Après son ex-mari et un journaliste débarquent juste avant son remariage, une femme riche commence à découvrir la vérité sur son propre compte.Après son ex-mari et un journaliste débarquent juste avant son remariage, une femme riche commence à découvrir la vérité sur son propre compte.Après son ex-mari et un journaliste débarquent juste avant son remariage, une femme riche commence à découvrir la vérité sur son propre compte.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 9 victoires et 5 nominations au total
King Baggot
- Wedding Guest
- (non crédité)
Hillary Brooke
- Main Line Society Woman
- (non crédité)
Veda Buckland
- Elsie
- (non crédité)
Lita Chevret
- Manicurist
- (non crédité)
Russ Clark
- John
- (non crédité)
Sally Cleaves
- Party Guest
- (non crédité)
Avis à la une
Grant, Hepburn, Stewart. One of my favorite classics! -- I give it 8/10 Hollywood stars!
Obviously, the three lead actors are all just as great as we remember them, especially Jimmy Stewart in his Oscar-winning role. But don't miss the turns by Ruth Hussey, as the long-suffering but still devoted assistant to Stewart's journalist character, and Roland Young (who'd already starred with Cary Grant in the rightfully popular first and best "Topper" movie) here as Uncle Willie. So who ultimately winds up with Katherine Hepburn's character? Her ex, played by the suave Cary Grant, who may be a cad, or the earnest and down-to-earth young writer played by the honest Stewart, or the safe but utterly uninteresting fiancé played by John Howard. (Who? Exactly!) You'll have to watch all the way to the end to find out. Heck, just try not to! 😁
Firstly, let me say, that I love Kate Hepburn. She's my favourite actress, and in my opinion, she can do no wrong. For this reason, I'd probably give a good rating to every movie she made.
But 'The Philadelphia Story' really does deserve wonderful praise. It's by far the most sophisticated, and in my opinion, the greatest comedy ever made, one of Kate's greatest roles. She's absolutely hilarious as Tracy Lord, bringing perfection to the role she created on the stage a year before the film, mocking, insulting and making fun out of Jimmy Stewart and Cary Grant.
Her drunken scene with Stewart is pure magic and her mockery of him ('dear professor') is wonderful.
Grant and Stewart are fabulous, Stewart as the rough and tumble reporter infatuated with Tracy and Grant as the neglected ex- husband.
Ruth Hussey and Virginia Weidler are fantastic in supporting roles, and really add to the hilarity of the whole picture.
A funny, bouyant ride through the 1940's- I completely recommend it!
But 'The Philadelphia Story' really does deserve wonderful praise. It's by far the most sophisticated, and in my opinion, the greatest comedy ever made, one of Kate's greatest roles. She's absolutely hilarious as Tracy Lord, bringing perfection to the role she created on the stage a year before the film, mocking, insulting and making fun out of Jimmy Stewart and Cary Grant.
Her drunken scene with Stewart is pure magic and her mockery of him ('dear professor') is wonderful.
Grant and Stewart are fabulous, Stewart as the rough and tumble reporter infatuated with Tracy and Grant as the neglected ex- husband.
Ruth Hussey and Virginia Weidler are fantastic in supporting roles, and really add to the hilarity of the whole picture.
A funny, bouyant ride through the 1940's- I completely recommend it!
Everyone is quick to pair Katherine Hepburn with Spencer Tracy, however... there was once upon a time the magnificent teaming of Hepburn and Cary Grant. THE PHILADELPHIA STORY is one of their greatest films. A slick comedy of errors, and probably the most rerun of 'em all, which is saying a lot.
The perfect storm; comedy and timing at its best. The story of a high society wedding, with all the elaborate do's and don'ts is fun enough, but also watching an outstanding cast at work. Interestingly, director George Cukor's decided to film the script with few out-takes. Just let the cameras roll, and its Grant who has the most fun, a master of the double-take and an improv genius. See if you can catch his out-takes that were left in.
The opening scene with the golf clubs is now legend, followed by about a dozen more. A film that's definitely habit forming.
Movie legend dictates that Hepburn, declared a "non bankable" actress at the time, rejected for the lead in GONE WITH THE WIND, became a star all over again in the Broadway production, gained control of the film rights, brought it to Hollywood and made a fortune. How's that for inspiration? Not to forget an Oscar nomination. Grant was nominated for Best Actor.
Likewise, George Cukor, having been fired from GONE WITH THE WIND, sprang back in high fashion with this film. What a good luck charm.
