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Envol vers le bonheur

Titre original : Intermezzo: A Love Story
  • 1939
  • Tous publics
  • 1h 10min
NOTE IMDb
6,6/10
3,1 k
MA NOTE
Ingrid Bergman and Leslie Howard in Envol vers le bonheur (1939)
A violinist's piano accompanist retires. He hears his daughter's piano teacher/Ingrid Bergman play and asks her to play on his next int'l tour. They fall in love.
Lire trailer2:24
1 Video
55 photos
DrameMusiqueRomance

Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tomb... Tout lireLe pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.Le pianiste accompagnateur d'un violoniste prend sa retraite. Il entend le professeur de piano de sa fille jouer et lui demande de jouer lors de sa prochaine tournée internationale. Ils tombent amoureux.

  • Réalisation
    • Gregory Ratoff
  • Scénario
    • George O'Neil
    • Gösta Stevens
    • Gustaf Molander
  • Casting principal
    • Ingrid Bergman
    • Leslie Howard
    • Edna Best
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    3,1 k
    MA NOTE
    • Réalisation
      • Gregory Ratoff
    • Scénario
      • George O'Neil
      • Gösta Stevens
      • Gustaf Molander
    • Casting principal
      • Ingrid Bergman
      • Leslie Howard
      • Edna Best
    • 46avis d'utilisateurs
    • 19avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 3 victoires et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:24
    Official Trailer

    Photos55

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    Rôles principaux32

    Modifier
    Ingrid Bergman
    Ingrid Bergman
    • Anita Hoffman
    Leslie Howard
    Leslie Howard
    • Holger Brandt
    Edna Best
    Edna Best
    • Margit Brandt - His Wife
    Ann E. Todd
    Ann E. Todd
    • Ann Marie Brandt - Their Daughter
    • (as Ann Todd)
    Douglas Scott
    Douglas Scott
    • Eric Brandt - Their Son
    John Halliday
    John Halliday
    • Thomas Stenborg
    Enid Bennett
    Enid Bennett
    • Greta Stenborg - His Wife
    Cecil Kellaway
    Cecil Kellaway
    • Charles Moler
    Eleanor Wesselhoeft
    • Emma
    Maria Flynn
    • Marianne
    Mary Ann Breckell
      Billy Connelly
        Richard Court
          Marvin Davis
            Dolores Dean
              Dawn Dodd
              • Schoolgirl
              • (non crédité)
              Dee Dodd
              • Schoolboy
              • (non crédité)
              Robert Ferrero
                • Réalisation
                  • Gregory Ratoff
                • Scénario
                  • George O'Neil
                  • Gösta Stevens
                  • Gustaf Molander
                • Toute la distribution et toute l’équipe technique
                • Production, box office et plus encore chez IMDbPro

                Avis des utilisateurs46

                6,63K
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                Avis à la une

                7EUyeshima

                Small-Scale Love Story Offers Fresh-Faced Bergman in Her American Debut

                The familiar David O. Selznick gloss is all over this minor 1939 soap opera, most noteworthy as the American film debut of 24-year old Ingrid Bergman. She was brought over from Sweden by Selznick for this melodramatic remake of the 1936 film which brought her great acclaim in her homeland. Her fresh-faced beauty and natural manner are intoxicating as she plays Anita Hoffman, first a piano teacher to the young daughter of renowned violinist Holger Brandt and then his accompanist on a world tour. It's a brief movie, only seventy minutes long, directed by Gregory Ratoff (more famous as the ulcer-ridden producer Max in "All About Eve") focusing on the illicit affair that develops between Anita and Holger.

                Much of the story has to do with the guilt they both experience in terms of the familial repercussions, and the ending reflects as much. A role away from his Ashley Wilkes in "Gone With the Wind", obviously the more important Selznick movie in production a the time, Leslie Howard plays Holger in his familiar erudite manner. Veteran character actor Cecil Kellaway (later the monsignor in "Guess Who's Coming to Dinner") plays the sage maestro who acts as the film's conscience. Scenes often seem strangely truncated to move the story briskly along. Beyond Bergman, the most accomplished aspects of the film are Gregg Toland's lush cinematography, Lyle Wheeler's art direction (making Monterey, California look very much like the Italian Riviera) and Max Steiner's romantic music (oddly uncredited). But the impossibly striking Bergman is the primary reason to see this predictably developed film. The 2004 DVD offers no extras.
                6AlsExGal

                Overheated romance...

