Carrington V.C.

Carrington, VC finds career army officer David Niven doing something reckless and a bit stupid besides. He borrows a bit of money from the Officer's Fund of his unit to pay some household bills. He's owed a lot of back pay allowances that the fine military machine of the British army hasn't seen fit to cough up. But he is a winner of the Victoria Cross, the VC of the title and the commander of the regiment Allan Cuthbertson is a most jealous man. He might be the head of the regiment, but the men look to Niven.

If you remember the Clint Eastwood film Heartbreak Ridge at one point Gunnery Sergeant Eastwood helps out one of his enlisted men make ends meet the way Niven is having problems with his wife and family. But officers don't have concerned gunnery sergeants.

In any event Niven is being court martialed for the offense, charges brought by Cuthbertson. How it goes I will not say, but Niven is given a royal kick in the keester by a jealous wife Margaret Leighton who suspects some hanky panky going on with a female officer and her husband.

The great critique by me and others is that David Niven more than any other actor had to carry a lot of mediocre films on the strength of being debonair and charming. Not so in Carrington, VC, this is a fine military courtroom drama that stands on its own merits. Niven does well in the lead and grateful for this being a film he didn't have to carry.

Allan Cuthbertson is one of those actors who just does well in everything he's cast in. He's quite the martinet and jealous of Niven's war service and decoration. He spent the war directing a shore battery that was called upon to shoot down Mr. Hitler's Luftwaffe planes, no chance for medals or glory there.

The second member of the supporting cast who is outstanding is Victor Maddern playing Niven's sergeant and biggest fan.

Carrington, VC has a bit of The Caine Mutiny and some of The Winslow Boy in its plot and presentation. But it's a good courtroom drama and all actors love doing them.

Nearly a decade after 'A Matter of Life and Death' David Niven once more finds himself on trial - this time conducting his own defence - in this very respectable addition to the rollcall of theatrical adaptations directed by Anthony Asquith, although Niven himself neglects to mention in his memoirs.

In 'The Winslow Boy' the accused was charged with purloining a postal order, this time the bone of contention is £125 missing from a safe. Aside from the quality of the acting Asquith makes good use of acoustics by making the soundtrack totally devoid of music and the comic effect when Geoffrey Keen tells the court orderly to stop stamping in observance of an enormous sign reading 'Silence Court-Martial in Progress'.

Imagine a cross between The Caine Mutiny and 12 Angry Men, and you'll get Court Martial. This military courtroom drama is tense, thrilling, and will keep you at the edge of your seat from beginning to end.

David Niven is a highly respected and decorated major, and he's been court martialed for three offenses: stealing money, entertaining a woman in his quarters, and leaving the base without permission. The entire film takes place in the courthouse, and it is intense! The men on the jury all know David Niven personally, and they try to put their bias aside for the sake of the law. Noelle Middleton, a captain, tries to defend him-but is she also biased, since she was the woman in his quarters? And finally, Niven's wife: Margaret Leighton. Niven insists she's too ill to testify, but when she shows up in court, will she condemn or defend him?

The acting in this film is fantastic, not only by Niven and his two leading ladies, but also by the supporting men on the jury. It's very hard to act in a real-time film, because you constantly have to have an emotional buildup in your character's performance-there's no "three weeks later" downtime in the plot, or a cutaway to another character's side-story. Anthony Asquith must have given his actors great direction, because they were all very convincing. John Hunter's script, based on Campbell and Dorothy Christi's play, is intelligent, thoughtful, and fast-paced; you're going to need to pay close attention on this one, but it's worth it! Unfortunately for this movie, it came out the same year as the more successful The Caine Mutiny, so the Academy forgot about the British drama at the Oscars. Although Humphrey Bogart was very good, David Niven absolutely deserved a nomination for his incredible performance.

This is quite a decent military court-room drama in which David Niven finds himself accused of pinching a large sum from his battalion funds. At the ensuing court martial, he must answer the charges relying on his honesty and integrity - he has a V. C. after all - and on receiving, somewhat naively, a reciprocal degree of honesty and integrity from others. It's quite a neat little story about revenge and snobbery; tempered with the odd bit of human decency and Niven is ideal for the part. Margaret Leighton is also quite good as his rather aloof wife and Allan Cuthbertson as his supercilious commanding officer "Col. Henniker" who clearly both have axes to grind. The ending isn't great, but otherwise it is a simple story well told.

When 125 pounds goes missing on a british military base, major carrington (niven) is brought in for questioning. Quite the suspense, since most of the people present in the room are sure he's guilty, guilty, guilty. Also some humor, as the sergeant at arms always makes a racket, as he stomps around and rattles the water glasses. Several people know what really happened, but can he convince them to tell the truth? Hopefully, they will respect an officer wearing the victoria's cross. A good story, very realistic. This film was made a couple years before niven's oscar winning separate tables. Directed by anthony asquith, son of the prime minister. Quite an interesting connection in asquith's bio here on imdb, involving oscar wilde. This film is also called carrington v.c.