La glorieuse aventure

With the American troops retreating from the Philippines due to the strength of the Moro uprising and leaving the locals open to massacre, they leave a few men including Gary Cooper, David Niven and Broderick Crawford behind to train the natives how to defend themselves. The Moro are though determined to lure everyone to the jungle where they can attack them.

Like many gung ho adventures created largely for propaganda purposes in thirties and forties this plays fast and loose with the truth generally in favour of the Americans. Interesting the film was banned in 1942 given that it showed the Moro as blood thirty savages who became allies in WWII.

All this aside, this is a stirring quite brutal gung ho adventure with plenty of high drama, a cholera epidemic, a frightened commanding officer and a number of impressive action packed set pieces. This and Cooper, Niven and Crawford our fearless go getters out to save the locals and battle the blood thirsty savages, what more could one ask for.

This movie is entertaining. It's not intellectually challenging, nor does it have a serious message.

Its moral tone is neutral. It is not didactic: it does not attempt to teach viewers anything (except perhaps how to survive in the Phillipine jungle).

The plot contains many suspenseful situations, and reminded me of the plots of the series of "cliffhanger" short movies I used to see at the cinema. Each item in the series ended in a crisis in which it appeared the hero would certainly perish. This benefited cinema owners by attracting patrons back to see the next item in the series. With this movie, I didn't have to wait a week to view the resolution.

A few years earlier, Gary Cooper starred in the very entertaining LIVES OF A BENGAL LANCER--an adventure film about an uprising in Afghanistan and the actions of the British army to crush this rebellion. In this case, the film cast made some sense, as Gary Cooper's accent could be explained away by his being a Canadian. But here, we once again have him playing a very similar role as a soldier in the American army but he is surrounded by British actors. They never really explained how the very-British Reginald Owen and David Niven were American soldiers! But, despite this silly casting, the film is highly entertaining and worth seeing--provided you ignore the strange accents. In addition, like LIVES OF A BENGAL LANCER, there was a local tribal insurrection that must be eliminated by training loyal locals to fight to ensure the peace. In the case of this film, it is set in the Philippines and based on the very brief Moro uprising towards the beginning of the 20th century. It's the sort of adventure film you can enjoy provided you have only modest expectations--in other words, this isn't deep or philosophical, but more like a traditional Cowboy and Indian movie set in a tropical setting.

I had long been curious about this film as it took place in my parents' homeland of the Philippines during the years of the early 20th century when the U.S. had occupied it with some Army posts there for the purpose of teaching the natives to defend themselves against invading Moros. Though the disclaimer at the end says the movie is entirely fictional, it's safe to assume that the part of many of the country's citizens suffering from cholera has some basis in fact as that disease is common in many Asian countries. Anyway, Gary Cooper plays a military doctor who is in charge of treating many of the natives during the American occupation but decides to help many of them prepare for the eventual battle despite his captain's orders not to bother. Also on hand to offer support are fellow officers played by David Niven and Broderick Crawford who provide some amusing turns before things turn serious for both of them and Andrea Leeds who is charming as the leading lady who provides the buffer between Cooper and her stubborn captain father played by Reginald Owen. And leave it to veteran director Henry Hathaway to provide the rousing finish one usually expects from many of these '30s adventure movies. So on that note, The Real Glory is recommended.

The film comes to life in some brief flashes of proto-Indiana Jones action. Otherwise, it's a standard melodrama of an occupying fort holding on in hostile country. The unusual setting in the Philippines circa 1910 is under-utilized. For all the difference it makes, the film could easily have been set in the British Raj- or, with only a little rewriting, in a post-Civil War U.S. frontier fort.