique nord et, finalement, New York.Un dinosaure féroce réveillé par un test nucléaire dans l'Arctique terrorise l'Atlantique nord et, finalement, New York.Un dinosaure féroce réveillé par un test nucléaire dans l'Arctique terrorise l'Atlantique nord et, finalement, New York.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Paul Hubschmid
- Prof. Tom Nesbitt
- (as Paul Christian)
Paula Hill
- Miss Ryan
- (as Mary Hill)
Fred Aldrich
- Radio Operator
- (non crédité)
Gertrude Astor
- Screaming Woman
- (non crédité)
James Best
- Charlie - Radar Man
- (non crédité)
Avis à la une
When I was a kid,I would cry every time I saw the ending of this movie.I couldn't help feeling sorry for the monster,dying alone in a world he never knew. Ray Harryhausen was at his best when he designed the Rhedosaurus. This was a monster with a personality,and dare I say it,charm? Every little movement of the beast almost made you think you were watching an actual living creature,and not some stop motion puppet,like the awful Giant Behemoth. My favorites: the beast sniffing at the lighthouse before he knocks it down;the way he playfully bats at the wrecked car he stepped on,when he turns his back and lashes his tail at the shotgun toting cops,even the way it squints its eyes in the sun.The death scene was well done,and the music,as the flaming roller coaster collapses behind the beast's dead body,still sends a chill up my spine. The worst part of the movie was the casting,especially the male and female leads. Paul Christian's accent is almost impossible to understand at times,and his acting is wooden.Paula Raymond may seem pretty by '50's standards,but I think she has a pronounced overbite and adenoids,the way her mouth is always hanging open! Her acting was also pretty limp.Cecil Kelloway was a delight,as usual,and Ken Tobey was unusually restrained,not trying to hit on Raymond,as he seemed to do in most of his movies. The funniest line in the movie was Kelloway asking Tobey:"What makes you think there are no flying saucers?"(A dig at Tobey's role in The Thing.)Still in all,this is timeless sci-fi classic that holds up well,even today.
A ferocious dinosaur awakened by an Arctic atomic test terrorizes the North Atlantic and, ultimately, New York City.
When producers Dietz and Chester were negotiating with Bradbury to rewrite their screenplay, he reminded them that both works shared a similar theme of a prehistoric sea monster and a lighthouse being destroyed. The producers, who wished to share Bradbury's reputation and popularity, promptly bought the rights to his story and changed the film's title.
The film is worth watching because of the involvement of Bradbury and Ray Harryhausen, as well as having a supporting role from Lee Van Cleef. It may not be amazing, but the effects are rather good and it is a piece of 1950s science cheese that can be enjoyed if you just suspend disbelief for an hour.
Most interesting is the alleged influence this movie had on "Godzilla". This film is semi-forgotten, or at least not widely seen. But it had a dinosaur rise following an atomic blast and then destroy a city, trampling the army and electricity in its path. Sounds like Godzilla! And indeed, this was a primary influence on the Japanese monster film, which has since become one of the most culturally important films in horror / monster history. So maybe "Beast" needs to be respected just a little bit more.
When producers Dietz and Chester were negotiating with Bradbury to rewrite their screenplay, he reminded them that both works shared a similar theme of a prehistoric sea monster and a lighthouse being destroyed. The producers, who wished to share Bradbury's reputation and popularity, promptly bought the rights to his story and changed the film's title.
The film is worth watching because of the involvement of Bradbury and Ray Harryhausen, as well as having a supporting role from Lee Van Cleef. It may not be amazing, but the effects are rather good and it is a piece of 1950s science cheese that can be enjoyed if you just suspend disbelief for an hour.
Most interesting is the alleged influence this movie had on "Godzilla". This film is semi-forgotten, or at least not widely seen. But it had a dinosaur rise following an atomic blast and then destroy a city, trampling the army and electricity in its path. Sounds like Godzilla! And indeed, this was a primary influence on the Japanese monster film, which has since become one of the most culturally important films in horror / monster history. So maybe "Beast" needs to be respected just a little bit more.
"The Beast From 20,000 Fathoms" is one of many "nuclear explosion thaws out the pre-historic monster" movies popular in the 1950's. What sets this film apart from other similarly themed films, are the superior special effects created by the legendary Ray Harryhausen.
His dinosaur is as good as you will see in any sci-fi movie. It moves without that jerky motion common in so many stop-motion monsters (i.e. King Kong). The "monster destroys the city" sequence is outstanding. There is also an excellent fight between an octopus and a shark that is very exciting. The best sequence takes place at the end of the film when the monster is cornered in an amusement park.
