Dans l'Angleterre du dix-septième siècle, une fille de la campagne, Amber St. Clair, a pour ambition de s'élever au niveau de la noblesse et y parvient, mais ce faisant, perd son véritable a... Tout lireDans l'Angleterre du dix-septième siècle, une fille de la campagne, Amber St. Clair, a pour ambition de s'élever au niveau de la noblesse et y parvient, mais ce faisant, perd son véritable amour.Dans l'Angleterre du dix-septième siècle, une fille de la campagne, Amber St. Clair, a pour ambition de s'élever au niveau de la noblesse et y parvient, mais ce faisant, perd son véritable amour.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 1 nomination au total
- Lord Redmond
- (as Edmond Breon)
- Bess
- (scènes coupées)
Avis à la une
Another reviewer compared it to Gone With the Wind. You can look at that in two ways, the interaction between Linda Darnell and Cornel Wilde and compare it to Vivien Leigh and Clark Gable. Lots of similarities there. But also the book itself was a blockbuster best seller in the Forties as Gone With the Wind was in the previous decade and brought in a built-in audience.
Kathleen Winsor when she wrote the novel was married to her first husband a football player who was a history student. For his honor's thesis he was writing about the Stuart Restoration. From his research material, Winsor became fascinated with the period and created her novel.
20th Century Fox and Otto Preminger got the rights and did a fine job in recreating the United Kingdom of the 1660s. Linda Darnell got one of her best roles in her career as Amber, a high spirited and vivacious girl like Scarlett O'Hara, who finds true love, but sacrifices it for ambition.
In class conscious times as those were there were few venues for people to rise, even less if you were a woman. Darnell rises from Newgate Prison to the court of Charles II where she becomes one of Charles's numerous mistresses. Along the way she uses many men, like highwayman John Russell, army captain Glenn Langan, nobleman Richard Haydn and even her own true love nobleman Cornel Wilde with whom she has a son out of wedlock.
Presiding over it all is a world weary and cynical George Sanders who plays Charles II. Sanders would play The Merry Monarch in another and vastly inferior film called The King's Thief. He does capture the jaded cynicism of Charles II so very well, it's one of his top five career parts.
If the title role in the film were about the male lead Bruce Carlton, I'm sure Darryl Zanuck would have cast Tyrone Power in the part as he appeared in several films opposite Linda Darnell. Instead Cornel Wilde steps in and he's a most dashing Restoration nobleman and seeker of fortune in the New World.
The most spellbinding performance and so against type is that of Richard Haydn as the elderly rake, Lord Radcliff. He's a widower who's looking for a 17th century trophy wife and finds one in Linda who at the point in time he first meets her is an actress. He's a coldblooded person of mystery and menace and really registers it well on the screen. He marries Linda and she inherits his title when he dies.
Haydn is killed in a thrilling scene involving the great fire of London which occurred in 1666. It's the highlight of the film and I can't say any more about how and why he's killed, but trust me it was one deserved end.
Though Forever Amber is a good film, it could have been far better, but for censorship problems. Still it provides Darnell, Sanders, and Haydn with some of their best career parts and is worth seeing.
This is based on a period-piece romance novel. The name that caught my eye is director Otto Preminger. It's three years after his stylistic masterpiece Laura. It's the days of the powerful studio head and Zanuck had him under contract. He is given this prestige affair with a big budget. The material is rather scandalous at the time which Zanuck used with the expected censor opposition. It's nothing nowadays and this costume affair seems rather stiff. I don't know much about Linda Darnell. She seems to have a long and varied career with this as one of her highlights. She's beautiful and she's doing some broad acting. This is reminiscent of the style of Gone with The Wind except it is far inferior. It's rather pulpy where the sexual opportunism wears out its salacious welcome. It's compelling enough to watch but I don't find the ambitious Amber to be that appealing.
Now this brings up a serious problem In the Hollywood of 1947, the Production Code made it virtually impossible to film the script unless huge changes were made in the story. Well, apparently Twentieth Century-Fox STILL didn't sanitize the story enough...and the Catholic Legion of Decency condemned the film. The movie was quickly withdrawn from theaters, scenes were re-shot and it returned to theaters....where it was wildly successful. Despite a huge price tag of $6,000,000, it went on to be the top grossing film of the year. I wonder how much of the Catholic Legion of Decency hubbub actually ended up HELPING the film!
Linda Darnell stars as Amber St. Clair, a young girl from a good middleclass English family who lived during the Restoration period (when the monarchy was invited back to rule after the death of Cromwell in 1660). Amber is NOT a normal lady by any standard of the day and her family shocked when she not only refuses to marry the man they picked out for her but she then runs away to make her fortune. This essentially consists of sleeping her way up through the English gentry....with a brief period in which she slummed it with a highwayman. Throughout all her many affairs, she is most devoted to Bruce Carlton (Cornel Wilde)...though they never seem to connect up for long.
When I watched the movie, I could tell some cuts had been made in a few places. One was odd, as she suddenly ended up pregnant...and you really weren't sure what happened there and it remained that way through much of the picture! Well, she obviously slept with a guy....but who? And, after the baby was born you don't hear any more about the baby until late in the story. Was the tike misplaced somewhere or perhaps taken by aliens and then returned? Who knows?!
As far as the film goes, in many ways it's like a reworking of the Pre-Code film, "Red-Headed Woman"...in which Jean Harlow's character sleeps her way up through the social ranks. But of the two, "Red-Headed Woman" is the better film in many ways....mostly because it was much more open about the character's sexuality and the movie ended with the character receiving neither punishment nor learning a thing along the way! But with bowing to the Legion of Decency's demand for cuts, the film comes off as more episodic and confusing about Amber's sex life! Plus, let's be honest, the film is a lot less entertaining when it's less sleazy. As far as the production goes, it looks nice in rich Technicolor...but is also a tad stilted and dull after a while.
Le saviez-vous
- AnecdotesTo recreate the foggy British atmosphere on the set, the crew used a mixture which was vaporized over the place, but became rapidly laxative. As a result, half of the crew got diarrhea after breathing and swallowing the artificial fog.
- Citations
King Charles II: [at a royal ball] Look at them. My loving subjects. You'd never know that half of them danced in Puritan garb while my father went to the chopping block.
Amber St. Clair: [moved] No wonder you seek solace in amusement, sire.
Amber St. Clair: [slyly] Can a common trollop help you to forget?
- Crédits fousPrologue: "1644--The English Parliament and Oliver Cromwell's army have revolted against the tyrannical rule of Charles I. England is aflame with civil war..."
- Versions alternativesA couple of weeks after its record breaking premiere, studio heads finally caved into Catholic protests and re-cut the movie. Among the changes:
- References to Amber's sex life and any acts of non-marital romance were cut.
- SPOILER: A new ending in which Amber watches her son go off with Bruce.
- Redubbed dialogue in the form of Cornell Wilde repentative of his behaviour: "In Heaven's name, Amber, haven't we caused enough unhappiness?" and "May God have mercy on us both for our sins."
- Also a prologue was added that condemned the character's actions: "This is the tragic story of Amber St. Claire... slave to ambition.. stranger to virtue... the wages of sin is death".
- ConnexionsFeatured in 20th Century-Fox: The First 50 Years (1997)
Meilleurs choix
- How long is Forever Amber?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Durée2 heures 18 minutes
- Rapport de forme
- 1.37 : 1