Ask a Policeman

Turnbotham Round has no crime, something that becomes common knowledge after a radio programme is broadcast from the village. Upon hearing this broadcast, the top brass at Scotland Yard send word that if there is no crime there, then why employ policemen to police the village? Realising that their good lives are about to come to an end, inept coppers Dudfoot (Will Hay), Brown (Graham Moffatt) and Harbottle (Moore Marriott) set about making some arrests. What they hadn't bargained for was the uncovering of a smuggling ring and the unleashing of the phantom headless horseman.

Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later.

Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10

Will Hay's best-known film is the classic "Oh, Mr Porter" but this one isn't far behind. Hay is cast in his favourite role ; a seedily incompetent authority figure who conceals his uncertainty behind bluster and bombast.

This is one of those rare films where the plot is almost an intrusion ; who cares about a smuggling ring in rural England, when we can instead enjoy the antics of Hay and his cohorts, playing possibly the most inept police team in the history of law enforcement. Their attempts to set a speed trap, and then to justify their results to an irate motorist, may be the high spot of the film.

What a comedy! This is a movie that had me laughing from beginning to end. Even after all these years the one line gags from Will Hay are superbly timed. The movie plot about smugglers is good but all three main characters make this film a real hoot as local village policemen. I have this on video and watch it regularly if I need a laughter pick-me-up! Classic line, they need to arrest someone to prove the village needs a local bobby, Moffatt suggests Guy Faulkes, to which Will Hay replies "he's not a criminal, he invented fireworks" brilliant!

Please watch it, you'll love it.

Wacky British humor abounds in this story of three bumbling policemen (including a very old man and a very overweight youth) who run the tiny station in the quiet (so quiet there's nothing out at night except, of course, the night-riding "Headless Horseman") English village of Turnbottom Round where there has not been a single arrest made in over ten years. Promoting with pride this lack of crime on a radio program one evening, the next day the station gets a notice from the chief constable that their station is no longer needed, the policemen working there to be "retired or transferred". So - our three officers come up with the idea to *create* some crime, first putting up a local "speed trap", then later getting mixed up with a gang of real smugglers.

This film is, yes, quite silly, but very entertaining and amusing - boosted up considerably by the three actors who play the policemen. They seem to have a real camaraderie and rapport with each other, all look like they're having a great deal of fun making this. One very funny scene has the oldest policeman visiting, of all things, his even older father - played by the same actor, dressed up in bed with long white beard. One missed bit of humor I thought they could have done here though - they mention that the father still has a living wife and I thought it would have been funny if they had the same actor dress as her too and come out into the room. In fact, that is what I was expecting when the woman was mentioned, but it didn't happen - ah well. A quite humorous and enjoyable film.

Ask a policeman has always suffered from close comparison with Oh, Mr. Porter! and is therefore (unfairly) usually considered an inferior film. On its own it would stand up very well, with plenty of gags to the minute and set-pieces all working throughout, but because the plot was a retread from the previous classic it tends to be forgotten. And it's a pretty direct lifting at times, too! However, the gags do work and are different to reflect the slightly different situations the characters find themselves in and this alone can sustain the interest.

Instead of being railway employees at a lonely railway station up against smugglers this time they're police officers at a lonely police station up against smugglers.

In other words it's a beautiful re-run of OMP, but after watching it you can still think of just how inventive Val Guest, Marriott Edgar and Sidney Gilliat were in the screenplay, just how versatile Hay, Moffat and Marriott were in their portrayals of the Superior, Albert and Jerry and what a marvellous bookend this is for Oh, Mr.Porter!