Association criminelle

The storyline centers about a persistent cop(Cornel Wilde)who tracks down a mobster(Richard Conte) and his henchmen (Brian Donlevy,Lee Van Cleef and Earl Holliman). He's helped by the gangster's girlfriend and one deputy(Robert Middleton).

The movie has likeness to noir cinema of the 40s and 50s that played Robert Mitchum, Kirk Douglas and Glenn Ford but here is B series.

In the film there are action, raw drama ,suspense, murders and is very interesting.

Interpretation by Cornel Wilde and Jean Wallace, marriage in real life, is magnificent, the evil racketeer Richard Conte is top notch and his underlings Donlevy, Van Cleef and Holliman are of first rate.

Cinematography by John Alton is extraordinary ,setting of lights and shades depict this type of cinema and Alton and Nicholas Musuraca are the principal photographers.

David Raskin music, being recently deceased, is nice and atmospheric.

The motion picture is well directed by Joseph H. Lewis

Rating : very good, 7,5/10. The flick will appeal to noir cinema fans. Well worth watching.

A very good gangster flick and evocative film-noir directed by Joseph H. Lewis. A zealous cop(Cornel Wilde) seeks the aid of a gangster's(Richard Conte) ex-girlfriend(Jean Wallace)in bringing down a crime syndicate. Conte's character is relentless as he rules his corrupt world with murder, gunplay and torture. Lee Van Cleef and Earl Holliman are his minions and Brian Donlevy is a handicapped mentor of sorts. Supporting cast features Helen Walker and Robert Middleton. Terrific lighting and photography make this an exceptional crime drama where shades of gray makes THE BIG COMBO a notch above the ordinary. Note:off-screen Wilde and Wallace are Mr. & Mrs.

There really should be a deluxe DVD box-set of films with "The Big" in their titles -- preferably "The Big" followed by one more word.

Naturally, you would have to have Howard Hawks' "The Big Sleep" from 1946 and Fritz Lang's "The Big Heat" from 1953.

If I wanted to attract hate mail, I could probably also insist on including two David Nelson circus films, particularly 1959's "The Big Circus," but also the rather overlooked "The Big Show" from 1961.

From 1955 alone you could come up with Robert Aldrich's "The Big Knife" and Joseph H. Lewis' s "The Big Combo."

"The Big Combo" is an unusually good film noir with more of the chiaroscuro lighting effects than you get in some other more famous noir classics and way more than you get in the archetypal David Nelson circus film.

You also get a gay couple -- very unusual for a 1955 Hollywood film! Lee Van Cleef and Earl Holliman play two thugs named Fante and Mingo, who work for bigger thug Richard Conte. Some classic Hollywood films, as reported in Vito Russo's "The Celluloid Closet," have some fairly specific gay content, but some of them only have the reputation and not much content. However, it's really there in "The Big Combo." Lee Van Cleef and Earl Holliman live together, slay together, and apparently love each other. Watch the basement hideout scene near the climax. They caress each other! It's the most believable relationship in a very brutal and fascinating movie.

Cornel Wilde stars with wife Jean Wallace, Brian Donlevy, Richard Conte, Lee van Cleef, Earl Holliman, and Robert Middleton in "The Big Combo." Wilde, who was one of the producers, had the idea of turning his wife into a serious actress. She certainly was pretty. For those who may not know it, Wallace was first married to Franchot Tone, so Wilde became their children's' stepfather.

The story concerns a police detective Diamond (Wilde) who is after the head of a far-reaching mob, Mr. Brown (Conte). He's been ordered to stop investigating because he can't find any evidence and also, he is in love with Brown's girlfriend Susan (Wallace) and the department is over budget thanks to his obsession.

When Susan attempts suicide, Diamond is allowed to follow one last lead, which is the name Alicia that Susan muttered in the hospital.

Meanwhile Brown sends his thugs, Fante and Mingo (Van Cleef and Holliman) to stop Diamond. By mistake, they murder Rita, Diamond's girlfriend. Now nothing will stop Diamond until he gets his revenge.

Good noir, with Wilde in top form a a tough guy. I admit he's never been a favorite of mine - he just does not warm up the camera at all. In order to avoid the production code, the sexual scene between Diamond and Rita is cleverly managed, and there are only subtle indications that Fante and Mingo are gay lovers - less subtle once you're aware of it and watch it again.

Helen Walker plays Brown's wife, and alas, the years weren't kind to her due to her trial and bad publicity in the 1940s. Here she's in a character role. By 1968, she would be dead, at the age of 47.

Richard Conte is fantastic as Brown, cruel and mean with no redeeming qualities. He pulls it off perfectly.

Recommended - the photography throughout is excellent, but the final shot at the end is stunning.

Allied Artists which was Monogram Studios and mostly noted for the Bowery Boys gave us The Big Combo and they put together a stylish cast for this noir thriller. The cast is so good they cover up a lot of holes in the story.

The antagonists in this film are honest police lieutenant Cornel Wilde against ruthless syndicate chief Richard Conte. Wilde is doggedly determined to get Conte who's an article as slick as they come. His persistence reminds me a lot of Columbo without the humor.

Conte took over from a former syndicate chief who took a Johnny Torrio like 'retirement' to Sicily. Or what exactly is the real story there and who's this mysterious Alicia that throws a scare into the normally unflappable Conte?

Wilde also has a personal interest in another way as he's kind of crushing out on Jean Wallace who's Conte's main squeeze. There's a club stripper played by Carolyn Jones who's sweet on Wilde and pays for it with her life.

The Big Combo has made the list for cinema of gay interest because of the roles of Earl Holliman and Lee Van Cleef as a pair of gay trigger men who work for Conte. It's something that during the Fifties only a small studio like Allied Artists would have on screen. Today their relationship is rather obvious.

The parts are much greater than the whole and basically what Conte has done is pull a syndicate coup d'etat. But personally as the story unfolds he did a rather sloppy job in covering it up.

Rounding out the cast is syndicate banker Brian Donlevy and Wilde's police superior Robert Middleton. It's a nice noir thriller, but it should have had a much tighter story.