                ...from United Artists, David O. Selznick, and director Gregory Ratoff. Leslie Howard stars as Holger Brandt, a world-renowned concert violinist who is returning home after a lengthy tour. He's happy to be reunited with his wife (Edna Best) and his children, but things get complicated when Holger falls for Anita Hoffman (Ingrid Bergman), the piano teacher to his young daughter. Their love becomes all-encompassing, leading Holger to leave his family to be with Anita. But will the call of family prove too strong to ignore? Also featuring John Halliday, Cecil Kellaway, Enid Bennett, Douglas Scott, and Ann E. Todd as Ann Marie.

                This was a remake of a 1936 Swedish film that had also starred Bergman. This was an important film to Howard, who took the role of Ashley in Selznick's Gone with the Wind in order to get this movie made. It's more than a little corny, and I found the score to be intrusive and manipulative to an almost laughable degree. I also liked the initial "love" scene between Howard and Bergman, when she plays piano accompaniment to his violin playing, the two in deep concentration, while his horrified family and friends look on as if the two musicians are literally having sex in front of them. It's amusing, but not in the way it was intended, I would think. The movie earned two Oscar nominations, for Best Cinematography and Best Score.
                7kyle_furr

                not bad

                At 70 minutes, the movie doesn't even seem forced at all, it goes by pretty quickly. My main problem with the movie is that there is no chemistry between Leslie Howard and Ingrid Bergman. Since their relationship is the entire movie, it shouldn't work, but somehow i actually liked it in spite of that. At the start, Bergman is giving piano lessons to Leslie's daughter and when he finds out she's really talented herself, they begin to have an affair. Leslie is separated from his wife and he goes on tour with Bergman. His wife wants a divorce and when she is accepted into some music school, she doesn't want to leave him. Leslie Howard does a good job and Ingrid Bergman is gorgeous.
                7jotix100

                A star is born

                This remake of the Swedish film of the same name is worth a look because it's the first time American audiences got a chance to see Ingrid Bergman. Gregory Ratoff, the director, utilizes well the short time of the movie to present the melodrama in an appealing way.

                From the beginning, we realize the attraction Holger feels for Anita is doomed. Holger has a loving wife as well as two children that clearly adore their distant father.Basically, Holger is a decent man who sees in Anita something that he doesn't have at home, which seems to happen whenever a fresh and beautiful woman arrives at the scene and the marriage is shaky.

                Leslie Howard was an amazing actor. In this film he is not as effective as in his previous, much better appearances. Ingrid Bergman brought a freshness to Anita that is hard to imagine another actress playing her. We get a glimpse about a star being born, one that would shine forever.

                In minor roles, Edna Best, plays Magrit, the long suffering wife. John Halliday is Thomas Stenborg, the loyal friend and former playing partner. Ann Todd is seen as Ann Marie Brandt, the daughter. Also, Cecil Kellaway plays Charles, Holger's manager.

                This is a movie to watch because of the impressive debut of Ingrid Bergman, also because the glorious music.
                7ma-cortes

                Weeper movie narrated with sense and sensitivity

                The picture deals with a young pianist (Ingrid Bergman) who acts as piano teacher of a child (Ann Todd) whose father( Leslie Howard) , happily married (Edna Best) , is a violinist . They fall in love and is originated the standard and eternal loving triangle . The movie has romance , tearjerker , drama, tragedy, a love story and is very entertaining .

