À l'Ouest du Pecos

This excellent Robert Mitchum/Barbara Hale western is equal parts of action, comedy and romance. There's enough characters running around doing stuff that one never gets bored. In a nutshell, Chicago city slickers go west to take over an old hacienda that's been abandoned for years. Of course there's outlaws, stage coach chases, gun play and all sorts of goings on. I rented this from Netflix because after visiting and photographing the Zane Grey Museum in Ohio I'm trying to watch as many of Zane Grey movies as possible. This flick is definitely worth renting.

It was shot in Lone Pine California where many Hollywood westerns were shot. It seems Barbara Hale convinced the director to employ a guy she was sweet on, Bill Williams. He isn't around much in the movie but apparently he was around enough behind the scenes that Barbara managed to sink her hooks into the guy. They ended up married until his death and had three kids. One of the kids was William Katt, the actor.

This movie follows basically the same theme as "Stagecoach Kid". where a lady dresses as a boy and tries to pass as a boy briefly. Also, this movie has Richard Martin playing the character of Chito Rafferty. Unlike "Stagecoach Kid",Pecos doesn't realize that the "boy" is really a lady for a while, whereas the character played by Tim Holt in "Stagecoach Kid" plays along with the act. This movie has no surprises, the good guys win and the hero gets the girl at the end,but the characters are likeable,the story flows well.

This was an enjoyable movie, but I expected more from a 1945

western with Robert Mitchum. The theme (a women dressed as a

boy) has been handled better, both before & after this movie. Even

a lower budget Cisco Kid movie with Gilbert Roland did a better

job. What makes this movie enjoyable is the performance of

Barbara Hale. I didn't know she had it in her, but here she's cute,

funny, & a good actress. I'd go so far as to say that she stole the

show from Robert Mitchum, which is a very difficult feat to

accomplish. I rate it 5/10; it would have been lower without Hale's

excellent performance.

"West of the Pecos" is not to be confused with any of the great westerns of all time, or even of the 1940s. It is, nevertheless, a competently done little RKO-Radio Pictures western that reaches a surprisingly high level of quality considering its undeniable B-picture status.

First and foremost is the performance of the great Robert Mitchum in one of his earliest starring roles. I can't imagine how anyone would not be charmed by this seemingly laid-back, I-don't-give-a-dam young actor who offered viewers a persona pretty much unlike that of any other star. What was it about Mitchum that so many, me included, find so appealing? I guess it was his plain spoken, down-to-earth manner; totally unaffected, totally at ease regardless of whatever predicament he found himself in.

The plot is somewhat routine, that's true. But the actors are all more than competent, and we are also treated to some beautiful outdoor photography. The film was shot on location near Lone Pine, California, an area that has appeared in many, many movie productions over the years.

My only complaint, other than the fact that the script offers no surprises, is that there is almost too much comic relief, supplied mostly by Richard Martin, an actor who played a Mexican in many films despite the fact that he obviously never got beyond Spanish 1 in school. (I'm a Spanish teacher with over 30 years service, so take my word for it, the guy's Spanish accent is far from native.)

I suggest you take a look for yourself. "West of the Pecos" is not a bad way to spend a bit over an hour. Especially if you are a Mitchum fan.

Superior B-Western with Bob Mitchum in his second starring film. Lots of action and plenty of plot as Barbara Hale, her father and their French maid relocate from Chicago to Texas, stumbling across Pecos Smith (Mitchum) as he exacts revenge on the crooked vigilantes who killed his best friend, then hides out, just trying to stay alive. Hale spends a good portion of the film cross-dressing, so if you've ever wanted to see Mitchum invite what he thinks is a teenage boy into his bed for a cuddle, then this is the film for you. Bob is laid back, compelling, sometimes cool, just a few months away from the first great characterisation of his career in The Story of G.I. Joe.

(3 out of 4)