Nuits de bal

This is a charming movie featuring an nonmustached, gorgeous Errol Flynn and a young, lovely Bette Davis. Davis gives a wonderful ingénue performance as the less fortunate of three pharmacist's daughters who live and love at the turn of the century (with the action beginning with the election of Roosevelt and ending with the election of Taft). The Davis character marries Errol Flynn, who runs into trouble with employment and alcohol. The other two daughters stay closer to home and do better. Davis, however, is determined to stand by her man and make her marriage work.

It's delightful to see these stars in somewhat different roles than they would play later in their careers. They are ably supported by Anita Louise, Jane Bryan, Ian Hunter, Beulah Bondi, Lee Patrick, Dick Foran, Alan Hale, and Laura Hope Crewes.

The Warners film intended to be true to the book - however, the preview cards demanded another ending. I have to say, I like the changed ending as well.

Bette Davis (as Louise Elliott) is a Montana woman who marries San Franciscan sports reporter Errol Flynn (as Frank Medlin). Her sisters Anita Louise (as Helen), and Jane Bryan (as Grace) marry at the same time; the three sisters find wedded bliss is short-lived. Supporting floozies Lee Patrick and Laura Hope Crews are a very well-matched mother and daughter tag-team who befriend the deserted "Louise".

Whatever the film's original intentions may have been, it is really about ONE sister; naturally, it's the sister played by Bette Davis, and HER marriage to the character played by Errol Flynn. The stars are in fine form as the love-struck young couple who hit on hard times. Ms. Davis is refreshing as a housewife who becomes ill in a smoke-filled boxing arena, and Mr. Flynn is convincing as the husband who drinks to heal his wounded pride. Flynn asks a significant question about his character: why did marriage make his wife strong, and himself weak? Similarly, the objective of "The Sisters" as a film is strong, and the story weak. Yet, the production level is high; and, historical events like Presidential elections (Roosevelt, Taft) and the San Francisco earthquake are used to great advantage.

****** The Sisters (1938) Anatole Litvak ~ Bette Davis, Errol Flynn, Anita Louise

This movie is about three affluent sisters, the men they marry and the result this has on their lives. The focus in particular is on Bette Davis and her unwise choice of Errol Flynn for a husband. This SHOULDN'T come as a big surprise to the audience, as this sort of behavior is more expected from the real-life Flynn than the other male leads! The other sisters have differing success with their love lives, though through it all they have a strong sense of family and decency.

The movie scores high marks for excellent acting, writing and production values. While not the best Warner Brothers has to offer, it certainly is among their better efforts.

"The Sisters" is not seen often these days. It is a curiosity piece because it's a minor Bette Davis film in which she plays an ordinary woman, a departure from some of her other more intense dramas we are more accustomed to seeing. As directed by Anatole Litvak, the film doesn't show anything new.

The story about the Eliott sisters from Montana, is mildly interesting. The Eliott household is a happy one. We see them at the beginning of the film as they are preparing for the election night ball in their small town in which Theodore Roosevelt is the winner in the presidential race. The three sisters make a quite an attraction among the young male population because their good looks.

What appears to be a nice family when we first meet them, suddenly fades into memory as the three sisters go in different directions, as life intervenes along the way. Louise, the older sister, proves to be a survivor, if only she has to experience a lot in her own life before real happiness can be achieved. Helen, the beautiful middle sister, marries an older man who offers her security. Grace, the younger one, is the only one to stay in town and marries Tom.

Louise experiences the worst fate of all the sisters when she finds herself abandoned in San Francisco by her husband Frank. He wants to get away from the scene of his failure in order to prove himself worthy of Louise's love. By going overseas as a merchant seaman, he wants to see if he can make any good out himself. Louise is in the middle of the 1906 earthquake and loses all she had.

At the end, all sisters are back home on another election night ball as they watch Willliam Taft being proclaimed as president of the nation. Their lives come together at the end, as all find peace.

The most exciting time in the film centers around the vivid scenes of the San Francisco earthquake. It's done in a realistic manner. Louise is helped by the next door neighbor, a woman of easy morals, who turned out to be a real friend.

The performances are good, but don't expect any sparks from the subdued Louise of Bette Davis. Ms. Davis gives a nuanced performance. The problem is, one expected an over the top star turn by the actress, and her Louise is the epitome of common sense and kindness. Errol Flynn, as Frank, the deserting husband, is seen in a different role as well. He is not as dashing and debonair as in his signature performances, but in spite of playing against type, his take on Frank gives another dimension of his acting range.

The beautiful Anita Louise makes an interesting contribution to the film. Ian Hunter as the kind Mr. Benson, also adds to the picture. The wonderful Lee Patrick plays Flora, the good neighbor, with conviction. Donald Crisp makes another great appearance as Frank's friend. Henry Travers and Beulah Bondi are seen as the Eliott sister's parents. Jane Bryan, as Grace has some good moments, but she is eclipsed by the more interesting older sisters.

This is a film to watch Bette Davis and Errol Flynn playing roles that are completely different from others we are used to see them in.

This is a most excellent drama, set in San Francisco from 1904 to 1908, with the great earthquake of 1906 at its center. While the business failure of Flynn's character is a little unrealistic, both he and Bette Davis play sympathetic characters; they made me feel the disappointment of people who expect a lot out of Life and then suffer through its hardships.

The scenes of the earthquake are terrific - don't miss the seemingly ENDLESS shaking and destruction of Bette's rented room, as her neighbor comes screaming into the room looking for comfort, and the indoors gives way to the OUTDOORS! Very nice effects for 1938, 60+ years before computer imaging! That part of the story seems all the more poignant to me, now that we know the death figures were faked - at least 10 times as many died as the officials admitted.

I won't give away the ending, but it was satisfying and made me glad to have seen the film. Do catch it on Turner, which runs it a couple times per year.