Commando sur Saint-Nazaire

Compton Bennett's surefooted direction and a sterling performance from Trevor Howard keeps this leaky old vessel afloat. You have to wonder though at the misguided optimism of the producers in thinking that casting the execrable Sonny Tufts would be a draw across the Pond. Curiously the part that was obviously written for an American, the raffish Canadian first officer, goes to that archetypal English gent, James Donald. And very uncomfortable he looks too. The most interesting character is Richard Attenborough's Dripper Daniels. It is Attenborough in familiar mouthy ranker mode, but with the added twist that his character is a trade union organiser in civilian life. Some fun is had with this, but the portrayal is perhaps more sympathetic than it would have been if the film had been made a few years later. The message of all-pulling together is a reminder of just how soon after the war this film was made. The film certainly takes its time to build up to the raid on St.Nazaire, which is dealt with rather perfunctorily. This must count as a missed opportunity as the raid was one of the most remarkable operations of the war. Instead we have a rather conventional tale of a raggle taggle ship's crew bonding into a disciplined fighting force. In fairness the vintage of the film means that some of the clichés may not then have been clichés, but it is fairly turgid at times, not least the anodyne romance between Donald and wren Joan Rice. An unrecognisably youthful Robin Bailey and a winsome Dora Bryan shine out among the supporting players.

This film was shown last week on Channel 4.The critic in the Radio Times rather annoyed me as he was rather disparaging about it,saying that it took a long time to get going.He seems to forget that this film is of its era and likes to take its time to tell its story.I have to say that in fact i think that many of the action sequences look rather cheaply staged and some of the special effects work is very amateurish by current standards.However this film does stand up very well mainly because of the marvelous performance from Trevor Howard.In particular the scene when he receives news that his son has been killed in action.I would say that this is only slightly inferior to the marvelous "The Cruel Sea" which sets the standard by which all such films of the period must be set.The only jarring note was the obligatory fading American star to boost the chances of a sale to the USA.Sonny Tufts had to be one of the worst actors of that or any other period.

He's quite interesting to watch is old Trevor Howard. His quintessential upper class English manner is endearing and engaging. He does have the grit between his teeth, and a depth of range in his voice. He won me over in this film.

I've just watched The Gift Horse, a world war two film in black and white from 1952. I remember many titles of films from childhood which I never had the chance to see and so catch up with them now, and this is one of them. Based on a true incident where we made a swap with the Americans to obtain 50 old warships, this follows the exploits of one of these, commanded by the dependable Trevor Howard, who really carries the film, with a determined, but vulnerable performance, marvelous to watch. James Donald another actor known for these roles at the time, also has a major part, but is saddled with a side story which involves him romantically with Joan Rice, and consequently leaves him miscast. Robin Bailey is prominent and well cast I thought, as is the great Sid James, who runs a pub and there's a lovely scene where a fight breaks out in the pub and the camera ignores the guys fighting and goes to photographs on the wall of Sid in his boxing days, very novel. Lovely to see the wonderful Dora Bryan, and sadly I watched this only two days after she died at the age of 91. She would have been about 28 at the time. The film looks very dated and some of the scenes on the ship look like they were filmed in an old TV studio, but it's the acting that excels here, particularly Trevor Howard.

Just to add to malcolmgsw's comments.

The film has some elements of truth to it. The original destroyer concerned was USS Buchanan, renamed in the Royal Navy HMS Campbelltown. This ship did indeed carry out the raid on St Nazaire, in March 1942. The purpose was to prevent the use of the dock by the German battleship Tirpitz in case she should ever breakout into the Atlantic. It was the only dock outside Germany which could accommodate the ship.

One scene stands out for me in the film. It takes place in ex boxer Sid James's pub where some of the crew of our ship are relaxing. A crew of another ship starts to wind them up and this leads to a fight. However, we don't see this fight. As it begins, a bell goes off like the bell at the start of a boxing match. At the same time, the camera focuses on a photo of Sid in his boxing days, one of many which adorn the walls of his pub. Then as the fight ensues, the camera fixes on other boxing pictures from the wall as each blow is struck. Very enjoyable!