Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tomb... Tout lireLe pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 1 nomination au total
- Ann Marie Brandt - Their Daughter
- (as Ann Todd)
- Schoolgirl
- (non crédité)
Avis à la une
Howard plays Holger Brandt, a married man with two children who leaves his wife and family when his affair with Bergman becomes too intense. Hoffman becomes his accompanist on tour, sublimating her own career plans because she wants to be with him. While vacationing, he becomes attached to a little girl who obviously reminds him of his daughter (Ann Todd), whom he adores, and Anita wonders if their illicit affair can ever bring them happiness.
The film is rich in subtext and metaphors. "Aren't you giving it too much importance?" Anita's piano teacher asks as she rips into a concerto. "We were all impressed with you the night you played here ... with my husband," Holger's wife says, asking Anita about her studies. "I really had no choice," Anita almost whispers. Even the title of his daughter's favorite piece that he plays, "Intermezzo" takes on a special meaning.
Few actors have cut the romantic, ethereal figure that Leslie Howard did during his film career. Tall, blond, with that soft voice and faraway look in his eyes, he makes a perfect musician who is always listening to a melody in his head. Though some people feel his phoned-in Ashley Wilkes doesn't hold up today, in fact, he was the embodiment of Ashley without making much effort, a soft dreamer with impractical values from another time. And so he is here, not thinking ahead and lost in a romantic fog.
A touching and dramatic film with very effective performances.
From the beginning, we realize the attraction Holger feels for Anita is doomed. Holger has a loving wife as well as two children that clearly adore their distant father.Basically, Holger is a decent man who sees in Anita something that he doesn't have at home, which seems to happen whenever a fresh and beautiful woman arrives at the scene and the marriage is shaky.
Leslie Howard was an amazing actor. In this film he is not as effective as in his previous, much better appearances. Ingrid Bergman brought a freshness to Anita that is hard to imagine another actress playing her. We get a glimpse about a star being born, one that would shine forever.
In minor roles, Edna Best, plays Magrit, the long suffering wife. John Halliday is Thomas Stenborg, the loyal friend and former playing partner. Ann Todd is seen as Ann Marie Brandt, the daughter. Also, Cecil Kellaway plays Charles, Holger's manager.
This is a movie to watch because of the impressive debut of Ingrid Bergman, also because the glorious music.
Off the cuff, here are seven reasons why:
1) There IS a good message here: that a married person having a fling with a pretty young woman might be an exciting prospect but in the end, "you reap what you sow" and if either of the two parties has a conscience, the illicit romance will be doomed, especially if there are kids involved.
2 ) For male viewers, Ingrid Bergman, making her English-speaking debut, is a real feast for the eyes. She was one of the more naturally gorgeous women to grace the silver screen, I think.
3) Gregg Toland's photography. To fully appreciate his work, get the DVD for this film. Toland was one of the best ever, and this is a beautifully shot piece of work.
4) At 70 minutes, the film flies by, which also makes it easier to watch and enjoy multiple times.
5) Leslie Howard and John Halliday also were excellent in here as the two male leads. I thought Halliday, in particular, had some great words of wisdom.
6) For those who appreciate how difficult it is to forgive people, this ending contained another nice message.
7) Classical music lovers will very much appreciate the soundtrack to this film.
The debut of Ingrid Bergman in an English spoken film may be dated in 2006, but it is still a wonderful romance about a man in a middle age crisis, with a stabilized marriage, who sparks with the love of a talented gorgeous woman that worships him. The performances of Ingrid Bergman, Leslie Howard and Ann Todd are fantastic, and Ingrid looks like a pianist in the sequence in the birthday party. Her beauty shines in the awesome black and white photography and locations and her accent is lovely. The music score gives an additional touch of class to this film. The moralist conclusion seems suitable for the values of the society of 1939, leaving a message of forgiveness and understanding. My vote is eight.
Title (Brazil): "Intermezzo"
The film is a remake in Hollywood style of a Swedish film directed by Gustaf Molander in 1936 and equally interpreted by Ingrid Bergman ; here plays his first US role , in fact , is best known as Bergman's American debut and became her in world star . Bergman is splendid and enticing , stunningly photographed by the maestro Gregg Toland (Citizen Kane) and she obtained extraordinary reviews . Leslie Howard is agreeable and sensible as the lover who bears a guilty feeling . Fine support cast is formed by Ann Todd as the daughter who strongly loves her daddy , Cecil Kellaway in one his usual roles as likable and comical friend and John Halliday . Excellent black and white cinematography and magnificent musical score by the master Max Steiner , nominated for Academy Award and being added classic music composed by Provost , Rachmaninov and Tchaykowsky . The motion picture will appeal to romantic films buffs and vintage cinema enthusiasts . Rating : Above average . Outstanding and enjoyable.
Le saviez-vous
- AnecdotesAfter Producer David O. Selznick fired Cinematographer Harry Stradling Sr. and hired Gregg Toland to take over the photography of this, the remake of Intermezzo (1936), he asked Toland how it was possible that Ingrid Bergman looked so beautiful in the original European production and so ghastly in his Hollywood version. Toland replied, "In Sweden they don't make her wear all that makeup." Selznick immediately ordered retakes with the natural look which so dazzled the world a year later when he loaned her out to Warner Bros. for Casablanca (1942).
- Gaffes(at around 32 mins) When Holger and Anita are standing outside the shop and looking at the "curious clock", their faces can be seen reflected in the shop window. As they continue their parting conversation, Anita's mouth movement suddenly mismatches what she can be heard saying. This is followed by a mixture of audible dialogue and interspersed mouth movements from both characters that produce no sound.
- Citations
Charles Moler: [cutting into Ann Marie's birthday cake] You know what? Not so long ago your daddy and I went to a birthday party in China.
Ann Marie Brandt: In *China*?
Charles Moler: [thinking about the pronunciation] Uh-huh. At a Mandarin's house. His name was Chou Ching Chang Chip Chop.
Ann Marie Brandt: Did you have ice cream and cake?
Charles Moler: Oooh, no, indeed. We had swallows' nests, umm, roasted silkworms, snake soup and, uh... cricket eggs!
Ann Marie Brandt: Oh! You didn't eat *that*...?
Charles Moler: Oh, we had to take a double helping of everything, or the Mandarin would've murdered us.
Ann Marie Brandt: Oh, well, Uncle Charles, nobody will murder you here!
- Crédits fousAnd introducing Ingrid Bergman.
- Versions alternativesA re-release uses the title "Intermezzo" and lists the copyright owner as "Vanguard Films, Inc.", which was Selznick's company name in the 1940s. Ingrid Bergman is billed first in the opening credits, which also are more elaborate than the original release. The end cast credits, however, are identical.
- ConnexionsFeatured in Hollywood: The Selznick Years (1969)
- Bandes originalesIntermezzo
(1936) (uncredited)
Music by Heinz Provost
Played at the concert by Leslie Howard on violin and John Halliday on piano
Played by Howard and Ann E. Todd on piano at their home
Played by Howard and Ingrid Bergman on piano at a concert
Played on a zither by Howard
Used as background music often
Meilleurs choix
- How long is Intermezzo?Alimenté par Alexa
Détails
Box-office
- Budget
- 800 000 $US (estimé)
- Durée1 heure 10 minutes
- Couleur
- Rapport de forme
- 1.33 : 1