Nick Carter, Master Detective

Tourneur's first feature was basically a B-movie, albeit made for slick-but-superficial MGM; at a mere 60 minutes, it is eminently watchable and, given the film's modest reputation, it proves surprisingly enjoyable. Watched after the same director's CIRCLE OF DANGER (1951) and the somewhat similar ROUGH SHOOT (1953), this provides yet another connection to Fritz Lang's MAN HUNT (1941) in leading man Walter Pidgeon.

The central figure was a popular crime-fighter in print, debuting in 1886 and reportedly involved in over a 1,000 cases before transferring to a 12-year stint on the radio between 1943-55. However, only 3 films were ever made and, bafflingly, they all turned out to be based on original scripts (since such characters' exploits were, in any case, being updated to the prevalent wartime aura – for instance, the contemporaneous Sherlock Holmes series); incidentally, I just found out that the second one, PHANTOM RAIDERS (1940), was also directed by Tourneur! Anyway, the narrative here involves secret aviation plans being leaked to the enemy that climaxes in a far-fetched chase sequence involving a plane and a speeding boat.

Apart from leading lady Rita Johnson, the rather-too-jovial star is ably supported here by the likes of Henry Hull (already playing eccentric old types!), Stanley Ridges (type-cast as a villain), Martin Kosleck (ditto) and Donald Meek. The latter's hilarious characterization, of an improbably zany private eye, seems to have dropped in from another movie altogether: keeping bees as a hobby but constantly getting into the hero's hair, he even ends up deposited in the trash-can!

Nick Carter, Master Detective was the first of the two movies about a very popular fiction detective Nick Carter, which were directed by Jacques Tourneur for MGM, the other one being 1940 Phantom Raiders.

Nick Carter was created in 1886 and since the times of silent cinema had several times been chosen as a protagonist of various films made in France and United States prior to this 1939 Jacques Tourneur version. This time Nick Carter is played by Walter Pigeon in his first starring role. He is chosen to conduct an investigation in the case of industrial espionage on one of the American factories that manufactures warplanes. The film quite memorable especially because of the very remarkable plane chase sequence at the end and because of the comic relief given by Bartholomew, the Bee-man, wonderfully played by Donald Meek, a Nick Carter's partner in investigation who always appears when less expected to give help or to free a number of bees.

Overall Nick Carter, Master Detective is a quite pleasant 1930s B detective film, with its memorable moments, worth to take a look at. 6/10

MGM in buying the rights to the Nick Carter stories and then making three films with the character just shows the twist of fate in some people's careers.

Walter Pidgeon was one of their second magnitude stars at that time. B picture leads and occasionally in an A film where he always lost the girl.

Louis B. Mayer must have thought a whole slew of these would have been made for Pidgeon and he would have become identified as Nick Carter on screen. But he managed to get some decent films, two back to back Best Pictures, How Green Was My Valley and Mrs. Miniver and a lifetime partnership with Greer Garson. He escaped movie oblivion then.

It's a competently executed film, but I have to agree with previous reviewers. Donald Meek as the bee man looked like he just took his zany character from You Can't Take It With You and it just didn't fit in this fast paced detective story. The film itself is barely an hour. Meek distracts from the plot. Too bad because Donald Meek is usually a fine performer.

I much prefer Walter Pidgeon as the Reverend Mr. Gruffydd or Clem Miniver or even Dr. Morbius. Good thing he escaped Nick Carter.

This B movie was directed by Jacques Tourneur, who went on to direct one of my favorite films, Cat People. It also has handsome Walter Pidgeon in an early starring role. This is a 1939 film about sabotage at an aircraft plant that Carter is called in to investigate. There are many airplane sequences, lots of fog, and everyone looks suspicious. Donald Meek is on hand as loony Bartholemew, the bee man, providing the comedy.

It's fun to see people who, 15-20 years later, would be TV names: Frank Faylen of "Dobie Gillis," Milburn Stone of "Gunsmoke," Sterling Holloway, he of the unusual voice, of just about every TV show, who was also the voice of Winnie the Pooh. Henry Hull, who plays the old man in this and sported white hair, was 49 when this film was made. I took the trouble to look it up because in the 60s he was at least 150 years old. No, just in his 70s, one of those people who played old man all his life, I guess.

This is a fun movie, with its old-fashioned and poorly done process shots, a very handsome Pidgeon, and some character actors from my youth.

Walter Pidgeon is cast as detective Nick Carter, whose mission is to find out who is behind plans to steal blueprints for the enemy in this pre-WWII yarn. Rita Johnson is teamed nicely as leading lady. Her presence is so welcome that it's a wonder she never had a bigger career on screen.

With a supporting cast that includes Frank Faylen, Henry Hull, Donald Meek and Stanley Ridges, it's a neat programmer that crams a lot of plot into a one hour time slot. The only sore spot is Donald Meek in his bumbling role as a bee-keeper who aids Carter. Usually a very reliable character actor, this time his role is so unlikeable, unlikely and annoying that it's more of a distraction than a help. Whatever humor is supposed to be gathered by his involvement in the plot, never quite makes its mark.

But in its brief running time, this one passes the time pleasantly enough with the handsome Pidgeon marking his time at MGM before he became a big star.