Convict 99

...but yet SO ridiculous that it draws you in and you have to stay watching to see what happens.

Benjamin Twist was a school master, and he's at this agency wanting a job in a school for reformed boys. But a general misunderstanding/mistaken identity gets him instead a different job, that of a prison governor! You see the man they wanted for the job is called Mr. Benjamin, as in *last* name Benjamin. So when everyone starts calling Mr. Twist 'Benjamin' (which is his first name), he just calls them all by their first names back and they all think he's such a riot. He does eventually realise their mistake, but at the same time finds out that the job pays £2000 a year; where the job he was actually after only pays £75. Well, being a prison warden isn't THAT much different from being schoolmaster to difficult boys, is it...

Whilst the changes Will Hay makes to the prison aren't quite as pink and fluffy as what Paddington achieves in PADDINGTON 2, you can't help drawing comparisons. Both films are warm, silly, funny and uniquely English.

Like the Carry On films, all Will Hay's Gainsborough films including CONVICT 99 essentially have the same plot and characters as all the others. It was however such a brilliant plot with such brilliant familiar characters that they could keep remaking the same picture over and over again and they'd still feel fresh. This one has different writing team to usual and they have created a story that's slightly more sophisticated (not a word often found in a Will Hay review!) from his other pictures.

Obviously it's not as good as OH MR PORTER because that's OH MR PORTER but being from Mr Hay's golden period, this is still one of the best comedies of the 1930s. ASK A POLICEMEN and WINDBAG THE SAILOR are possibly closest in style to PORTER but this very close.

When it turns out that "Twist" (Will Hay) is no good as an headmaster he is turfed out and looking for a new job! An administrative mix up sees him appointed the governor a prison, and after another which sees him temporarily behind the bars, he tries to ingratiate himself with the prisoners and, predictably, they run rings round him as he is soon well out of his depth. Will Hay had good comedy timing and together with a decent cast of regulars manages to raise a laugh or two, but the film is way too long and the joke doesn't really sustain it for ninety minutes. That said, though, it is still quite watchable, if only to remind us was made us laugh in the simpler, less cynical days before the second world war.

I had ordered the marvelous Oh Mr Porter from my DVD rental firm and was sent Convict 99 by mistake. This is not a patch on Oh Mr Porter; indeed I found it alternately boring and pathetically unfunny. It might have been a hoot in 1938, but it has not worn well. The backchat between Will Hay, Moore Marriott and Graham Moffat, hilarious in Oh Mr Porter, is here irritating and totally unfunny. The story is, of course, completely unbelievable, but that doesn't matter if the situations are comic, or the dialogue amusing. I just thought the whole thing a total waste of time. I'm trying to get Oh Mr Porter to reassure myself how funny Will Hay and his team can be. A complete dud.

What better compliment can I give it to say that, yes, it's not as funny or as well directed as "Oh, Mr Porter" and yes, Moffat and Marriott are underused, but it is still a Will Hay classic, and to my opinion its his second best movie.

The plot is basic - Hay becomes in charge of a prison by mistake, having the same first name as the new governor's last name... he arrives drunk and gets mixed up with a new batch of prisoners...one (number 99) escapes in the process and the guards think Hay is Convict 99... 99 is recaptured and Hay then takes up his position as governor...prisoners run the prison...99 escapes with Hay's money...prisoners escape, get the money back and break into the bank to give Hay back his money.

Okay so it makes little sense, but it is fun to watch!