Un mariage du tonnerre

Very good drama about a poor husband and wife (Ernest Borgnine and Bette Davis) who live in a cheap apartment in the Bronx and learn that their only daughter (Debbie Reynolds) is going to be getting married and wants only a very small wedding. Borgnine is all for going the cheap route, as he is a struggling cab driver who's recently trying to scrape together enough cash to buy his own cab and can't see the point in throwing away all his savings on one dinner for strangers; but Davis wants her girl to have a large affair, but mostly to make up for her own miserable wedding and lousy marriage. There are some powerfully charged emotional scenes, and both Davis and Borgnine are very good. Anyone who has ever prepared for a wedding will still be able to relate to much of the craziness that goes on. This is well directed by Richard Brooks, who keeps things moving nicely. Barry Fitzgerald is also a plus as Bette's older bachelor brother who lives in the apartment and might not even be invited to the wedding. ***1/2 out of ****

An unjustly neglected "kitchen sink" movie from the fifties, with fine performances by all and intriguing New York locations.

Bette Davis and Ernest Borgnine portray the very much working-class parents of a young woman who is about to get married, and just wants a quick ceremony with no reception. But the mother, guilty about "not giving her daughter anything" over the years, pushes for an expensive "catered affair" that her husband cannot afford, and would use money he planned to devote to buying a taxicab license.

Davis' brassy performance has received the most attention, but Borgnine's subtle, nuanced portrayal of the father is what really sustains this movie. Barry Fitzgerald provides comic relief as a "oirish" uncle. Altogether a charming and touching film that is very much a slice of life of NYC in the fifties. Like the other Chayefsky scripts of this era, it explores themes that would have been unpalatable or mawkish for any other writer.

The plot of "The Catered Affair" is extremely simple, and the action develops all around the plans for the wedding. It's the actors that make this little movie truly remarkable. Bette Davis is just great as Agnes, the mother who wants her daughter to have a grand wedding even if, doing this, compromises the family's finances and her husband's dream of buying his own cab. She is just amazing in portraying a simple and strong woman who ran the family through tough times and got used to a marriage of sacrifices and hard work. Her dreams, hopes and aspirations are all coming back in the occasion of her daughter's wedding. No matter what the rest of the family really want. Ernest Borgnine is as good in the role of Tom, Agnes' husband and father of the bride, especially in the scenes in which faces his wife. A simple, intense drama with excellent actors.

This delightful production is full of life; a vignette which cuts deep to reveal the quiet despair, sullen defeat, and ultimate triumph of a marriage which had always looked back at its shameful beginning, but finally is freed to discover itself anew.

Davis' mastery of the Brooklyn tone and colloquialisms is uncanny. Her "Aggie" is real, and sympathetic, if not admirable. Her pain from the awakening knowledge of having only lived with, but not shared life with her daughter and husband touches us where it hurts. The fix of manipulating a "big" (but unaffordable) wedding for her daughter falls flat, forcing Aggie to grapple with the real issues of her life.

Her bachelor brother "Uncle Jack" (Barry Fitzgerald) is Aggie's counterpoint, full of Blarney, enjoying every moment to its fullest, as when he playfully informs delightful Mrs. Rafferty (his future bride) of her debt in their running game of Cannasta: $24,700.

Debbie Reynolds is lovely, earnest, in character and hard-hitting as Aggie's daughter Jane, sacrificing her own wishes, and torn between the conflicting needs of her mother and father.

Borgnine is the under-appreciated, self-sacrificing husband, giving up his long held dream of owning a taxicab if it would satisfy his wife, finally pleading his own case, and finding joy in his marriage.

A compelling story with excellent acting and staging.

I enjoyed this movie very much. It seems like it was originally done as a television drama and ended up being released theatrically. The cast, screenwriter and director are all top of the line and they all did very good work in this little seen movie. I believed in each character and the drama is not overdone at all.