As in all such movies, the human actors are incidental to the plot. The German/Swiss actor Paul Christian (aka Hubschmid) plays the requisite scientist, Paula Raymond and Cecil Kellaway are the "dinosaur experts" and Kenneth Tobey and Donald Woods play the sceptical military types. There are also a number of recognizable "B" movie faces from the period such as Lee Van Cleef, Steve Brodie, Jack Pennick and James Best.
One of the best atomic monster movies from the 50s.
His dinosaur is as good as you will see in any sci-fi movie. It moves without that jerky motion common in so many stop-motion monsters (i.e. King Kong). The "monster destroys the city" sequence is outstanding. There is also an excellent fight between an octopus and a shark that is very exciting. The best sequence takes place at the end of the film when the monster is cornered in an amusement park.
As in all such movies, the human actors are incidental to the plot. The German/Swiss actor Paul Christian (aka Hubschmid) plays the requisite scientist, Paula Raymond and Cecil Kellaway are the "dinosaur experts" and Kenneth Tobey and Donald Woods play the sceptical military types. There are also a number of recognizable "B" movie faces from the period such as Lee Van Cleef, Steve Brodie, Jack Pennick and James Best.
One of the best atomic monster movies from the 50s.
Ray Harryhausen's first solo effort at stop-motion resulted in one of the best monster movies of the 1950's.
This was the first of the many rampage films of the 1950's and was a great success at the box office. Ray's stop-motion Redosaurus is magnificent, considering the low budget.
One of the best scenes in this movie is where the Rhedosaurus eats the policeman. The acting is rather good and the cast includes Kenneth Tobey (The Thing From Another World) and an early appearance from Lee Van Cleef before he stared with the 'carrot' in It Conquered the World.
I enjoyed this movie and rate it 5 stars out of 5. Great stuff.
This was the first of the many rampage films of the 1950's and was a great success at the box office. Ray's stop-motion Redosaurus is magnificent, considering the low budget.
One of the best scenes in this movie is where the Rhedosaurus eats the policeman. The acting is rather good and the cast includes Kenneth Tobey (The Thing From Another World) and an early appearance from Lee Van Cleef before he stared with the 'carrot' in It Conquered the World.
I enjoyed this movie and rate it 5 stars out of 5. Great stuff.
Influential in many ways. Seminal to say the least. This is the first Monster to be unleashed by the awakening awesomeness of the Atomic Bomb. This is Ray Harryhausen's first solo outing (he was Willis O'Brien's (King Kong) assistant on Mighty Joe Young (1949).
It has a crisp Black and White look and is a sharply defined matte of Monster and surroundings. From the early sets on the frozen tundra, to the depths of the Ocean, to the New York City Streets, to the Amusement Park finale, this is a beautiful low-budget Film.
There are some stiff Performances and some that are lively. It pulls few punches in its depressing display of Radioactive Paranoia. Some unforgettable Highlights include the eerie Lighthouse encounter, the viciously impressive looking Dinosaur wreaking havoc between Skyscrapers, and the Roller Coaster imprisonment and execution.
Note: Will all Godzilla and Toho fans please nod, bow, and applaud.
It has a crisp Black and White look and is a sharply defined matte of Monster and surroundings. From the early sets on the frozen tundra, to the depths of the Ocean, to the New York City Streets, to the Amusement Park finale, this is a beautiful low-budget Film.
There are some stiff Performances and some that are lively. It pulls few punches in its depressing display of Radioactive Paranoia. Some unforgettable Highlights include the eerie Lighthouse encounter, the viciously impressive looking Dinosaur wreaking havoc between Skyscrapers, and the Roller Coaster imprisonment and execution.
Note: Will all Godzilla and Toho fans please nod, bow, and applaud.
Le saviez-vous
- AnecdotesThis was said to have been one of the inspirations for Tomoyuki Tanaka to go ahead and film Godzilla (1954).
- GaffesNesbitt, trying to persuade Prof. Elson to consider his story, says that Galileo claimed the world is round. That was accepted in Galileo's time. His claim was that the earth moves around the sun.
- Citations
Prof. Thurgood Elson: [in the diving bell, to view the monster] This is such a strange feeling, I feel as though I'm leaving a world of untold tomorrows for a world of countless yesterdays.
- Versions alternativesThe original 1953 version cuts the shot where the cop is swallowed whole. This shot is restored in the video version of the film.
- ConnexionsEdited from Samarang (1933)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Beast from 20,000 Fathoms
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 210 000 $US (estimé)
- Durée
- 1h 20min(80 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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