Forever on dvd and re-mastered blu ray. Thanks much to TCM for running this gem for years, and more to come.
The perfect storm; comedy and timing at its best. The story of a high society wedding, with all the elaborate do's and don'ts is fun enough, but also watching an outstanding cast at work. Interestingly, director George Cukor's decided to film the script with few out-takes. Just let the cameras roll, and its Grant who has the most fun, a master of the double-take and an improv genius. See if you can catch his out-takes that were left in.
The opening scene with the golf clubs is now legend, followed by about a dozen more. A film that's definitely habit forming.
Movie legend dictates that Hepburn, declared a "non bankable" actress at the time, rejected for the lead in GONE WITH THE WIND, became a star all over again in the Broadway production, gained control of the film rights, brought it to Hollywood and made a fortune. How's that for inspiration? Not to forget an Oscar nomination. Grant was nominated for Best Actor.
Likewise, George Cukor, having been fired from GONE WITH THE WIND, sprang back in high fashion with this film. What a good luck charm.
Forever on dvd and re-mastered blu ray. Thanks much to TCM for running this gem for years, and more to come.
My Rating: ***1/2 out of ****.
The Philadelphia Story is one of the earlier Romantic Comedies. It is also one of the best. This film basically has what most romantic comedies today dont have. That would be a well-written script, Great Acting, and actually funny.
The acting is a huge strength in the film. This is called Katharine Hepburn's best role by many, while I admit she is excellent in a number of scenes, I think she tends to overact at times. Cary Grant is great here. Everyone else is Great but I believe James Stewart to be the standout. He is perfect for this role, its a flawless performance, that he deservedly won the Best Actor Oscar for.
The Script has wonderful dialogue thats delivered flawlessly by the actors. Even simple dialogue like "Isn't that awful" was delivered superbly by Katharine Hepburn. George Cukor made this project look like nothing, he made many films which were "womens films" but he does a damn good job here.
If you think Romantic Comedies of today are good, look at The Philadelphia Story and they will pale in comparison. The Philadelphia Story is a very good film and worth remembering, unlike the mediocre to crappy romantic comedies of today. The Philadelphia Story is highly recommended.
The Philadelphia Story is one of the earlier Romantic Comedies. It is also one of the best. This film basically has what most romantic comedies today dont have. That would be a well-written script, Great Acting, and actually funny.
The acting is a huge strength in the film. This is called Katharine Hepburn's best role by many, while I admit she is excellent in a number of scenes, I think she tends to overact at times. Cary Grant is great here. Everyone else is Great but I believe James Stewart to be the standout. He is perfect for this role, its a flawless performance, that he deservedly won the Best Actor Oscar for.
The Script has wonderful dialogue thats delivered flawlessly by the actors. Even simple dialogue like "Isn't that awful" was delivered superbly by Katharine Hepburn. George Cukor made this project look like nothing, he made many films which were "womens films" but he does a damn good job here.
If you think Romantic Comedies of today are good, look at The Philadelphia Story and they will pale in comparison. The Philadelphia Story is a very good film and worth remembering, unlike the mediocre to crappy romantic comedies of today. The Philadelphia Story is highly recommended.
Le saviez-vous
- AnecdotesThe film was shot in eight weeks, and required very few retakes. During the scene where James Stewart hiccups when drunk, you can see Cary Grant looking down and grinning. Since the hiccup wasn't scripted, Grant was on the verge of breaking out laughing and had to compose himself quickly. Stewart (apparently spontaneously) thought of hiccuping in the drunk scene, without telling Grant. When he began hiccuping, Grant turned to Stewart, saying, "Excuse me." The scene required only one take.
- GaffesAfter Dexter reveals Kidd's blackmailing scheme to Tracy, he accidentally calls her Dinah. Correction: Dexter is not calling her Dinah. When he says "Quiet, Dinah" his implied meaning is "Quiet, Dinah will hear you."
- Citations
Tracy Lord: The time to make up your mind about people is never.
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsEdited into Hollywood: The Dream Factory (1972)
- Bandes originalesLydia, the Tattooed Lady
(1939) (uncredited)
Lyrics by E.Y. Harburg
Music by Harold Arlen
Performed by Virginia Weidler (vocal and piano)
Meilleurs choix
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Détails
Box-office
- Budget
- 944 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 404 524 $US
- Week-end de sortie aux États-Unis et au Canada
- 258 994 $US
- 18 févr. 2018
- Montant brut mondial
- 416 362 $US
- Durée
- 1h 52min(112 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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