Beep, Beep

Chuck Jones's 'Beep Beep' (so called despite the fact that the Road Runner clearly says "Meep Meep") is the second of the exceptionally popular Road Runner series and is a vast improvement on its predecessor, the historically important but lacklustre 'Fast and Furry-ous'. While it features several predictable quickfire gags, 'Beep Beep' also expands on that initial cartoon with more ambitious, longer sequences. Chief among these is a fantastic, extended chase through an old mine in which we see the Coyote and the Road Runner represented by two small lights. There's also a very funny longer gag involving some rocket-powered roller-skates. 'Beep Beep' also sees a great improvement in the representation of Wile E. Coyote. Not only does he look more handsome than his scraggly prototype in 'Fast and Furry-ous' but he also draws the audience into the cartoon more with a greater amount of looks to the camera to indicate the brilliance of his idea or his fear of imminent pain. Although it's a little slow to get going (too many lingering shots of blueprints hinder the pace in some of the early gags), once 'Beep Beep' arrives at the mine shaft sequence it's clear that Jones was beginning to get a real handle on these characters and the greater possibilities of what he could do with them. There are better Road Runner cartoons than 'Beep Beep' but there's a real feeling of triumph about this cartoon, as if it were the confirmation that there was a series to be milked out of this scenario.

Beep, Beep (1952)

*** (out of 4)

Second film in the Road Runner/Coyote series is a pretty good one as the dumb but always trying Coyote comes up with new tricks as he tries to catch his meal. The highlight of these new tricks is a long running sequence where the two are inside a dark mine and we can only see them from the lights on their helmets. I'm not a die-hard fan of the series but I am watching them again in the order that they appear on Warner's second disc in their second volume of Looney Tunes shorts. Seeing them in order might have me changing my mind but this one here is a pretty good short from start to finish as the action is always at a feverish pace and we get many good gags including the before mentioned mine sequence but there's also another good one dealing with water.

I think I am some kind of Road Runner fan. I don't care how predictable it is, I laugh anyway. 'Beep, Beep' is predictable most of the time, although it is pretty ingenious at the same time as well. Of course the Road Runner is chased by the Coyote and of course the Coyote fails to catch the Road Runner with every new attempt. The plans the Coyote comes up with are very funny. You see exactly where it will go wrong and you will not disappointed. Well, one time you are sort of disappointed, what you think will happen does not, but it makes the joke even funnier.

If you like the Road Runner shorts you will love this one. The predictable gags work and the animation is great and pretty original at times.

One of the first truly great Road Runner and Wile E. Coyote shorts by the legendary Chuck Jones. There's no plot really, just Wile E. Coyote chasing the Road Runner and failing over & over. Beautiful animation with well-drawn backgrounds. Love the colors. Energetic music from Carl Stalling. Many funny gags, including "free drink of water," ACME aspirin, and rocket-powered roller skates. The highlight of the short is the sequence that takes place in an underground mine. As with all of the Road Runner cartoons, there is an element of predictability to it but it works so well. Chuck Jones was a master at the sight gag and it shows in this series more than any other. It's not the best of the Road Runner and Coyote series but it is a great one.

While I agree there are a few predictable gags, there are also some very well-executed ones that are ambitious and are a good length. The animation is very good, making it I feel one of the better-looking Roadrunner vs. Coyote cartoons, and the music is not repetitive or annoying thank goodness. The Roadrunner is likable enough, but I have often preferred Coyote, because he is craftier and we actually sympathise with him to some extent. Beep, Beep also goes along at a fast pace, and doesn't feel laborious or rushed in any way. In fact, apart from a few predictabilities, it is near-perfect, and I liked the underground scene as well. 9/10 Bethany Cox