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Ce long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, ... Tout lireCe long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, est chantée par un artiste de l'époque.Ce long-métrage est une anthologie de dix courts-métrages musicaux. Chacune des séquences, dont le titre s'anime dans le plus pur style des devantures des cinémas et théâtres des années 40, est chantée par un artiste de l'époque.
- Récompenses
- 1 victoire et 1 nomination au total
Nelson Eddy
- Narrator
- (voix)
- …
Laverne Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Maxene Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Patty Andrews
- Andrews Sisters
- (voix (chant))
- (as Andrews Sisters)
Benny Goodman
- Bandleader
- (générique uniquement)
Tatiana Riabouchinska
- Silhouetted Dancer
- (as Riabouchinska)
David Lichine
- Silhouetted Dancer
- (as Lichine)
Ken Darby
- The King's Men
- (voix (chant))
- (as King's Men)
- …
Jon Dodson
- The King's Men
- (voix (chant))
- (as King's Men)
Bud Linn
- The King's Men
- (voix (chant))
- (as King's Men)
Rad Robinson
- The King's Men
- (voix (chant))
- (as King's Men)
John Brown
- Umpire
- (voix)
- (non crédité)
Avis à la une
An episodic musical tapestry a' la Fantasia, only this one utilizes the pop music of circa 1946. Some are worth viewing, and others are worth fast-forwarding through. My own personal favorites are the two Benny Goodman numbers, "All the Cats Join In" and "After You've Gone". I haven't seen the now-deleted "The Martins and the Coys" sequence, but I do oppose the tampering of classic films in the name of "PC". If I had known this was the case with "Make Mine Music", I would have never bought the VHS tape.
One of Walt's early package films and not bad at that! Some segments are cloyingly hokey, of course, but most shorts are surprisingly playful and charming. The highlights: "The Martins and the Coys" is full of stereotyping and comic gunplay and simply fun to watch; "Casey at the Bat" is a whirlwind of poem recitation; the two Benny Goodman segments feature nice tunes and "Peter and the Wolf" and, particularly, "The Whale Who Wanted To Sing At the Met" are two of Disney's best cartoons.
Just skip the padding and enjoy this compilation!
7 out of 10 triple-voiced Nelson Eddys
Just skip the padding and enjoy this compilation!
7 out of 10 triple-voiced Nelson Eddys
"Make Mine Music" is a beautifully crafted binding of Disney shorts, and I think it is an improvement over "Melody Time". "Melody Time" did have some memorable parts especially "Once Upon a Wintertime", "Bumble Boogie" and "Johnny Appleseed", but what made "Make Mine Music" better was that it had a somewhat better variety of music and that it contains some of my all time favourite Disney moments. But like it is with "Melody Time" the success of the shorts is variable.
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
"The Martins and the Coys"(10/10)-Man I loved this! Probably the most underrated of all the shorts featured in this film. It mayn't be to everyone's tastes now, and it does stereotype the Appalachians, but what makes it so enormously entertaining is the fluid and colourful quality of the animation, the rollicking soundtrack and the vocals.
"Blue Bayou"(10/10)- I don't know where to begin praising "Blue Bayou". Whether it was the stunning animation, with the pristine and perfect blue backgrounds, the poetic lyrics and the lyrical, sensual melody of the song. And the music is sublimely sung.
"All the Cats Join In"(10/10)-One cool and jazzy cartoon. I am not always that fond of jazz admittedly, but the music courtesy of Benny Goodman and his orchestra is wonderful. Topped with clever and sophisticated animation and the story, even for a combination cartoon, works effectively.
"Without You"(9/10)- I liked this, the animation is gorgeous in this sequence and the song itself is sweet and memorable. Andy Russell does a good job with the singing. I will say though it doesn't rank as a favourite, and I can't put my finger on why, maybe it was to do with where it was placed in the film.
"Casey at the Bat"(8/10)-The pace is rushed here, but this cartoon is entertaining. I for one liked Jerry Colonna's mini-commentary-like vocals here, and I liked the animation too. "Casey at the Bat" is also very funny, certainly makes a game of baseball entertaining.
"Two Silhouettes"(8/10)-Don't get me wrong, I really liked this sequence. It is sentimental and sappy of course, but it looked beautiful, with graceful dancing, and the song was lovely, sensitively sung by Dinah Shore.
"Peter and the Wolf"(9.5/10)-Easily one of the better shorts of the film. Not my personal favourite by all means, but definitely memorable. The animation is beautiful here, the music is outstanding and the story is effective. Not to mention the characters are very well done, in fact the Wolf when my sister and I were little was so scary for us, my sister still refuses to see this cartoon, as she got nightmares from the Wolf and the French horn motif played to signify his entrance.
"After You've Gone"(8/10)- I do prefer "All the Cats Join In" but this is full of jazz and pizazz. It's running time though is disappointingly scant, and it is a tad rushed. The artwork is beautifully done though, and the music is wonderful. Another example of a combination cartoon, and works well at it.
"Johnnie Fedora and Alice Bluebonnet"(10/10)- I love how beautiful, simple and poignant this is. Coupled with nice animation, lovely music and beautifully blended vocals from the Andrews Sisters, this is a definite must.