                The film is a remake in Hollywood style of a Swedish film directed by Gustaf Molander in 1936 and equally interpreted by Ingrid Bergman ; here plays his first US role , in fact , is best known as Bergman's American debut and became her in world star . Bergman is splendid and enticing , stunningly photographed by the maestro Gregg Toland (Citizen Kane) and she obtained extraordinary reviews . Leslie Howard is agreeable and sensible as the lover who bears a guilty feeling . Fine support cast is formed by Ann Todd as the daughter who strongly loves her daddy , Cecil Kellaway in one his usual roles as likable and comical friend and John Halliday . Excellent black and white cinematography and magnificent musical score by the master Max Steiner , nominated for Academy Award and being added classic music composed by Provost , Rachmaninov and Tchaykowsky . The motion picture will appeal to romantic films buffs and vintage cinema enthusiasts . Rating : Above average . Outstanding and enjoyable.

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                Histoire

                Modifier

                Le saviez-vous

                Modifier
                • Anecdotes
                  After Producer David O. Selznick fired Cinematographer Harry Stradling Sr. and hired Gregg Toland to take over the photography of this, the remake of Intermezzo (1936), he asked Toland how it was possible that Ingrid Bergman looked so beautiful in the original European production and so ghastly in his Hollywood version. Toland replied, "In Sweden they don't make her wear all that makeup." Selznick immediately ordered retakes with the natural look which so dazzled the world a year later when he loaned her out to Warner Bros. for Casablanca (1942).
                • Gaffes
                  (at around 32 mins) When Holger and Anita are standing outside the shop and looking at the "curious clock", their faces can be seen reflected in the shop window. As they continue their parting conversation, Anita's mouth movement suddenly mismatches what she can be heard saying. This is followed by a mixture of audible dialogue and interspersed mouth movements from both characters that produce no sound.
                • Citations

                  Charles Moler: [cutting into Ann Marie's birthday cake] You know what? Not so long ago your daddy and I went to a birthday party in China.

                  Ann Marie Brandt: In *China*?

                  Charles Moler: [thinking about the pronunciation] Uh-huh. At a Mandarin's house. His name was Chou Ching Chang Chip Chop.

                  Ann Marie Brandt: Did you have ice cream and cake?

                  Charles Moler: Oooh, no, indeed. We had swallows' nests, umm, roasted silkworms, snake soup and, uh... cricket eggs!

                  Ann Marie Brandt: Oh! You didn't eat *that*...?

                  Charles Moler: Oh, we had to take a double helping of everything, or the Mandarin would've murdered us.

                  Ann Marie Brandt: Oh, well, Uncle Charles, nobody will murder you here!

                • Crédits fous
                  And introducing Ingrid Bergman.
                • Versions alternatives
                  A re-release uses the title "Intermezzo" and lists the copyright owner as "Vanguard Films, Inc.", which was Selznick's company name in the 1940s. Ingrid Bergman is billed first in the opening credits, which also are more elaborate than the original release. The end cast credits, however, are identical.
                • Connexions
                  Featured in Hollywood: The Selznick Years (1969)
                • Bandes originales
                  Intermezzo
                  (1936) (uncredited)

                  Music by Heinz Provost

                  Played at the concert by Leslie Howard on violin and John Halliday on piano

                  Played by Howard and Ann E. Todd on piano at their home

                  Played by Howard and Ingrid Bergman on piano at a concert

                  Played on a zither by Howard

                  Used as background music often

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                FAQ17

                • How long is Intermezzo?Alimenté par Alexa

                Détails

                Modifier
                • Date de sortie
                  • 20 février 1946 (France)
                • Pays d’origine
                  • États-Unis
                • Langues
                  • Anglais
                  • Français
                • Aussi connu sous le nom de
                  • La rançon du bonheur
                • Lieux de tournage
                  • Monterey, Californie, États-Unis
                • Société de production
                  • Selznick International Pictures
                • Voir plus de crédits d'entreprise sur IMDbPro

                Box-office

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                • Budget
                  • 800 000 $US (estimé)
                Voir les infos détaillées du box-office sur IMDbPro

                Spécifications techniques

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                • Durée
                  1 heure 10 minutes
                • Couleur
                  • Black and White
                • Rapport de forme
                  • 1.33 : 1

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