L'inexorable enquête

Enjoy the great acting of Broderick Crawford, (Mark Chapman) who is the editor of a popular newspaper and his star reporter is John Derek, (Steve McCleary) and a very attractive Julie Allison, (Donna Reed) who gives a great supporting role. Mark Chapman is a go getter for this popular newspaper and always manages to capture crimes of murder with the great assistance of Steve McCleary. However, Steve McCleary investigates a recent murder of a woman who has died rather mysteriously and delves deeply into its background and is able to determine the killer and the complete reason for the murdering of this woman. There are many twists and turns in this film and Broderick Crawford and Donna Reed give outstanding performances which make this a very interesting and enjoyable film to view from 1952.

I mean that just about everything he does he steals every scene he's in.

Broderick Crawford was just a huge personality on and off screen that I imagine other actors, being around him, kinda had a feelin' they didn't have a chance of stealin' a scene away from him. He was just that good an actor.

This little film is no different. He plays a newspaper editor with somethin' to hide.Throughout the film he has to make sure no-one finds out his little secret from his past. Enter his favorite little cub reporter who thinks of like a son and a woman's columnist who thinks he has just sunk the paper's integrity by printing scandalous news and not the real news people wanna read. She basically see's right through him but not all the way...well until the end.

Check this one out. It's a winner for sure. I was pleasantly surprised.

Watch Crawford sweat this one out! Great fun with Broderick Crawford as managing editor of a "Scandal Sheet" newspaper, with John Derek and Donna Reed on staff as reporters. The film uses the technique of showing the murderer's identity as the crime is committed (it's editor Crawford); then we watch him squirm as the reporter hero (Derek) and heroine (Reed) try to identify the killer and cover the story.

Mr. Crawford must give the "Lonely Heart Killer" big coverage in his tabloid newspaper, or risk suspicion. When a possible witness turns up, things get complicated. Henry O'Neill is great as a washed-up old drunk who used to work for Crawford's newspaper. The film has a great style… beautiful black and white photography directed by Phil Karlson. Recommended viewing!

******** Scandal Sheet (1952) Phil Karlson ~ Broderick Crawford, John Derek, Donna Reed

Broderick Crawford is the publisher of a "Scandal Sheet" in this 1952 noir directed by Phil Karlson and also starring Donna Reed, John Derek, and Rosemary DeCamp.

Crawford plays Mark Chapman, a ruthless tabloid publisher who is bringing along a young, ambitious reporter, Steve McCleary (Derek). When a woman (DeCamp) who attended the tabloid's Lonely Hearts Dance is found dead, McCleary investigates further and finds out that she was murdered. He's determined to track down the killer, not realizing that the murderer is very close by.

Good, fast-paced noir from Columbia. Lovely Donna Reed plays Julie, who writes features and eschews the tabloid side, while the hunky Derek is a guy who loves to go after a good story and is interested in Julie. Harry Morgan is a photographer. Henry O'Neill plays Charlie, a formerly great, not drunk journalist who knows more than he should. The acting is good all around.

Crawford was one of those character actors whose talent brought him to leading roles. We boomers will know him forever as the star of "Highway Patrol" and his barking "10-4." Reed, Morgan, and DeCamp went on to make their marks on television, and Derek would retire from acting on concentrate on promoting his beautiful wives.

Based on a story, "The Dark Page" by director Sam Fuller, this film is well done, and if you like noir, you'll enjoy it.

I sought out this film for two reasons. First, it was written by Sam Fuller and I have been trying to watch as many of his films as I can--they are, with only a few exceptions, great films. Second, I have always liked Broderick Crawford, as he had a way about him--portraying unrelentingly tough guys. With my love of film noir, it's a natural that I'd love seeing his ugly mug! Well, after finishing this film, I found that I wasn't disappointed. The writing, direction and acting were all very good.

Crawford stars as a man who has been brought in to save a dying newspaper. To make it successful, he gives the public what it wants--scandal, sleaze and violent content. While many of the paper's stockholders can't stand what he's done to make the paper solvent, he has made them rich--and it's hard to argue with success--even at this price.

One of Crawford's reporters is John Derek. Usually I don't like him in films, as he's just too pretty. Here, however, he was just fine--pretty, sure...but fine. Derek specializes in sniffing out cases and one new case really intrigues him. An unidentified woman is found dead. It clearly looks like an accidental death but Derek's instincts tell him it was staged to look that way, so he pushes and pushes investigators to dig deeper. Yes, it turns out she was murdered...but WHO did it and WHY is what makes this film very, very intriguing.

In addition to Crawford and Derek, the film also stars Donna Reed and Henry O'Neill. Reed plays a woman who is like the voice of conscience in the movie--always appalled at Crawford's methods and making it clear that she wants no part of this degradation of the paper. O'Neill, however, is the more interesting guy. In the 1930s and 40s, O'Neill had very steady work and was a familiar face at MGM in supporting roles (having appeared in 177 films and TV shows during his career). By 1952, his career was on the decline and his output reduced significantly. Here, he makes a bit of a last hurrah AND gets to play a role that stretched his abilities--playing a down-and-out drunk whose character evolves and shows great depth during the course of the movie.

Overall, the film is taut and exciting. Whether or not you'd call it film noir is a tough one, as definitions vary tremendously. Considering that the cops are purely secondary characters and there isn't the same criminal atmosphere in the film as noir, I'm not sure I'd call it noir. But, it is at least noir-like and is sure to please anyone who likes the grittier sort of film Hollywood did so well during this era.