"Willie the Operatic Whale"(or "The Whale Who Wanted to Sing At the Met")(10/10)-Save the best until last I'd say. Along with "Peter and the Wolf" this is the only other cartoon from the film I was familiar with before watching. This one is unforgettable, truly unforgettable with a truly special whale. The animation is gorgeous and charming, and the singing from undervalued Nelson Eddy is outstanding. What made this though was the opera music, it was wonderful to hear "Largo Al Factotum" from "Barber of Seville" and "Sextet" from "Lucia Di Lammermoor" to name a few. This was the cartoon that introduced me to the wonderful world of opera, that's why it is so special to be.
Overall, while there are one or two sequences that aren't as good as others, "Make Mine Music" is beautifully crafted, and I would recommend it. 8/10 Bethany Cox
Make Mine Music:
What a great collection of stories! I watched it fairly recently with my Dad and some other family at his house in Pinon Hills. I still cry at the "Johnny Fedora" and "Willie The Whale" stories. I grew up watching these and so many Disney cartoons and movies on our old 16 millimeter projector. We still have it, but it needs a bulb. My nephew Kurt brought this cartoon up on DVD. It was great to see my Dad's "name up in lights," so to speak, at least for animation credits. He loved seeing it again, altho' his eyes aren't so good now at age 92. But he is still hanging in there.
What a great collection of stories! I watched it fairly recently with my Dad and some other family at his house in Pinon Hills. I still cry at the "Johnny Fedora" and "Willie The Whale" stories. I grew up watching these and so many Disney cartoons and movies on our old 16 millimeter projector. We still have it, but it needs a bulb. My nephew Kurt brought this cartoon up on DVD. It was great to see my Dad's "name up in lights," so to speak, at least for animation credits. He loved seeing it again, altho' his eyes aren't so good now at age 92. But he is still hanging in there.
Make Mine Music finds Walt Disney in the midst of the transitional period between his first five animated features (Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Bambi) and the post-war revival begun with Cinderella (1950).
The idea of a casual variant of Fantasia featuring popular music was a good one. Even though the segments which comprise the film vary in quality, the film as a whole is a bright, colorful and amusing light entertainment which fit wartime needs ideally.
Highlights include two spirited Benny Goodman swing numbers ("All The Cats Join In" and "After You've Gone") and the unforgettable finale, "Willie the Operatic Whale", narrated and sung by Nelson Eddy. The animation is generally first-rate and the Technicolor film will dazzle any viewer not expecting a genuine masterwork.
Make Mine Music was successful enough to warrant a considerably better follow-up, Melody Time (1948).
The undistinguished but harmless "Martins and the Coys" segment, concerning the gun-feuding backwoods families of American folklore, has idiotically been removed from current editions, evidently for PC reasons. It's scary that Disney may start altering their classics to meet artificial modern standards. (If they had cut anything from Make Mine Music, it should have been the tasteless "Two Silhouettes" ballet, all doilies and valentines and icky fake sentiment.)
The idea of a casual variant of Fantasia featuring popular music was a good one. Even though the segments which comprise the film vary in quality, the film as a whole is a bright, colorful and amusing light entertainment which fit wartime needs ideally.
Highlights include two spirited Benny Goodman swing numbers ("All The Cats Join In" and "After You've Gone") and the unforgettable finale, "Willie the Operatic Whale", narrated and sung by Nelson Eddy. The animation is generally first-rate and the Technicolor film will dazzle any viewer not expecting a genuine masterwork.
Make Mine Music was successful enough to warrant a considerably better follow-up, Melody Time (1948).
The undistinguished but harmless "Martins and the Coys" segment, concerning the gun-feuding backwoods families of American folklore, has idiotically been removed from current editions, evidently for PC reasons. It's scary that Disney may start altering their classics to meet artificial modern standards. (If they had cut anything from Make Mine Music, it should have been the tasteless "Two Silhouettes" ballet, all doilies and valentines and icky fake sentiment.)
Le saviez-vous
- AnecdotesPierre et le Loup (1946) has an explicitly Russian setting and Russian characters who are portrayed sympathetically. It is an example of the period it was produced. For much of World War II, the United States and the Soviet Union were allies. Pro-Russian/Soviet works such as the film L'étoile du Nord (1943) were regularly produced by American creators. By 1946, when "Make Mine Music" came out, the War had recently ended and the two countries were still nominally allied. The tensions that would lead to the Cold War were already present, but major actions of hostility did not take place until 1947. It was only then than Anti-Soviet sentiment became the norm in the United States.
- GaffesWhen newspapers announcing the discovery of Willie the Whale are shown, one compares him to the "Lock Ness Monster." The correct spelling is "Loch".
- Versions alternativesIn 2000 Disney cut the entire "Martins & Coys" sequence from the film due to the comic gunplay which they feared could be confused with reality by children.
- ConnexionsEdited from Si vous m'aimiez autant (1946)
- Bandes originalesMake Mine Music
(1946) (uncredited)
Music and Lyrics by Ken Darby and Eliot Daniel
Sung by an offscreen chorus during the opening credits
Meilleurs choix
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- How long is Make Mine Music?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Make Mine Music
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 15min(75 min)
- Rapport de forme
- 1.37 : 1
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