The Bulleteers

In the Fleischer Brothers Superman cartoons, Lois Lane is unusually stupid. Even compared to the 1950s Lois from TV, this one seems bent on getting herself killed. And, like in almost all the cartoons, she is saved and doesn't learn a darn thing!

The cartoon begins with a weird bullet-like car/airplane destroying things and then the leader of some weird criminal gang announcing to Metropolis that they must pay him or he'll destroy the town (you'd THINK he'd pick on some town OTHER than the one in which Superman lives!!). Soon, the Bulleteers appear and begin unleashing terror. Not surprisingly, Superman comes to the rescue AND Lois gets herself nearly killed in the process.

Like the other Superman cartoons of the era, this one is beautifully animated but the story is very, very simple. One reviewers loved how the action never let up--I just thought it lacked depth. Mildly interesting.

The 1942 animated short "Superman" story titled "The Bulleteers" from writers Bill Turner and Carl Meyer wasn't really the most interesting of storylines in these 1940s short stories. Sure, it was watchable and enjoyable enough, given the fact that it is a "Superman" story, but in comparison to most of the other stores in the series, then it was fairly bland.

The animation style and art style is the same in "The Bulleteers" as in the other animated short stories, for better or worse. I do like the style, because there is a classic sense to it, a sense of familiarity and agelessness actually.

And with the voices of Bud Collyer and Joan Alexander, whom have been lending their voices to these episodes throughout the 1940s, definitely does something for the overall presentation.

If you enjoy Superman comics or cartoons, then I will say that "The Bulleteers" should be worth checking out, though it is not the best of stories.

My rating of "The Bulleteers" from directors Dave Fleischer and Orestes Calpini lands on a five out of ten stars.

ONCE again we must take the old 'Way-back Machine' into our not so distant past. Our destination would be Chicago, Illinois in January of 1979. The Windy City location is the Film Center of the Art Institute; for this is where we had our first viewing of one of those Paramount Pictures' SUPERMAN Cartoons. In this case it just happened to be 'The Bulleteers'.

PRODUCED by Max Fleischer and directed by his brother Dave Fleischer, it just happened to be a part of a Fleischer Retrospective that was put together by the intelligentsia who made up the School of the Art Institute's Film Program. Other items on the agenda included samplings of OUT OF THE INKWELL with Koko the Clown, BETTY BOOP's on screen evolution and of course some great old B & W Popeye Cartoons. It was a mid-winter's evening well spent!

BUT please let us have a brief interlude here in order to claim the privilege of doing a little EDITORIALIZING. Thank You.

IT really strikes us as being both ironic and laughable that the contents of these Animated Short Subjects had only a short time earlier been regarded by these same forces in Academia as being strictly trash. Now ('79) a few short years later, these same "Cartoons" are proclaimed to be "Art". And I am JTRyan. End of Editorial *

ANYHOW, back to the subject at hand.

TODAY'S subject, THE BULLETEERS (Fleischer Brothers Studios/Paramount Pictures Corporation, 1941), which struck us instantly as being stunning, visually exciting and having a good deal of content beyond that of the expected and requisite Action Scenes.

COLOR work, character design, backgrounds all meticulously rendered to be brought to life by the Fleischer Magic touch. Application of their Rotoscope animation system and the Table Top 3 Dimensional process are in evidence.

ALL of these visual elements are blended in a most harmonious manner and in the proper style as to be living, moving counterparts of Superman on the printed page. The care exercised in layout and design has essentially created animated pages right out of Action Comics. Superman Comics or the Superman Sunday Color Comic Strip! The level of accuracy in style is just that meticulous.

OUTSTANDING musical scores were a hallmark of these Superman Cartoons and this BULLETEERS is certainly no exception. We can thank Fleischer's Musical Director, Sammy Timberg, for a most befitting Superman Opening Theme as well as the moody and exciting incidental music throughout.

AND while we're on the subject of Sound, we must make note of the clear, clean and properly full-volumed dialog recording. The crisp elocution is rendered in truly beautifully rich tones as clear today as they were when released in 1941.

FURTHERMORE the selection of Mr. Bud Collyer and Miss Jane Alexander to give voices to the Superman saga was perhaps the closest choice to perfection. The pair had done the characters on the Mutual Radio Network's SUPERMAN Radio Show and their choice provided a sort of marriage of all three media; Comic Books/Comic Strip (Printed Page), Radio Show (Electronic & Airwaves) and the Cartoon Shorts (Motion Pictures). The sound of Bud Collyer's signing off, for example, sounds fresh and vital today.

ONE caveat is in order. It would be helpful to anyone's viewing of any of the Paramount/Fleischer-Famous Studios Cartoons that you do so be screening not more than one at a time. They just were not designed for multiple running.** If you can, try to see them with other viewers.

IT's probably too much to ask to have a big screen in a real theatre/auditorium setting; as we did it; but don't give up! After all, there must be some of the intellectually elite near you who are about tom see the light and can include some of these in the local Collegiate Film Festivals.

AS for our rating, I say it's a SSSS picture! (That's Four S's for top Superman Episode!) Me buddy, Schultz strongly disagrees. (He says that the Rating should be higher!)

NOTE * We are put in mind to recall a good friend of ours, the Late Mr. Noel Roy, Chicago Out of Print Book Dealer and proprietor of Acme Book Store on Clark Street. Mr. Roy had dubbed certain segments of our elitist Academians as being members of the Stupidgencia rather than Intelligencia.

AND by the way, since we're openly venting pet peeves, in a related field we have a riddle! QUESTION: What is the difference between Obscenity and Art? (DO you Give UP?..................Okay…………………..Read Below!...........) ANSWER: A Federal Grant!

NOTE ** The only thing that we can think would be a good example would be watching too many 3 Stooges Shorts in a row; when they are ones featuring Joe Besser! That's even worse than any other; but you do catch the meaning, no?

POODLE SCHNITZ!!

A mad scientist has developed a bullet car. It can crash into buildings and the robbers steering it, plan to get inside the treasury and steal from the safe.

The scientists wants to extort money from Metropolis or else.

When the mayhem from the bullet car stops the presses at the Daily Planet. Superman leaps into action.

This one is a bit slow to get going. Superman struggles with the bullet shaped car which can also fly like a rocket.

As per usual Lois Lane shows her ability move at the speed of light and where did she find that wench from.

I love the Fleischer Superman cartoons. The animation is smooth and fluid with vivid colors. The distinct art-deco style, vintage science fiction imagery, and use of noirish shadows gave them a look unlike any other cartoons. The music and voice work is superb. They're fun, accessible, enduring animation classics.

The fifth in the series is about a group of costumed criminals known as the Bulleteers. They have a bullet-shaped rocket car and are terrorizing the city, destroying buildings and thumbing their noses at the law. They also have the coolest secret lair on top of a mountain outside of town. The mayor tries to organize the police to stop them but it's no use! As the Bulleteers' rampage continues, Superman shows up. But, as he fails to stop them, we have to ask: are the Bulleteers too much for the Man of Steel?

Another great Fleischer Superman cartoon, although a step below the previous entries in the series. The Bulleteers' rocket car and awesome mountaintop hideout are cool visuals like you expect from this series. I also loved the scenes of the police scrambling to fortify and fight back against the seemingly indestructible rocket car. Those little touches are prime examples of the beauty of the Fleischer cartoons. There's so much going on that's just fun and exciting to watch.