Le Saint à Londres

The third in RKO's series about Simon Templar, aka The Saint, wonderfully played by the charming George Sanders. This one has The Saint battling counterfeiters while dealing with a rich girl who wants in on the action. David Burns plays an American pickpocket who acts as the Saint's sidekick. Presumably someone thought the contrast between Burns' "dem mugs" Dugan and Sanders' eloquent and sophisticated Simon Templar would be funny. It is amusing for a minute then Burns wears out his welcome. Ralph Truman and Henry Oscar are formidable foes for our hero. Presumably because of the London setting, Jonathan Hale's Inspector Fernack is absent in this one. He's missed. Inspector Teal is the English equivalent, played by Gordon McLeod. He would return in the later Saint films starring Hugh Sinclair. Anything with Sanders is worth watching but this is one of my least favorite Saint films. It's slow-going and not terribly compelling.

Forget Val Kilmer -- to find out what the Saint is all about, watch this entry, or 1938's Saint in New York or 1941's The Saint's Vacation. These three are closer to Charteris's literary creation (with Ian Ogilvy's TV series, Return of The Saint, in the late Seventies) than anything else. As Simon Templar, George Sanders is ruthless, cool, clinical and just on the right side of legality by a cat's whisker. Directed by John Paddy Carstairs (whom Leslie Charteris dedicated a book of short stories to 'for all the nice things he's (sic) done for the Saint)), the only director to work on both the films and the Roger Moore TV series, this hits the spot in a way most other entires don't. While Moore made the character his own, no one played Charteris's Saint better than Sanders on screen and Vincent Price on radio. Do youself a favour and watch this film to find out why.

"In London" had a British cast and had as its British director in John Paddy Carstairs someone who would carry the Golden Age adventure tradition on into the '60's with a couple of eps of the TV Saint. George Sanders gave a riveting performance, with what passed for short hair painted on his head, spunky girl Sally Gray falling hoh for him and his reformed ex-San Quentin American valet Dave Burns wise-cracking along the way.

Refined gang of baddies try to steal £1 million of foreign currency (in 2 attaché cases), commit a murder in passing but worse still cause ST a few moments perturbation. The Boss kept disdainfully calling his employees fools, but when the tough got going he was the biggest fool around. ST and friends can hardly keep still for a minute - they're always driving off somewhere to see someone about something.

There's a few shots inside a tobacconists - like in "Blackmail", "Dick Barton" and other films from the period I experience a serious case of Repetitive Video Pause, trying to scan the shelves for magazines and papers I collect now. There was a Rover, Radio Fun and Hotspur in here! A nice entry in the series, one of Sanders best in the role.

Though the plot of "The Saint in London" does lack the elements of a true mystery, the players find the right sense of whimsy needed for this sort of light caper movie. The interplay between Sanders as Simon Templar and Sally Gray as his new-found female helper reminds me a little of the wonderful back-and-forth between John Steed and Emma Peel in the original Avengers series. This movie won't keep you on the edge of your seat, but it might cause you to sit back in the chair and just enjoy yourself for a while.

Of all the B-movie detective series made in the 30s and 40s, The Saint ranks around the middle for quality. While not nearly as fun as the Charlie Chan or Sherlock Holmes films of the time, they still are well-polished and fun--mostly thanks to the excellent screen presence of George Sanders as the title character. He's just so witty, debonair and cool that it's a pleasure to watch him gracefully walk though this pedestrian film. The actual plot involving an attempt on the life of a foreign national in order to facilitate a counterfeiting scheme is only okay--not bad, but not all that interesting. And the supporting characters aren't all that compelling, either. However, considering the modest pretensions of this RKO serial, I think overall it did a good job of delivering the goods.