Celui qui avait tué... la mort

Dr. Henryk Savaard (Boris Karloff) and his assistant are performing an experiment on reviving recently deceased people through use of an artificial heart. Unfortunately, the assistant's girlfriend is scared and runs to the police. They arrive before Savaard can complete the experiment and the assistant dies. Savaard is convicted and executed for murder. However, another assistant uses the artificial heart to bring him back to life. But the good doctor is batspit crazy and out for blood. So he starts killing off those he holds responsible for his death one by one. The first of several movies Karloff made for Columbia where he played a mad scientist type out for revenge. It's formulaic but it works. Karloff carries the movie as always.

I really, really liked "The Man They Could Not Hang"! It's definitely one of the best – probably even THE best – of all the "mad scientist" movies released during the 1930s / 1940s and starring the almighty Boris Karloff in the role of megalomaniac doctor or professor (and these are quite numerous)! In fact, I loved this particular movie so much that it was one of those rare occasions where I regretted the fact that horror movies from this era are so short and to-the-point! I usually think it's a giant advantage that these films only last like 60-70 minutes, but in case of "The Man They Could Not Hung", I really wished that Karloff's mad-raving behavior would last another half an hour extra! There were most other contemporary titles of this kind are soft and overly talkative, this one is non-stop packed with action, suspense and deeply fascinating medical theories! Brilliant scientist Henryk Savaard is on the verge of writing medical history with his invention of a mechanical heart that can bring dead patients back to life after they have been operated. Savaard's student/assistant volunteers to test the device, but his girlfriend goes haywire and alerts the police. They break into the laboratory before Savaard has the opportunity to resurrect his guinea pig and – boom – the poor doctor gets accused of murder and sentenced to death by hanging! In court, Savaard transforms from a civilized scientist into an insane killer and vows to destroy everyone responsible for his death: judge, jury, crazy girlfriend and skeptical colleagues! A few weeks later, they all receive an invitation to come to a secluded old mansion; Agatha Christie style! Here, there are awaited by their very much alive host Savaard and subjected to a series of vile death traps… What I personally liked most about "The Man They Could Not Hang" – maybe even more than the delicious 'old dark house' climax – is the realism of Dr. Savaard's research. To put it in his own absorbing words: "To operate on a living body is like trying to repair a motor when it's still running… It would make more sense to switch off all bodily functions during an operation and then turn them back on when the operation was successful". That actually makes sense! Savaard isn't just another crazed professor aiming at immortality or creating new life, but a devoted doctor with a vision! I was definitely supporting him before and during his trial, and even when he was extracting his vengeance (although admittedly he goes a little over-the-top there…). This is, simply put, a massively entertaining black-and-white chiller with a splendid screenplay and an excellent Karloff performance. Director Nick Grindé does a more than adequate job as well. He would make two more mad scientist movies with Karloff, namely "Before I Hang" and "The Man with Nine Lives", but this one is my favorite.

A Boris Karloff vehicle from 1939. Karloff is a scientist on the cusp of creating a device to bring the dead to life (ironic coming from Frankenstein's monster!) & he already has a willing guinea pig, his assistant's boyfriend, volunteering for the task. On the cusp of completing his experiment, the distressed girlfriend has sent a phalanx of police to halt him in his tracks but the foul deed is done; the boyfriend is dead & the process was never applied. Imploring his assistant to hide the device when he hears the cops at his door, Karloff is arrested, tried (even though he gives an impassioned speech on his potential discovery) & hanged for his trouble. When he's revived by his aide, Karloff constructs an elaborate plan to kill off all the people (the district attorney, the jurors at his trial, even his assistant) in a rigged dining room in a large mansion. When Karloff's daughter, played by Lorna Gray, shows up, his game is thrown, will he succeed in his determination to murder the rest of his guests? Only Karloff's oily ham of a performance saves a rather muddled Agatha Christie-esque yarn which even w/its abridged running time still feels a little too wild for its own good.

Columbia's 'Mad Scientist' quintet was supervised by line producer Wallace MacDonald, the initial three all scripted by Karl Brown and directed by Nick Grinde, the template set from the start, Boris Karloff a dedicated researcher whose experiments often skirt into illegality, hoping to achieve something positive for mankind even if it means sacrificing a few lives (the actor's previous Columbia SON OF SHOCK titles included "Behind the Mask" and "The Black Room"). 1939's "The Man They Could Not Hang" actually kicks off exactly that way, an artificial heart made of glass designed to pump blood through tubes in an attempt to revive the actual human heart and restore life to a body that has been scientifically put to death to more easily perform surgery without the pressure of a race against time (commonly known today as open heart surgery, the film gets it right). His assistant Lang (Byron Foulger) is present along with a willing test subject (Stanley Brown) eager to do a great benefit for humanity, his complete trust in Karloff's Dr. Henryk Savaard undone by an unthinking fiancée (Ann Doran), her subsequent summoning of the police assuring the young man's demise. Pleas for one hour to save the boy's life fall upon deaf ears, a trumped up trial only a pretense for disbelieving medical authorities to put a stop to Savaard's incredible theories, the title incorrect for they DO actually hang him ("Before I Hang" should have sported this title, this one redubbed "After I Hang!"). Lang claims the corpse and revives Savaard, after which six of his jurors mysteriously suffer suicide by hanging, reporter 'Scoop' Foley (Robert Wilcox) joining the remaining jurors at the supposedly deserted Savaard home to learn the truth. Secure in the knowledge that no one would ever suspect a man legally dead, the now insane medico is determined to gain revenge on the short sighted authorities who denied him justice ("they killed the man I was"). The law of diminishing returns works against the four follow ups, and it's tough to imagine Karloff topping his performance here, from sympathetic entreaties for techniques to preserve life to embittered angel of death, a devoted dispenser of retribution. Interestingly, his Warners debut in "The Walking Dead" found him an innocent man electrocuted for a murder he didn't commit, restored to life by Edmund Gwenn, only his resurrection is a spiritual one, his enemies driven to destroy themselves through their own guilt.

The Man They Could Not Hang is a very solidly done film but falls short of greatness. The ending is tacky and felt somewhat like two endings in one. The first third does take its time to get going, it sets things up well but compared to what comes after it was a little dull, while the music is rather stock and you can tell that several composers were responsible. The Man They Could Not Hang looks very good however with fluid photography and creepy settings, while the script is witty and clever with a foreboding tone that really makes its impact, and the story may be standard but it is still very neatly told with the suspense levels appropriately sinister and the fun factor deliciously entertaining. The last third apart from the ending fares by far the best, that's fun and enough to make you bite the nails. The acting is good, Lorna Gray comes off best in the supporting cast, all competent but none make the same impression that Boris Karloff. Karloff is good reason to see any film and he is the best thing about The Man They Could Not Hang. He has an effortless eerie command and does it with his usual style and dignity. The artificial heart and organ transplant stuff is also very ahead of its time, and a further source of interest. Overall, standard with a hokey ending, stock music and a slow start but lots of fun and very effective in atmosphere and as ever Karloff is great. 7/10 Bethany Cox