Superman et les nains de l'enfer

I rented this film from Netflix for two reasons - I was in the mood for what I thought would be a silly '50s sci-fi-asco and because it is the first feature-length Superman film. Needless to say, after about 15 minutes I found myself thoroughly engaged and very pleasantly surprised.

An experimental oil well has penetrated about six miles into the earth and is being shut down by the sponsor. Lois and Clark show up to get the scoop but are disappointed that the deepest well ever drilled will no longer be in operation. A day later, strange events at the well make for a story more appropriate for Superman than Clark Kent. It seems that the radioactive Mole Men have invaded from their six-mile deep home near the earth's core.

Supermen and the Mole Men is a simplistic but well-made piece of social realism. Released in 1951, starring a lead actor who served in World War II, the moral of the story seems to be that Americans are just as capable of becoming fascists as anybody else. To drive this point home in a typically straightforward Superman manner, Reeves even accuses the lynch mob hunting the Mole Men of being 'Nazis' at one point.

Even in the 1950s, the science underlying this film was nonexistent. Six miles of drilling through continental crust would not have even penetrated the upper mantle, let alone the "hollow center of the earth" - which, in any case does not exist. Forgivable - keep in mind that this film is based on a golden age comic book.

The film is a little unevenly paced. Although the Molemen are interesting, a bit creepy, and nicely portrayed, there are several Corman-esquire scenes which spend too much time redundantly showing us their odd behavior. The script is intelligent and economical. By today's standards, the costuming is poor to fair, but for its time, this film's special effects and costuming were quite good. The cinematography is also generally very good, and the acting is much better than one might expect. I was particularly impressed with Reeves, Jeff Corey and Walter Reed.

Daily Planet reporters Clark Kent (George Reeves) and Lois Lane (Phyllis Coates) arrive in the small town of Silsby to do a story on the closing of the world's deepest oil well. Not long after, a group of small, glowing beings emerge from the well tunnel and strike fear in the hearts of the locals, who soon form a vigilante posse in order to kill the strange invaders. It's up to Kent, in his guise as Superman, to stop the mob violence before it's too late.

This was an independently produced presentation piece intended to sell local stations on buying the Adventures of Superman TV series. Lippert thought it was good enough for a theatrical release. It was later aired as a two-part episode of the show. Despite being the first episode, the filmmakers forego a Superman origin story, and instead present this rather meager story. Superman in costume is actually present very little. Jeff Corey, as the detestable leader of the vigilante mob, seems to be on screen longer Reeves. This runs less than an hour.

Before Henry Cavill, before Brandon Routh, before Dean Cain, even before Christopher Reeve but after Kirk Alyn we had George Reeves as Superman. Make no mistake the man was iconic and many would argue the real Superman as he was in over 100 episodes of the original Superman television series.

Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.

This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.

It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)

I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.

The Good:

Simple story

Well written

A more realistic approach

The Bad:

The Mole People look ridiculous

"Superman & The Mole Men" tells a story that's way ahead of it's time for 1951. Clark Kent & Lois Lane go to the small town Silsby to do a story on "The World's Largest Oil Well". When they arrive they find out the well is being shut down due to complications that have come about. They had drilled 6 miles down, & realized the earth's center is hollow, & there may be life down there. Their suspicions are correct when small (possibly radioactive) "mole men" start coming up & roaming around the town. (They aren't very frightening, but may have been by 1951 standards). One old man, at the well, sees them & has a heart attack & dies. Lois sees them too & describes them as having, "the bodies of moles with big human heads". A child encounters them in her bedroom & plays ball with them. She demonstrates the innocence of unjaded youth who sees someone without prejudice. The majority of the small town goes ballistic & wants to destroy the unknown "visitors". This is an excellent portrayal of small town ignorance ready to snuff out something that they don't understand, is different, out of the ordinary, or "strange" in their opinion(s). These "mole men" not only signify 'out of this world' beings, but people in one's own society as well (ridiculed for one's race, sexuality, etc.) The movie "Powder" represented the same premise in 1995! I can't write this review without mentioning that Phyllis Coates was the BEST actress to play Lois Lane! She portrayed her as feisty, sassy, independent, & resilient.

Considering it was shot in 11 days; considering its "special effects" are something less than primitive, George Reeves and this film still pack a Kryptonite-sized wallop.

Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.

FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.

FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.