Les Forçats de la gloire

I entered for 17 weeks of infantry basic training at Camp Roberts California in January,1945. I was just 18. I was in the 96th, inf, training battlion. I am 73 now. The movie about Ernie Pyle was being made there in part. Some of the trainees were in the film. I recall my company marching over and over on this same hill to make it look like there was a full army there for the picture. My company commander was in the film as was the company mascot dog. I can't recall much more about the film as I have'nt seen it in a long time, getting old I guess. I surely would like to have a VCR copy of it too. If anyone has a copy to sell, please let me know. I recall that Burgess Meredith had lunch in the mess hall and shot the bull with the G.I.s there. Thats about all that I can remember for now. Hope this helps. G

I rank this film with "The Paths of Glory", "All Quiet on the Western Front", and "A Walk in the Sun"; which I consider to be the most poignant and best acted war or anti-war films. The direction, dialogue, and acting in this film differ in the respect that the bloodshed and action are not graphic but obviously evident. It is certainly better than "Saving Pvt. Ryan", which is too long, pretentious, and relies on gory special effects to entice the younger audience.

The acting in "The Story of G.I. Joe" is realistic (not to be confused with the "method style") and understated.

Burgess Meredith and Robert Mitchum give two of their best performances and I really felt as though this was a portrayal of the every day conditions of the infantryman and not an exercise in false heroics.

I would rate this film a 9 out of 10. And I thank Turner Classic Movies for showing it. It is truly a CLASSIC.

It's odd that a director noted for his aviation films would choose to direct a film about the infantry, but William Wellman knew a great subject when he saw it. Remember he also did the deservedly highly acclaimed Battleground.

Independent producer Lucas Cowen got together with Ernie Pyle and approached Wellman. They left copies of the stories Pyle wrote from the front in Africa and Italy and Wellman read them in a night's sitting and agreed to do the film.

The Story of GI Joe is based on the various stories and characters that World War II's most famous correspondent encountered. In fact aside from Robert Mitchum and a couple of other actors, the men in this film are real GIs who were in transit from the European to the Pacific Theater and a lot were killed after they arrived in the Pacific as did the real Ernie Pyle who never got to see the finished product.

Burgess Meredith does a fine job recreating the modest chronicler that was Ernie Pyle. In civilian life aside from news stories, Pyle was famous for his cross country travels and stories he wrote about people from all walks of life. Very much like the late television commentator Charles Kuralt did on CBS morning news on Sundays.

When war broke out Pyle did not cover the war of the generals, he spent his time with the troops and told their story. For that he was respected and beloved as now other war correspondent has ever been before or since. In this film Pyle is introduced to the men of one company which transports him to that first American battle and defeat at Kasserine Pass in north Africa. And he runs into them again and again through Sicily right to the liberation of Rome.

Robert Mitchum plays the lieutenant later captain in charge of this company. He'd broken into films with some Hopalong Cassidy pictures and did bits in other films. In fact when its cowboy star Tim Holt enlisted in the armed forces, RKO pictures had signed Mitchum to be his replacement and he'd done two films Nevada and West of the Pecos when he read for the part of Lieutenant Walker.

If it weren't for this film, Robert Mitchum might have continued to be a B picture cowboy star. For his portrayal of the stern, but compassionate officer in whom Pyle finds a kindred spirit, Robert Mitchum got his only Academy Award nomination for Best Supporting Actor. He lost that year to James Dunn for A Tree Grows in Brooklyn. He never received another nomination, but he certainly became a legend although he'd have been the first to debunk that title.

Lots of newsreel footage from the Mediterranean theater make The Story of GI Joe one of the most realistic war films ever done. That's remarkable too, considering most of the Hollywood product back then was propaganda hype, good and bad. It has remained a classic to this day and a wonderful tribute to that chronicler of the infantry, Ernie Pyle.

I found this to be a particularly poignant film about WWII - no heroics, just the simple getting through the day & night of a company of US infantry. Much like Ernie Pyle humanized the 'G. I.' in his written pieces, Wellman does the same on film. The heat, dirt, cold, mud, rain...fear, uncertainty, waste - it's all here without the bombast and manipulation of "Saving Private Ryan'. The performances are wonderful - most of the performances were given not by professionals but by the soldiers themselves. There is one scene between Mitchum and Meredith that was apparently an audition film - it was so right, it was simply inserted into the film. There are human touches throughout, as well as the insanity of war. I would strongly recommend this film to anyone who has an appreciation for the director, actors, theme. It's not a grisly film, and it is slow, but overall well worth watching.

The term "G.I. Joe" has become so closely associated with the image of a certain toy that it is now largely forgotten that it was originally coined to describe the ordinary American foot soldier. Likewise, it is now largely forgotten just exactly who Ernie Pyle was and what he meant to the American people and, more especially, to the ordinary soldiers about whom he wrote.

My father took a photograph of Ernie Pyle in the Pacific in 1945, shortly before Pyle was killed. At the time Pyle was surrounded by a mob of admiring G.Is. You'd have thought they were in the presence of Bettie Grable or Rita Hayworth rather than a short, balding, middle aged newspaper-man. When Pyle was killed in action a few days later while accompanying the infantry, the solders erected a monument at the place where he died. On it were engraved the words, "On this spot the 77th Division lost a buddy", and they really meant it. It's inconceivable that troops today would do anything like that for one of the current crop of CNN-generation reporters.

The reason isn't hard to fathom. Most war correspondents hung around the rear echelon, hobnobbing with the general staff and forwarding dispatches from headquarters, and they still do. Pyle, on the other hand, lived with and wrote about the common infantrymen who were actually fighting the war. He ate their food, drank their coffee and shared their hardships through three grueling years of war from North Africa through Sicily to the European mainland, and then later on in the Pacific, where he was killed. Pyle became the spokesman for the common soldiers, and all their families back home read his syndicated column. There simply wasn't anybody else like him then, and there hasn't been since.

Small wonder that William Wellman, himself a combat veteran, thought that this movie needed to be made. The filmmaker had tremendous respect for his subject, and it shows. For example, that poignant last scene is, almost word for word and image for image, straight out of one of Pyle's most famous dispatches. It would have been interesting to learn what Pyle thought of this film. Unfortunately, however, by the time it was released the Pulitzer Prize-winning reporter was already dead.